Isbn: 9781853322730 - the end of the line: attitudes in drawing (4 risultati)

Lingua: Inglese
Editore: Hayward Gallery Publishing, United Kingdom, London, 2009
- Brossura
Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 42,06
EUR 6,53 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibile
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

- Brossura
- Prima edizione
Da: Marcus Campbell Art Books, London, Regno UnitoMarcus Campbell Art Books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato
EUR 30,04
EUR 22,17 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibile
Paperback. Condizione: Near fine in wraps. First Edition. 20 x 22cm 120pp near fine paperback exhibition catalogue with an essay: 'On the Elements of Drawing' y Brian Dillon followed by colour reproductions of works by Jan Albers, Michael Borremans, Marc Brandenburg, Kate Davis, Garrett Phelan amongst others.…
Altre immagini- Brossura
- Prima edizione
Da: Art-Cura Studios, Ostrhauderfehn, NI, GermaniaArt-Cura Studios
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 20,00
EUR 38,00 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibile
Soft cover. Condizione: Good. 1st Edition. Condition: Good, all pages good, no markings, cover shows normal wear. 120 pages; format: 22,1 x 20,0 x 1,0 cm; book weight: 480 g.

- Brossura
Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
Contatta il venditoreVenditore con 2 stelleCondizione: Nuovo
EUR 1794,73
EUR 2,65 spedizioneSpedito in U.S.A.Quantità: 1 disponibile
Paperback. Condizione: New. The End of the Line: Attitudes to Drawing features 11 internationally acclaimed artists, including Jan Albers, Michael Borremans, Marc Brandenburg, Fernando Bryce, Kate Davis, Monika Grzymala, David Haines, Kim Hiorth0y, Sandra Vasquez de la Horra, Garrett Phelan and Naoyuki Tsuji. As a group, their work represents a vast range of possible interpretations of drawing, from meticulously rendered quotidian scenes to three-dimensional drawings that merge with and respond to architectural space. Though drawing foundered in art schools during the 1970s, tainted by academicism, recently it has undergone a resurgence of popularity, partly because of its accessibility as a tool for communicating personal visions and ideas. Each of these artists treats drawing as a primary means of expression and a practice in its own right. Writer and Cabinet magazine editor Brian Dillon explores these ideas and the context of drawing within contemporary art.…