Isbn: 9788833672793 - wastework. early modern stories from the cutting room floor (21 risultati)

Condizione: New.

Paperback. Condizione: New. Paper scraps, metal filings, wool shearings. dismantled sets, spoiled rags, animal blood.How did these ostensibly worthless by-products of art and industry avoid the flames of the kitchen hearth or the sweep of the apprentice's broom to spark ingenuity, generate new forms, and propel further acts of creation? Wastework moves beyond the well-researched category of spoliation, foregrounding waste as a material expression of the practices of ordering and classification by which people adjudicated between collection and disposal, wanted and unwanted, salvation and loss. Authors follow the afterlives of spent books and soiled textiles, peek behind the curtain of machine theatre, and venture into the smith's foundry and the chemist's laboratory. Bringing together research from historians of art, architecture, science, and the environment, this volume examines acts of disposal and reuse and the consequences these carry for the study of early modern material culture. Drawing from the fields of discard studies and Eco materialism, contributors test the usefulness of contemporary formulations-secondary product cycles, material fatigue, metabolic flows, sustainability, recycling-while also proposing new categories with which to re-imagine the discarded past.…

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Paper scraps, metal filings, wool shearings dismantled sets, spoiled rags, animal blood How did these ostensibly worthless by-products of art and industry avoid the flames of the kitchen hearth or the sweep of the apprentice's broom to spark ingenuity, generate new forms, and propel further acts of creation? Wastework moves beyond the well-researched category of spoliation, foregrounding waste as a material expression of the practices of ordering and classification by which people adjudicated between collection and disposal, wanted and unwanted, salvation and loss. Authors follow the afterlives of spent books and soiled textiles, peek behind the curtain of machine theatre, and venture into the smith's foundry and the chemist's laboratory. Bringing together research from historians of art, architecture, science, and the environment, this volume examines acts of disposal and reuse and the consequences these carry for the study of early modern material culture. Drawing from the fields of discard studies and Eco materialism, contributors test the usefulness of contemporary formulations-secondary product cycles, material fatigue, metabolic flows, sustainability, recycling-while also proposing new categories with which to re-imagine the discarded past. AUTHORS: Francesca Borgo is Lecturer at the University of St Andrews and Principal Investigator of the five-year Lise Meitner Group Decay, Loss, and Conservation in Art History at the Bibliotheca Hertziana Max Planck Institute for Art History, Rome. Ruth Ezra is Lecturer at the University of St Andrews, where she specialises in the material and visual culture of early modern northern Europe. She is most curious about techniques and materials, workshop practices, and feedback loops between process and form. SELLING POINTS: . Innovative and interdisciplinary approach to themes little covered by studies . Investigations of objects and aspects of material culture that touches on topics very much alive in today's cultural debate (eco-materialism, sustainability, reuse, global studies) . Charts the inaugural results of the scientific research project Decay, Loss, and Conservation in Art History of the Bibliotheca Hertziana - Max Planck Institute for Art History in Rome, one of the most important institutions for Art History and research in Italy and Germany 38 colour, 31 b/w illustrations The book offers innovative and interdisciplinary studies about the reuse and value of waste and discards in early modern material culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: NEW.

Condizione: NUOVO. Milano, Officina Libraria cm.16,5x24, pp.160, illustrazioni a colori. brossura con copertina figurata Dis/Appearance, 1. Carta straccia, limature di metallo, cera persa, residui di lavorazione di cardatura e tintura, rifiuti edili. In che modo questi scarti dell'arte e dell'industria, apparentemente senza valore, hanno evitato le fiamme del focolare o il colpo di scopa del garzone di bottega per accendere invece l'ingegno, generare nuove forme, e dare impulso a ulteriori atti di creazione? Guardando oltre alle categorie ben indagate di spoliazione e reimpiego, Wastework mette in primo piano lo scarto come espressione materiale di pratiche di ordinamento e classificazione di chi decide di volta in volta tra raccolta e smaltimento, desiderato e indesiderato, salvezza e perdita. Gli autori del volume seguono i destini di stracci sporchi e foglie di indaco in decomposizione, sbirciano i macchinari teatrali dietro il sipario, si avventurano nella fonderia del fabbro, nel laboratorio del chimico, e nelle gallerie dei minatori. Riunendo ricerche di storici dell'arte, dell'architettura, della scienza e dell'ambiente, questo volume esamina gli atti di smaltimento e di riuso, e le conseguenze questi comportano per lo studio della cultura materiale della prima età moderna. Attingendo al campo dei Discard Studies e dell'ecomaterialismo, questi saggi mettono alla prova l'utilità di formulazioni contemporanee - sostenibilità, riciclo, zero-waste, ciclo di vita del prodotto, flussi metabolici - e propongono nuove categorie con cui re-immaginare il passato che abbiamo scartato. Edited by Francesca Borgo, Ruth Ezra.…

Condizione: New. In English.

Paperback. Condizione: Brand New. 240 pages. 9.45x6.50x6.50 inches. In Stock.

