Isbn: 9783775710114 - the geometry of innocence (20 risultati)

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: as new. Wie neu/Like new.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fine in a Fine jacket. 1st Printing. Thin Folio.

2001, Unpaginated. Illustrated. Hardcover, with dustjacket. 34,5x26cm. 1,5kg. In very good condition.

Condizione: Very Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good.

Hardcover. Condizione: Like New. Like New. First Edition. First Edition, First Printing. Not price-clipped ($19.95 price intact). Published by Hatje Cantz, 2001. Quarto. Black boards stamped in yellow. Book is like new with no writing, and sharp corners. Minor spine lean. Dust jacket is like new. 128 pages. ISBN: 3775710116. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. …

Hardcover. SIGNED. First edition. NEW hardback in dust jacket protected by mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. 128 pages; 94 color and 114 b&w photographic plates; 10 x 13.5 inches. Edition limited to 3500 copies. SIGNED BY SCHLES and inscribed and dated in the year of publication. LAID IN is a pre-publication announcement from Schles with illustrated card, an illustrated card from the publisher announcing the publication of the book, and a card and envelope announcing a book signing at ICP, NYC. From the publisher: Twelve years after his first book of photographs, Invisible City, Ken Schles returns with The Geometry of Innocence. Schles's focus is on the relentless shifting of social structures and spaces that mark the urban landscape of today. His images form a kind of visual roller coaster, sending the viewer onto city streets and playgrounds, into pubs and bars, putting the viewer inside a police helicopter and taking them to death row, hospital rooms, and police interventions.…

First edition, 2001. 128 pages. 208 illustrations, 94 in colour and 114 in duotone. Boards. Near fine in dustjacket. After the success of Invisible City, Ken Schles now presents his second book of photographs The Geometry of Innocence. With his photographs, Schles approaches the omnipresence of social structures, which - pushed by the flood of media images - are undergoing permanent, almost frantic change. He sends his viewers onto city streets and playgrounds, into pubs and bars, puts them into a police helicopter and takes them to death row, hospital rooms and police interventions. There is no story, only a breathless sequence of pictures condensed into thematic clusters that hold the viewer spellbound.…

Hardcover. Condizione: As New. Condizione sovraccoperta: Very Good.

hardcover. Condizione: Like New. First Edition. Hatje Cantz, 2001. Hard cover, first edition; signed and numbered by author Ken Schles. Fine condition in Fine dust jacket. Signed.

Hardcover with dustjacket, unpaginated; as new condition, clean and crisp; signed "Ken Schles / Koln / 2001" at bottom of rear colophon page in white ink on the black paper; no other internal marks. Foreign shipping may be extra.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Fine. First Edition. Hardback. Dust Jacket. 4to. 128 pages; 94 color and 114 b&w photographic plates; 10 x 13.5 inches. Edition limited to 3500 copies. SIGNED BY SCHLES in New Yrk and dated 2009 (possibly 2001, slightly hard to read) ISBN: 3775710116 Fine in fine dust jacket. Signedes. …

Hardcover. Condizione: Near fine to fine condition. Condizione sovraccoperta: fine. First edition. Signed Ken Schles 1/10 LA in silver on leaf preceding title page. Folio (13-1/2" x 10"). Unpaginated (128)pp. Original black paper-covered boards with yellow lettering on cover and spine, in original photo-illustrated dustjacket, yellow lettering on spine. Photo-illustrated endpapers. With two hundred and eight full & double-page photographs, ninety-four in color, one hundred and fourteen in duotone. "Twelve years after his legendary first book, Invisible City, the American photographer Ken Schles presents a second book of photographs, The Geometry of Innocence. With these images, Schles focuses on omnipresent social structures, which-pushed by the flood of media images- are undergoing permanent, almost frantic change. This visual roller coaster sends his viewers onto city streets and playgrounds and into clubs and bars, puts them in police helicopters, and takes them to Death Row, hospital rooms and militarized zones." (Publisher). With the Geometry of Innocence he succeeds in creating a bold and gritty inner city and prison picture book. Minor wear along edges of dustjacket.…

Erste Auflage. 34,6 x 25,8 cm. [128] unpaginierte S. OPappband mit illustriertem OUmschlag. Sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Im Kolophon vom Künstler in weißer Tuschfarbe handschriftlich signiert und gewidmet. Beiliegend eine Kartonmappe mit fotokopierten Texten in Din-A-4 zum Künstler und einem Anschreiben der Kölner Galerie Thomas Zander an eine deutsche Kunsthistorikerin und Ausstellungsmacherin.…

Hardcover. Condizione: Like New. Like New .Ships From Multiple Locations. book.

