9781910695418 - Essayism di Dillon, Brian (21 risultati)

Condizione: New.

Paperback. Condizione: New. Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and invention.    How to write about essays and essayists while staying true to these contradictions? Essayism is a personal, critical and polemical book about the genre, its history and contemporary possibilities. It's an example of what it describes: an essay that is curious and digressive, exacting yet evasive, a form that would instruct, seduce and mystify in equal measure. Among the essayists to whom he pays tribute - from Virginia Woolf to Georges Perec, Joan Didion to Sir Thomas Browne - Brian Dillon discovers a path back into his own life as a reader, and out of melancholia to a new sense of writing as adventure.

Trade Paperback. Condizione: Very Good. Very good trade paperback with French flaps, Shakespeare & Company stamp on half title.

Paperback. Condizione: new. Paperback. The essay is a venerable form that may well be the genre of the future. It has its origins in a mode of self-examination and even self-obsession - 'it is many years now that I have had only myself as object of my thoughts', writes Montaignein his essay 'Of Practice' - but it is just as accurately defined by its vagrant and curious scope, its capacity to suborn any and every object to its elegant remit. It may not in fact be 'well made' at all, but a thing of fragments and unfinished apercus, or an omnium-gatherum like Robert Burton's capacious but recognizably essayistic Anatomy of Melancholy.The essay may not even be written, but instead a photo essay, film essay, radio essay or some hybrid of these and the literary archetype. It may belong to a self-conscious genre and have been written by an essayist who self-declares as such; or it might be conjured from a milieu where the labels 'essay' and 'essayist' would make no sense at all. The essay, in short, isa varied and various artefact. Its occasion might be scholarly - there are academic essays, though they tend to be essays to the extent that they wish to stop being academic - or it may be journalistic, institutional or 'creative'. The essay can be tethered to a specific (perhaps polemical) context or written with an ambition to timeless or universal import. Whatever its motivation or avowed theme, the essay possesses a style and a voice. Generic, structural and contextual definitions will vary, but the essay is at least recognizable by its having a certain texture - the essay alters or interferes to some degree with the language of non-fiction.Essayism is a personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a polemical point.'Dillon is a literary flaneur in the tradition of Baudelaire and Walter Benjamin - it is its own kind of self-made masterpiece.' - John Banville, Irish Times A personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a polemical point. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Paperback. Condizione: Brand New. 152 pages. 7.75x5.00x0.50 inches. In Stock.

Condizione: New. 2018. Paperback. ESSAYISM is a personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a polemical point. BIC Classification: DNF; DSK. Category: (G) General (US: Trade). Dimension: 197 x 125. . . . . . .

Condizione: New. 2018. Paperback. ESSAYISM is a personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a polemical point. BIC Classification: DNF; DSK. Category: (G) General (US: Trade). Dimension: 197 x 125. . . . . . . Books ship from the US and Ireland.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New.

paperback. Condizione: New.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: Very good.

Paperback. Condizione: new. Paperback. The essay is a venerable form that may well be the genre of the future. It has its origins in a mode of self-examination and even self-obsession - 'it is many years now that I have had only myself as object of my thoughts', writes Montaignein his essay 'Of Practice' - but it is just as accurately defined by its vagrant and curious scope, its capacity to suborn any and every object to its elegant remit. It may not in fact be 'well made' at all, but a thing of fragments and unfinished apercus, or an omnium-gatherum like Robert Burton's capacious but recognizably essayistic Anatomy of Melancholy.The essay may not even be written, but instead a photo essay, film essay, radio essay or some hybrid of these and the literary archetype. It may belong to a self-conscious genre and have been written by an essayist who self-declares as such; or it might be conjured from a milieu where the labels 'essay' and 'essayist' would make no sense at all. The essay, in short, isa varied and various artefact. Its occasion might be scholarly - there are academic essays, though they tend to be essays to the extent that they wish to stop being academic - or it may be journalistic, institutional or 'creative'. The essay can be tethered to a specific (perhaps polemical) context or written with an ambition to timeless or universal import. Whatever its motivation or avowed theme, the essay possesses a style and a voice. Generic, structural and contextual definitions will vary, but the essay is at least recognizable by its having a certain texture - the essay alters or interferes to some degree with the language of non-fiction.Essayism is a personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a polemical point.'Dillon is a literary flaneur in the tradition of Baudelaire and Walter Benjamin - it is its own kind of self-made masterpiece.' - John Banville, Irish Times A personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a polemical point. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. The essay is a venerable form that may well be the genre of the future. It has its origins in a mode of self-examination and even self-obsession - 'it is many years now that I have had only myself as object of my thoughts', writes Montaignein his essay 'Of Practice' - but it is just as accurately defined by its vagrant and curious scope, its capacity to suborn any and every object to its elegant remit. It may not in fact be 'well made' at all, but a thing of fragments and unfinished apercus, or an omnium-gatherum like Robert Burton's capacious but recognizably essayistic Anatomy of Melancholy.The essay may not even be written, but instead a photo essay, film essay, radio essay or some hybrid of these and the literary archetype. It may belong to a self-conscious genre and have been written by an essayist who self-declares as such; or it might be conjured from a milieu where the labels 'essay' and 'essayist' would make no sense at all. The essay, in short, isa varied and various artefact. Its occasion might be scholarly - there are academic essays, though they tend to be essays to the extent that they wish to stop being academic - or it may be journalistic, institutional or 'creative'. The essay can be tethered to a specific (perhaps polemical) context or written with an ambition to timeless or universal import. Whatever its motivation or avowed theme, the essay possesses a style and a voice. Generic, structural and contextual definitions will vary, but the essay is at least recognizable by its having a certain texture - the essay alters or interferes to some degree with the language of non-fiction.Essayism is a personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a polemical point.'Dillon is a literary flaneur in the tradition of Baudelaire and Walter Benjamin - it is its own kind of self-made masterpiece.' - John Banville, Irish Times A personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a polemical point. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Essayism is a personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a.