Condizione: New.

Brossura. Condizione: new. Edited by Borgo F. and Ezra R. English Text. Milano, 2025; paperback, pp. 160, col. ill., cm 17x24. Carta straccia, limature di metallo, cera persa, residui di lavorazione di cardatura e tintura, rifiuti edili. In che modo questi scarti dell'arte e dell'industria, apparentemente senza valore, hanno evitato le fiamme del focolare o il colpo di scopa del garzone di bottega per accendere invece l'ingegno, generare nuove forme, e dare impulso a ulteriori atti di creazione? Guardando oltre alle categorie ben indagate di spoliazione e reimpiego, Wastework mette in primo piano lo scarto come espressione materiale di pratiche di ordinamento e classificazione di chi decide di volta in volta tra raccolta e smaltimento, desiderato e indesiderato, salvezza e perdita. Gli autori del volume seguono i destini di stracci sporchi e foglie di indaco in decomposizione, sbirciano i macchinari teatrali dietro il sipario, si avventurano nella fonderia del fabbro, nel laboratorio del chimico, e nelle gallerie dei minatori. Riunendo ricerche di storici dell'arte, dell'architettura, della scienza e dell'ambiente, questo volume esamina gli atti di smaltimento e di riuso, e le conseguenze questi comportano per lo studio della cultura materiale della prima età moderna. Attingendo al campo dei Discard Studies e dell'ecomaterialismo, questi saggi mettono alla prova l'utilità di formulazioni contemporanee - sostenibilità, riciclo, zero-waste, ciclo di vita del prodotto, flussi metabolici - e propongono nuove categorie con cui re-immaginare il passato che abbiamo scartato. Libro. …

Condizione: Neuf.

Condizione: new.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Condizione: NEW. Milano: Officina libraria, 2025 9788833672793 Dis/appearance 1 664 N vol.: 1, N pag.: 248, Peso: 664, L: 24, W: 16.6, Illustr.: COL + B/N Carta straccia, limature di metallo, cera persa, residui di lavorazione di cardatura e tintura, rifiuti edili. In che modo questi scarti dell'arte e dell'industria, apparentemente senza valore, hanno evitato le fiamme del focolare o il colpo di scopa del garzone di bottega per accendere invece l'ingegno, generare nuove forme, e dare impulso a ulteriori atti di creazione? Guardando oltre alle categorie ben indagate di spoliazione e reimpiego, Wastework mette in primo piano lo scarto come espressione materiale di pratiche di ordinamento e classificazione di chi decide di volta in volta tra raccolta e smaltimento, desiderato e indesiderato, salvezza e perdita. Gli autori del volume seguono i destini di stracci sporchi e foglie di indaco in decomposizione, sbirciano i macchinari teatrali dietro il sipario, si avventurano nella fonderia del fabbro, nel laboratorio del chimico, e nelle gallerie dei minatori. Riunendo ricerche di storici dell'arte, dell'architettura, della scienza e dell'ambiente, questo volume esamina gli atti di smaltimento e di riuso, e le conseguenze questi comportano per lo studio della cultura materiale della prima età moderna. Attingendo al campo dei Discard Studies e dell'ecomaterialismo, questi saggi mettono alla prova l'utilità di formulazioni contemporanee sostenibilità, riciclo, zero-waste, ciclo di vita del prodotto, flussi metabolici e propongono nuove categorie con cui re-immaginare il passato che abbiamo scartato. Carta straccia, limature di metallo, cera persa, residui di lavorazione di cardatura e tintura, rifiuti edili. In che modo questi scarti dell'arte e dell'industria, apparentemente senza valore, hanno evitato le fiamme del focolare o il colpo di scopa del garzone di bottega per accendere invece l'ingegno, generare nuove forme, e dare impulso a ulteriori atti di creazione? Guardando oltre alle categorie ben indagate di spoliazione e reimpiego, Wastework mette in primo piano lo scarto come espressione materiale di pratiche di ordinamento e classificazione di chi decide di volta in volta tra raccolta e smaltimento, desiderato e indesiderato, salvezza e perdita. Gli autori del volume seguono i destini di stracci sporchi e foglie di indaco in decomposizione, sbirciano i macchinari teatrali dietro il sipario, si avventurano nella fonderia del fabbro, nel laboratorio del chimico, e nelle gallerie dei minatori. Riunendo ricerche di storici dell'arte, dell'architettura, della scienza e dell'ambiente, questo volume esamina gli atti di smaltimento e di riuso, e le conseguenze questi comportano per lo studio della cultura materiale della prima età moderna. Attingendo al campo dei Discard Studies e dell'ecomaterialismo, questi saggi mettono alla prova l'utilità di formulazioni contemporanee sostenibilità, riciclo, zero-waste, ciclo di vita del prodotto, flussi metabolici e propongono nuove categorie con cui re-immaginare il passato che abbiamo scartato. Borgo, Francesca ; Ezra, Ruth.…

