ISBN: 9783987410871 - was ist kunst, irwin?: hmkv 2023 (2) (14 risultati)

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Paperback. Condizione: New. This volume is published to mark the 40th anniversary of the artists' collective Rrose Irwin Sélavy and to accompany the exhibition at HMKV Dortmund. Since 1983, IRWIN has been investigating the art history of Eastern Europe, especially the ambivalent legacy of the historical avant-garde and its totalitarian successors, i.e. the dialectic of avant-garde and totalitarianism. Since the 1990s, the focus of the group has been on challenging the art history of "Western Modernism" in a critical and iconoclastic way. The artists playfully and darkly contrast it with the "retro avant-garde" and an "Eastern Modernism".The book, which can be read from both sides, is made up of two parts: the first chapter explores the black humour that is a consistent element in IRWIN's work. The second chapter examines issues relating to the state - and how IRWIN uses them to comment on current topics such as migration.Text in English and German.…

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Paperback. Condizione: new. Paperback. This volume is published to mark the 40th anniversary of the artists' collective Rrose Irwin Selavy and to accompany the exhibition at HMKV Dortmund. Since 1983, IRWIN has been investigating the art history of Eastern Europe, especially the ambivalent legacy of the historical avant-garde and its totalitarian successors, i.e. the dialectic of avant-garde and totalitarianism. Since the 1990s, the focus of the group has been on challenging the art history of Western Modernism in a critical and iconoclastic way. The artists playfully and darkly contrast it with the retro avant-garde and an Eastern Modernism. The book, which can be read from both sides, is made up of two parts: the first chapter explores the black humour that is a consistent element in IRWIN's work. The second chapter examines issues relating to the state and how IRWIN uses them to comment on current topics such as migration. Text in English and German. SELLING POINTS: . Published to mark the 40th anniversary of the Slovenian artists' collective This volume is published to mark the 40th anniversary of the artists collective Rrose Irwin Selavy and to accompany the exhibition at HMKV Dortmund. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Taschenbuch. Condizione: Neu. Neuware - Als die Gruppe Rrose Irwin Sélavy 1983 in Jugoslawien gegründet wurde, waren ihre Mitglieder Du¿an Mandi¿ (1954, Ljubljana), Miran Mohar (1958, Novo Mesto), Andrej Savski (1961, Ljubljana), Roman Uranjek (1961, Trbovlje, ¿2022, Ljubljana) und Borut Vogelnik (\*1959, Kranj) zwischen 22 und 29 Jahre alt. Sie kamen aus der Punk- und Graffiti-Szene Ljubljanas. Zusammen mit der Musikgruppe Laibach, dem Theater der Schwestern Scipio Nasicas und der Designabteilung Neuer Kollektivismus (NK) ist IRWIN bis heute eine der Hauptgruppen des 1984 gegründeten Künstlerkollektivs Neue Slowenische Kunst (NSK).Die Publikation erscheint anlässlich des 40-jährigen Jubiläums des Künstlerkollektivs sowie anlässlich der Ausstellung im HMKV Dortmund. Seit 1983 setzt sich IRWIN mit der Kunstgeschichte Osteuropas auseinander, speziell mit dem ambivalenten Erbe der historischen Avantgarde und ihren totalitären Nachfolgern, also mit der Dialektik von Avantgarde und Totalitarismus. Seit den 1990er-Jahren konzentriert sich die Gruppe auf die kritische, ikonoklastische Hinterfragung der Kunstgeschichte des 'westlichen Modernismus'. Diesem stellt sie verspielt und abgründig mit der 'Retroavantgarde' einen 'östlichen Modernismus' gegenüber.Das Buch, das von beiden Seiten gelesen werden kann, besteht aus zwei Teilen: Das erste Kapitel fragt nach dem schwarzen Humor, der in den Arbeiten von IRWIN stets präsent ist. Das zweite Kapitel widmet sich Fragen des Staates - und wie IRWIN damit aktuelle Themen wie z. B. Migration kommentiert.…

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Paperback. Condizione: new. Paperback. This volume is published to mark the 40th anniversary of the artists' collective Rrose Irwin Selavy and to accompany the exhibition at HMKV Dortmund. Since 1983, IRWIN has been investigating the art history of Eastern Europe, especially the ambivalent legacy of the historical avant-garde and its totalitarian successors, i.e. the dialectic of avant-garde and totalitarianism. Since the 1990s, the focus of the group has been on challenging the art history of Western Modernism in a critical and iconoclastic way. The artists playfully and darkly contrast it with the retro avant-garde and an Eastern Modernism. The book, which can be read from both sides, is made up of two parts: the first chapter explores the black humour that is a consistent element in IRWIN's work. The second chapter examines issues relating to the state and how IRWIN uses them to comment on current topics such as migration. Text in English and German. SELLING POINTS: . Published to mark the 40th anniversary of the Slovenian artists' collective This volume is published to mark the 40th anniversary of the artists collective Rrose Irwin Selavy and to accompany the exhibition at HMKV Dortmund. Text in English and German. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…
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Taschenbuch. Condizione: Neu. Was ist Kunst, IRWIN? | HMKV Ausstellungsmagazin 2023/2, Dt/engl, HMKV, Ausstellungsmagazin | Dusan/Mohar, Miran u a Rrose Irwin Sélavy/Mandic | Taschenbuch | 286 S. | Deutsch | 2023 | Verlag Kettler | EAN 9783987410871 | Verantwortliche Person für die EU: Verlag Kettler, Robert-Bosch-Str. 14, 59199 Bönen, info[at]verlag-kettler[dot]de | Anbieter: preigu.…

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Paperback. Condizione: New. This volume is published to mark the 40th anniversary of the artists' collective Rrose Irwin Sélavy and to accompany the exhibition at HMKV Dortmund. Since 1983, IRWIN has been investigating the art history of Eastern Europe, especially the ambivalent legacy of the historical avant-garde and its totalitarian successors, i.e. the dialectic of avant-garde and totalitarianism. Since the 1990s, the focus of the group has been on challenging the art history of "Western Modernism" in a critical and iconoclastic way. The artists playfully and darkly contrast it with the "retro avant-garde" and an "Eastern Modernism".The book, which can be read from both sides, is made up of two parts: the first chapter explores the black humour that is a consistent element in IRWIN's work. The second chapter examines issues relating to the state - and how IRWIN uses them to comment on current topics such as migration.Text in English and German.…