ISBN: 9789042930353 - script as image: 21 (13 risultati)

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Hardcover. Condizione: new. Hardcover. In the Middle Ages, writing conveyed far more than information. Incontradistinction to the modern separation of image and text and, byimplication, form and content, which was reified with the invention ofprinting, illuminated manuscripts made images out of words. Inconsonance with Christian doctrine, which declared that the Word hadbecome flesh, letters painted on parchment assumed bodily presence tocreate effects of power and persuasion. Painted letters elicited modesof performance, oral recitation and ritual action. Far from calligraphicornament or a medium with prescribed boundaries, medieval letteringreveals itself as a flexible instrument in which various categories ofhuman experience and expression -- the audible, the visible, thesymbolic and the figurative -- come together. Among the topics touchedon by this book are display scripts, monograms, nomina sacra and carminafigurata, epigraphic inscriptions, chrysography and color, speechscrolls, relationships among author, scribe and artist as expressedthrough scripts, the anthropomorphic dimensions of abstract lettering,and the impact of iconic scripts on the reader. Among the topics touched on by this book are display scripts, monograms, nomina sacra and carmina figurata, epigraphic inscriptions, chrysography and color, speech scrolls, relationships among author, scribe and artist as expressed through scripts, the anthropomorphic dimensions of abstract lettering, and the impact of iconic scripts Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2014. Paperback. . . . . .

Paperback. Condizione: Brand New. 71 pages. 12.00x8.75x0.50 inches. In Stock.

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Condizione: New. KlappentextIn the Middle Ages, writing conveyed far more than information. In contradistinction to the modern separation of image and text and, by implication, form and content, which was reified with the invention of printing, illuminat.

Hardcover. Condizione: new. Hardcover. In the Middle Ages, writing conveyed far more than information. Incontradistinction to the modern separation of image and text and, byimplication, form and content, which was reified with the invention ofprinting, illuminated manuscripts made images out of words. Inconsonance with Christian doctrine, which declared that the Word hadbecome flesh, letters painted on parchment assumed bodily presence tocreate effects of power and persuasion. Painted letters elicited modesof performance, oral recitation and ritual action. Far from calligraphicornament or a medium with prescribed boundaries, medieval letteringreveals itself as a flexible instrument in which various categories ofhuman experience and expression -- the audible, the visible, thesymbolic and the figurative -- come together. Among the topics touchedon by this book are display scripts, monograms, nomina sacra and carminafigurata, epigraphic inscriptions, chrysography and color, speechscrolls, relationships among author, scribe and artist as expressedthrough scripts, the anthropomorphic dimensions of abstract lettering,and the impact of iconic scripts on the reader. Among the topics touched on by this book are display scripts, monograms, nomina sacra and carmina figurata, epigraphic inscriptions, chrysography and color, speech scrolls, relationships among author, scribe and artist as expressed through scripts, the anthropomorphic dimensions of abstract lettering, and the impact of iconic scripts Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Couverture souple. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Jeffrey Hamburger Script as Image (Corpus of Illuminated Manuscripts) Peeters Publishers 2014 - This Book is new Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: In the Middle Ages, writing conveyed far more than information. In contradistinction to the modern separation of image and text and, by implication, form and content, which was reified with the invention of printing, illuminated manuscripts made images out of words. In consonance with Christian doctrine, which declared that the Word had become flesh, letters painted on parchment assumed bodily presence to create effects of power and persuasion. Painted letters elicited modes of performance, oral recitation and ritual action. Far from calligraphic ornament or a medium with prescribed boundaries, medieval lettering reveals itself as a flexible instrument in which various categories of human experience and expression - the audible, the visible, the symbolic and the figurative - come together. Among the topics touched on by this book are display scripts, monograms, nomina sacra and carmina figurata, epigraphic inscriptions, chrysography and color, speech scrolls, relationships among author, scribe and artist as expressed through scripts, the anthropomorphic dimensions of abstract lettering, and the impact of iconic scripts on the reader. [Attributes: Soft Cover] Language : english text Size: 300 X225mm. …