Softcover. Condizione: gut. 2001. The Geometry of Innocence. In deutscher Sprache. pages.

Hardcover. Condizione: As New. Condizione sovraccoperta: None, As Issued. 1st Edition. 1st Printing. Signed. 128 pages. Published in 2001. Retrospective collection of photographs. Now considered a contemporary art photography classic. Limited Slipcased Edition of 50 numbered and signed copies. Precedes and should not be confused with the regular trade edition. They have the same ISBN. The Limited Edition is now rare. A brilliant production by Ken Schles: Oversize-volume format. Black cloth boards with black titles embossed on the spine, as issued. Photographs and Manifesto/Essay by Ken Schles. The title comes from the lyrics of Bob Dylan's "Tombstone Blues". Text fragments by Franz Kafka, Ralph Ellison, Walter Lippmann, and Italo Calvino. Original 8 X 10 inch photographic print matted, framed, and laid into its own black cloth folder. Matching black cloth slipcase. Printed on glossy stock paper in Germany to the highest standards. Without DJ, as issued. Presents, in its Limited Edition format, Ken Schles' "The Geometry of Innocence". His "philosophical" collection. There is something disturbing and uncompromising about each image, by itself and in the context of the relentless whole. Schles' point is that we should not be distracted, but instead be completely immersed. If "Invisible City" is inward-looking, "The Geometry of Innocence" looks outward, at the larger world, and sees both good and bad, cause for hope, and reason for despair. Still, the prevailing sentiment is dark and melancholy, and as such, is reminiscent of his debut collection. Schles also has a didactic purpose, articulated in his Manifesto/Essay, which is "must-reading" for anyone uncritically enamored of photography (which includes many photographers and critics). While his essay is critical about photography, Schles is obviously not against photography. Indeed, the latter stance would be self-defeating because even the most subversive, "anti-photographic" photograph can be easily coopted by the system to reinforce unjust social structures and feed a corrupt mass culture. Instead, he is for a photography that somehow retains its subversive, existential power and empowers people given the fact that "we are formed by a flawed society. Yet, however boldly or tenuously we engage our lives, we love, we hate, we struggle" (Ken Schles). An absolute "must-have" title for Ken Schles collectors. This is a copy of the Limited Slipcased Edition of 50 copies, indicated/numbered as such on the Back Copyright Page. It comes with an 8 X 10 inch original photographic print that is very prominently and beautifully numbered, titled, and signed in pencil on verso by the photographer: "Ken Schles The End of the World From The Geometry of Innocence 43/50". This title is a contemporary art photography classic. This is one of few copies of the Limited Edition still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws, which are publisher's flaws rather than caused by handling or use. This is surely an accessible and lovely alternative. A rare signed copy thus. 106 color, 87 duotone plates, 1 original print. One of the most brilliant photographers of our time. A fine collectible copy. (SEE ALSO OTHER KEN SCHLES TITLES IN OUR CATALOG) ISBN 3775710116. Signed by Author. …

Folio (35 x 26 cm.). [128] S. mit 208 (94 farb.) Abb. u. Orig.-Photographie (Silbergelatine, 25,5 x 20 cm., verso signiert, bezeichnet und nummeriert). Orig.-Leinenband mit blindgepr. Deckeltitel u. Orig.-Leinen-Flügelmappe in Orig.-Leinenschuber. Erste Ausgabe. - Eines von 50 Exemplaren der Vorzugsausgabe mit signiertem Silbergelatine-Abzug (unter Passepartout in Flügelmappe). - Mit Texten von Franz Kafka, Ralph Ellison, Walter Lippmann und Italo Calvino. - "His first book was called Invisible City and has become quite a legend. Twelve years after this initial success, the American photographer Ken Schles now presents his second book of photographs - The Geometry of Innocence. With his photographs, Schles approaches the omnipresence of social structures, which - pushed by the flood of media images - are undergoing permanent, almost frantic change. In a veritable visual roller coaster he sends his viewers onto city streets, playgrounds, into pubs and bars, puts them into a police helicopter and takes them to death row, hospital rooms and police interventions. There is no "story", only a breathless sequence of pictures condensed into thematic clusters - a highly intense visual experience soon holding the viewer spell-bound. Ken Schles is aware that the meaning of the photographic image is relative. But he did his book anyway, and with The Geometry of Innocence, he succeeded in creating a bold, highly sophisticated picture book. The photographer: Ken Schles, born 1960. In 1981, studies at the New York School for Social Research. In 1982, B.F.A. Cooper Union for the Advancement of Science and Art. Numerous awards, among them the American Institute of Graphic Arts Award for Book Design in 1990 for his book Invisible City" (Hatje Cantz). - Tadellos.…