Da: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.
Paperback. 292pp. Some pencil underlining and marginalia on 3 pages else very good sound condition.
Lingua: Inglese
Editore: Getty Research Institute, Los Angeles, 2010
ISBN 10: 1606060414 ISBN 13: 9781606060414
Da: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Paperback. Condizione: Fine. 25.5 x 17.5 cm. 282pp.
Condizione: good.
Paperback. Condizione: Good+. Texts & Documents; Book contains highlighting from previous owner. - Great overall condition. Minor wear, no major blemishes. No writing.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.
Lingua: Inglese
Editore: University of Chicago press, 2010
ISBN 10: 1606060414 ISBN 13: 9781606060414
Da: INDOO, Avenel, NJ, U.S.A.
EUR 38,23
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
paperback. Condizione: As New. Used softcover like new. No spine creases, breaks, writing, highlighting or underlining. Clean, sharp serviceable copy.
EUR 18,57
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Aggiungi al carrelloHardback. . Reigl, Getty Trust Publications. Delivered three times between 1898 and 1902 and subsequently revised with an eye toward publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. In his approach and content, Riegl offered a markedly different account from that of Heinrich Woelfflin and other contemporaries: the beginning of the new artistic era extending from the 1520s to the seventeenth and eighteenth centuries was to be judged by its own rules and not merely as a period of decline. This first English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his charisma as a lecturer. His text is full of perceptive observations on the most important artists of the period from Michelangelo to Caravaggio. By taking the spectator into consideration, Riegl identifies a crucial defining change between Renaissance and Baroque art and provides invaluable inspiration for present-day readers. Hardback.
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: New.
EUR 47,11
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Aggiungi al carrelloCondizione: New. Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer. Num Pages: 292 pages, 47 b&w illustrations. BIC Classification: 1DST; ACQB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 251 x 179 x 19. Weight in Grams: 884. . 2010. 0th Edition. Paperback. . . . .
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Getty Trust Publications, US, 2010
ISBN 10: 1606060414 ISBN 13: 9781606060414
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 59,64
Quantità: 4 disponibili
Aggiungi al carrelloHardback. Condizione: New. Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This first English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer. His text is full of perceptive observations on the most important artists of the period from Michelangelo to Caravaggio. By taking the spectator into consideration, Riegl identifies a crucial defining change between Renaissance and Baroque art and provides invaluable inspiration for present-day students and readers. Baroque was born in Italy, and later adopted in France, Germany, Netherlands, and Spain. The world 'baroque' was first applied to the art of the period from the late 1500s to the late 1700s, by critics in the late nineteenth century.
EUR 52,44
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Aggiungi al carrelloCondizione: New. pp. x + 279 48 Illus.
EUR 50,92
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Aggiungi al carrelloCondizione: new.
Condizione: New. Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer. Num Pages: 292 pages, 47 b&w illustrations. BIC Classification: 1DST; ACQB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 251 x 179 x 19. Weight in Grams: 884. . 2010. 0th Edition. Paperback. . . . . Books ship from the US and Ireland.
EUR 54,87
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Aggiungi al carrelloPaperback. Condizione: Brand New. 292 pages. 10.00x7.00x0.80 inches. In Stock.
EUR 52,99
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Aggiungi al carrelloCondizione: New.
Condizione: New. pp. x + 279.
EUR 56,39
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Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
EUR 63,07
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Getty Trust Publications, US, 2010
ISBN 10: 1606060414 ISBN 13: 9781606060414
Da: Rarewaves.com UK, London, Regno Unito
EUR 55,57
Quantità: 4 disponibili
Aggiungi al carrelloHardback. Condizione: New. Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This first English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer. His text is full of perceptive observations on the most important artists of the period from Michelangelo to Caravaggio. By taking the spectator into consideration, Riegl identifies a crucial defining change between Renaissance and Baroque art and provides invaluable inspiration for present-day students and readers. Baroque was born in Italy, and later adopted in France, Germany, Netherlands, and Spain. The world 'baroque' was first applied to the art of the period from the late 1500s to the late 1700s, by critics in the late nineteenth century.