9781857094978 - bridget riley: paintings and related work di wiggins, colin; bracewell, michael; prather, marla (8 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

SOFTCOVER. Condizione: New. 1st Edition. 1st printing. Large 4to. in colour printed stiff card covers, 78pp on stiff glossy art paper, colour plates (1 folding), etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS. …

SOFTCOVER. Condizione: NEW. Condizione sovraccoperta: Issued without a dustjacket. 1st Edition. 1st printing. Large 4to. in colour printed stiff card covers, 78pp on stiff glossy art paper, colour plates (1 folding), etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Softcover, 78 pages; very good condition, except small bump / tear to bottom edge of rear cover near spine; inscribed and signed by Bridget Riley on half-title page; no other internal marks. Foreign shipping may be extra.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

4°, 78 S. mit sehr zahlreichen Abbildungen, Orig.-Klappbroschur. Erste Ausgabe.- Auf Vortitel eigenhändige Widmung von Riley an den ehemaligen Direktor des Kunstmuseum Krefeld Martin Hentschel.- Rücken mit kleiner Läsur.

Paperback. Condizione: New. For 50 years Bridget Riley has been regarded as one of Britain's most important abstract artists, renowned for large paintings that feature complex, repetitive geometric shapes and undulating linear patterns. It is fascinating to discover that she sees her decidedly modern paintings as following in an Old Master pictorial tradition. This affinity stems from a lifelong passion for paintings in the National Gallery, London, with which she was first associated as a young student, and later as a Trustee and exhibiting artist. This book celebrates the artist's long engagement with the National Gallery. The authors discuss the significance of paintings from the Gallery's collection that Riley chose for exhibition alongside her own works, and they explain how the fluid lines of Renaissance and Baroque paintings, together with their palette of ochres, salmon, greens, and light blues, translate into the abstracted shapes that appear in Riley's work. The authors also demonstrate how the techniques and methods of modern masters including CÃ zanne, Seurat, and Matisse exert an important influence on Riley's paintings.…