Paperback. Condizione: new. Paperback. Paper scraps, metal filings, wool shearings dismantled sets, spoiled rags, animal blood How did these ostensibly worthless by-products of art and industry avoid the flames of the kitchen hearth or the sweep of the apprentice's broom to spark ingenuity, generate new forms, and propel further acts of creation? Wastework moves beyond the well-researched category of spoliation, foregrounding waste as a material expression of the practices of ordering and classification by which people adjudicated between collection and disposal, wanted and unwanted, salvation and loss. Authors follow the afterlives of spent books and soiled textiles, peek behind the curtain of machine theatre, and venture into the smith's foundry and the chemist's laboratory. Bringing together research from historians of art, architecture, science, and the environment, this volume examines acts of disposal and reuse and the consequences these carry for the study of early modern material culture. Drawing from the fields of discard studies and Eco materialism, contributors test the usefulness of contemporary formulations-secondary product cycles, material fatigue, metabolic flows, sustainability, recycling-while also proposing new categories with which to re-imagine the discarded past. AUTHORS: Francesca Borgo is Lecturer at the University of St Andrews and Principal Investigator of the five-year Lise Meitner Group Decay, Loss, and Conservation in Art History at the Bibliotheca Hertziana Max Planck Institute for Art History, Rome. Ruth Ezra is Lecturer at the University of St Andrews, where she specialises in the material and visual culture of early modern northern Europe. She is most curious about techniques and materials, workshop practices, and feedback loops between process and form. SELLING POINTS: . Innovative and interdisciplinary approach to themes little covered by studies . Investigations of objects and aspects of material culture that touches on topics very much alive in today's cultural debate (eco-materialism, sustainability, reuse, global studies) . Charts the inaugural results of the scientific research project Decay, Loss, and Conservation in Art History of the Bibliotheca Hertziana - Max Planck Institute for Art History in Rome, one of the most important institutions for Art History and research in Italy and Germany 38 colour, 31 b/w illustrations The book offers innovative and interdisciplinary studies about the reuse and value of waste and discards in early modern material culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Paper scraps, metal filings, wool shearings. dismantled sets, spoiled rags, animal blood.How did these ostensibly worthless by-products of art and industry avoid the flames of the kitchen hearth or the sweep of the apprentice's broom to spark ingenuity, generate new forms, and propel further acts of creation? Wastework moves beyond the well-researched category of spoliation, foregrounding waste as a material expression of the practices of ordering and classification by which people adjudicated between collection and disposal, wanted and unwanted, salvation and loss. Authors follow the afterlives of spent books and soiled textiles, peek behind the curtain of machine theatre, and venture into the smith's foundry and the chemist's laboratory. Bringing together research from historians of art, architecture, science, and the environment, this volume examines acts of disposal and reuse and the consequences these carry for the study of early modern material culture. Drawing from the fields of discard studies and Eco materialism, contributors test the usefulness of contemporary formulations-secondary product cycles, material fatigue, metabolic flows, sustainability, recycling-while also proposing new categories with which to re-imagine the discarded past.…

Paperback. Condizione: new. Paperback. Paper scraps, metal filings, wool shearings dismantled sets, spoiled rags, animal blood How did these ostensibly worthless by-products of art and industry avoid the flames of the kitchen hearth or the sweep of the apprentice's broom to spark ingenuity, generate new forms, and propel further acts of creation? Wastework moves beyond the well-researched category of spoliation, foregrounding waste as a material expression of the practices of ordering and classification by which people adjudicated between collection and disposal, wanted and unwanted, salvation and loss. Authors follow the afterlives of spent books and soiled textiles, peek behind the curtain of machine theatre, and venture into the smith's foundry and the chemist's laboratory. Bringing together research from historians of art, architecture, science, and the environment, this volume examines acts of disposal and reuse and the consequences these carry for the study of early modern material culture. Drawing from the fields of discard studies and Eco materialism, contributors test the usefulness of contemporary formulations-secondary product cycles, material fatigue, metabolic flows, sustainability, recycling-while also proposing new categories with which to re-imagine the discarded past. AUTHORS: Francesca Borgo is Lecturer at the University of St Andrews and Principal Investigator of the five-year Lise Meitner Group Decay, Loss, and Conservation in Art History at the Bibliotheca Hertziana Max Planck Institute for Art History, Rome. Ruth Ezra is Lecturer at the University of St Andrews, where she specialises in the material and visual culture of early modern northern Europe. She is most curious about techniques and materials, workshop practices, and feedback loops between process and form. SELLING POINTS: . Innovative and interdisciplinary approach to themes little covered by studies . Investigations of objects and aspects of material culture that touches on topics very much alive in today's cultural debate (eco-materialism, sustainability, reuse, global studies) . Charts the inaugural results of the scientific research project Decay, Loss, and Conservation in Art History of the Bibliotheca Hertziana - Max Planck Institute for Art History in Rome, one of the most important institutions for Art History and research in Italy and Germany 38 colour, 31 b/w illustrations The book offers innovative and interdisciplinary studies about the reuse and value of waste and discards in early modern material culture. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…