Condizione: As New. Unread book in perfect condition.
Paperback. Condizione: new. Paperback. During the early 1960s, Riley's black-and-white work employed elementary shapes to convey movement and light. Having tested this limited set of means, the artist incorporated colour into her paintings in 1967. This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February25 June 2016) that chronicles the period of change which took place before, during and after Riley's representation of Great Britain at the 34th Venice Biennale. Using Rise 1 (1968) as a starting point, the carefully selected group of paintings and works on paper from 196785 situate this important painting within its context. Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Riley's ensuing career. AUTHOR: Paul Moorhouse is a curator at the National Portrait Gallery. SELLING POINTS: . This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February25 June 2016) that chronicles the period of change which took place before, during and after Riley's representation of Great Britain at the 34th Venice Biennale Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Bridget Rileys ensuing career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: New.
paperback. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Museums Sheffiled and Ridinghouse, 2016
ISBN 10: 1909932205 ISBN 13: 9781909932203
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 56 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Lingua: Inglese
Editore: Museum Sheffield and Ridinghouse, Sheffield, United Kingdom, 2016
ISBN 10: 1909932205 ISBN 13: 9781909932203
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First edition. Softcover. 48 pages. Exhibition catalog for a show that ran February 18 through June 25, 2016. Features an essay by Paul Moorhouse. Includes numerous color illustrations. A fine copy in French style wrappers.
EUR 17,53
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: New.
Stiff Wrappers. Condizione: Fine Condition. 60 pages 28 illustrations in color. Stiff Illustrated wraps. Published on the occasion of the exhibition from the Museums Sheffield 18 February-25 June 2016. Book.
EUR 18,51
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
EUR 27,93
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Aggiungi al carrelloPaperback. Condizione: Brand New. 56 pages. 12.00x10.00x0.30 inches. In Stock.
EUR 24,89
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
EUR 31,04
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Examining a breakthrough moment in Bridget Rileys career, the latest volume in the extensive library of focused publications on the artists oeuvre illustrates the importance of color in her investigations of visual contrast and perception. During the early 1960s, Rileys black-and-white work employed elementary shapes to convey movement and light. H.