Paperback. Condizione: New. Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and invention.    How to write about essays and essayists while staying true to these contradictions? Essayism is a personal, critical and polemical book about the genre, its history and contemporary possibilities. It's an example of what it describes: an essay that is curious and digressive, exacting yet evasive, a form that would instruct, seduce and mystify in equal measure. Among the essayists to whom he pays tribute - from Virginia Woolf to Georges Perec, Joan Didion to Sir Thomas Browne - Brian Dillon discovers a path back into his own life as a reader, and out of melancholia to a new sense of writing as adventure.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: As New. 1st Edition. 1st Printing. Signed. 145 pages. Published in 2017. The author's book-length account on subject. One of the most brilliant books on the essay form ever written in our time. The true First Edition. Precedes and should not be confused with all other subsequent editions, particularly the American Edition. Published in a small and limited first print run as a softcover original only. The First Edition is now scarce. Presents Brian Dillon's "Essayism". Elaborately re-titled in the American Edition as "Essayism: On Form, Feeling, And Nonfiction". The elegant single-word title is apparently insufficient and demands reassurances for its American readers that this is not another attempt to espouse a political ideology like Communism or Fascism. "A compelling ode to the essay form and the great essayists themselves, from Montaigne to Woolf to Sontag. A book about essays and essayists, a study of melancholy and depression, a love letter to belle-lettrists, and an account of the indispensable lifelines of reading and writing. Incorporates diverse features of the essay. His is a branching book of possibilities, seeking consolation and direction from Michel de Montaigne, Virginia Woolf, Roland Barthes, Theodor Adorno, Walter Benjamin, Georges Perec, Elizabeth Hardwick, and Susan Sontag, to name just a few of his influences. Whether he is writing on origins, aphorisms, coherence, vulnerability, anxiety, or a number of other subjects, his command of language, his erudition, and his own personal history serve not so much to illuminate or magnify the subject as to discover it anew through a kaleidoscopic alignment of attention, thought, and feeling" (Publisher's blurb). It would surely be a shame if his neat little book were read only by a small group of cultists because it deserves to be read by every serious reader. Plus, the other great part of the book is surely its selection of titles, thoughtfully appended at the end, listing the books that Dillon was influenced by, joyfully, not anxiously. Many other literate readers may or may not know them. They will serve an important function: As a primary source of discovery and re-discovery, revelation and confirmation. An absolute "must-have" title for Brian Dillon collectors. This copy is very prominently, beautifully, and elaborately signed in blue ink-pen on the title page by Brian Dillon. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary classic. As far as we know, this is the only such signed copy of the true First Edition/First Printing (British) available online and is in especially fine condition: Clean, crisp, and bright. Please note: Precedes and should NOT be confused with the American Edition. A rare signed copy thus. One of the most brilliant essayist/writers of our time. A fine copy. (SEE ALSO OTHER BRIAN DILLON TITLE IN OUR CATALOG) ISBN 1910695416. Signed by Author.

Condizione: As New. Unread book in perfect condition.