Hamburger jf (23 risultati)

Condizione: Good. . Former Library book. All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

hardcover. Condizione: New. 1st.

Hardcover. Condizione: new. Hardcover. In the Middle Ages, writing conveyed far more than information. Incontradistinction to the modern separation of image and text and, byimplication, form and content, which was reified with the invention ofprinting, illuminated manuscripts made images out of words. Inconsonance with Christian doctrine, which declared that the Word hadbecome flesh, letters painted on parchment assumed bodily presence tocreate effects of power and persuasion. Painted letters elicited modesof performance, oral recitation and ritual action. Far from calligraphicornament or a medium with prescribed boundaries, medieval letteringreveals itself as a flexible instrument in which various categories ofhuman experience and expression -- the audible, the visible, thesymbolic and the figurative -- come together. Among the topics touchedon by this book are display scripts, monograms, nomina sacra and carminafigurata, epigraphic inscriptions, chrysography and color, speechscrolls, relationships among author, scribe and artist as expressedthrough scripts, the anthropomorphic dimensions of abstract lettering,and the impact of iconic scripts on the reader. Among the topics touched on by this book are display scripts, monograms, nomina sacra and carmina figurata, epigraphic inscriptions, chrysography and color, speech scrolls, relationships among author, scribe and artist as expressed through scripts, the anthropomorphic dimensions of abstract lettering, and the impact of iconic scripts Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

4to, 260pp. Colour and black & white illustrations. A very good hardback copy.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9780691124766.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9780691124766.…

40 S. Neuer Ppbd. m. verg. Ldr.-RSch. Papierbedingt leicht gebräunt u. stockfleckig.

Condizione: New. 2014. Paperback. . . . . .

Laminated illustrated wrappers, 8vo, 26 cm, xxx, 213 pp, ills (some colour). From the blurb - "A pair of leaves recently acquired by Houghton Library presents an opportunity to examine the illuminated sequence composed in honor of John the Evangelist, Verbum dei deo natum, within its broader cultural context. Written and illuminated at the Dominican nunnery of Paradies bei Soest in Westfalia as part of a set of liturgical books that are among the most elaborate of their kind from the entire Middle Ages, the richly decorated fragments promise to transform our understanding of the special place of Christ's 'beloved disciple' in 14th-century art, liturgy, theology, and mysticism. In addition to an introduction to art and liturgy in the Middle Ages, this interdisciplinary collection of essays includes contributions by musicologists, philologists and art historians." Very Good.…

hardbound. Condizione: Very Good. Series of essays on aspects of books, manuscripts, and the imagination in Medieval Europe; edited by Gregory Kratzmann; illustrated throughout in full colour; half-cloth with illustrated sides; no dustwrapper (as issued). no dustwrapper. 256pp. 4to. Very Good. profusely illustrated (illustratore). …

Paperback. Condizione: Brand New. 71 pages. 12.00x8.75x0.50 inches. In Stock.

Condizione: New. 2014. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Fine. First Edition. 32cm x 25cm. 256 pages, colour illustrations. Quarter blue cloth, illustrated glossy papered boards, gilt lettering. Papers of a Conference held at the State Library of Victoria, 29-31 May 2008. In conjunction with an exhibition The Medieval Imagination 28 March - 15 June 2008. Category: Books on Books; 21st Century: 2000-2009; Art & Design. ISBN/EAN: 9781921394331. Inventory No: 0024300.…

Condizione: New. KlappentextIn the Middle Ages, writing conveyed far more than information. In contradistinction to the modern separation of image and text and, by implication, form and content, which was reified with the invention of printing, illuminat.

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. 256 pp; illus. Original cloth-backed boards, 4to. Near Fine. Papers of a Conference held at the State Library of Victoria, 29-31 May 2008. In conjunction with an exhibition The Medieval Imagination 28 March - 15 June 2008. With extensive illustrated essays by Jeffrey Hamburger and Margaret Manion, accompanied by papers presented by sixteen further scholars in the field, this 256 page publication presents a rich range of studies on the subject of Medieval books and also elaborates on the extremely successful exhibition held in Melbourne in 2008. This new book is lavishly illustrated with color images relating to the papers, but also reproduces many of the works featured in the exhibition and its catalog - particularly medieval books from Australian and New Zealand collections.…

Hardcover. Condizione: new. Hardcover. In the Middle Ages, writing conveyed far more than information. Incontradistinction to the modern separation of image and text and, byimplication, form and content, which was reified with the invention ofprinting, illuminated manuscripts made images out of words. Inconsonance with Christian doctrine, which declared that the Word hadbecome flesh, letters painted on parchment assumed bodily presence tocreate effects of power and persuasion. Painted letters elicited modesof performance, oral recitation and ritual action. Far from calligraphicornament or a medium with prescribed boundaries, medieval letteringreveals itself as a flexible instrument in which various categories ofhuman experience and expression -- the audible, the visible, thesymbolic and the figurative -- come together. Among the topics touchedon by this book are display scripts, monograms, nomina sacra and carminafigurata, epigraphic inscriptions, chrysography and color, speechscrolls, relationships among author, scribe and artist as expressedthrough scripts, the anthropomorphic dimensions of abstract lettering,and the impact of iconic scripts on the reader. Among the topics touched on by this book are display scripts, monograms, nomina sacra and carmina figurata, epigraphic inscriptions, chrysography and color, speech scrolls, relationships among author, scribe and artist as expressed through scripts, the anthropomorphic dimensions of abstract lettering, and the impact of iconic scripts Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Size: 10"x12.5", 256pp., profusely illustrated in colour. Corners lightly bumped, inked name and date inside, else near new, clean, tight and bright condition / published without dust jacket.

Rilegato. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. Beyond Words. New Research on Manuscripts in: L. Fagin Davis, Beyond Words. New Research on Manuscripts in Boston Collections L. Fagin Davis, A.-M. Eze, J. F. Hamburger, N. Netzer, W. P. Stoneman Nuovo - Rilegato Condizione: nuovo EUR 170,00 Quantità: 1 Rilegato. Condizione: nuovo. XXXII+361 p., 91 b/w ill. + 200 colour ill. Brepols, 2021. Languages: English. Hardback - In the fall of 2016 an international scholarly conference accompanied the exhibition Beyond Words: Illuminated Manuscripts in Boston Collections. The speakers were chosen because of their expertise and because they were known to have research underway pertaining to important manuscripts in the exhibition. The aim of both exhibition and conference was to provide a broad overview of the history of patronage and book production over the course of the High and late Middle Ages, to the extent that the eclectic holdings of Boston-area institutions permitted. Most of the papers delivered at the conference have been collected as essays in this abundantly illustrated volume which, while still linked to the exhibition, now has an independent purpose. Just as the essays cover a wide range of topics, all relating to the history of the book, but also, inter alia, to the history of law, liturgy, literature, and libraries as well as to devotion, theology, and art, so too the approaches adopted by the contributors are as varied as the materials they study, ranging from paleography, codicology, and provenance research to painstaking reconstructions of historical patterns of patronage and the interpretative strategies of authors and artists. What results is not simply a wealth of fascinating insights into individual illuminated books, their makers, and their readers, but also an indication of how much remains to be learned about the materials to which the exhibition served as no more than an introduction. Jeffrey F. Hamburger is the Kuno Francke Professor of German Art & Culture at Harvard University. Lisa Fagin Davis is Executive Director of the Medieval Academy of America. Anne-Marie Eze is Director of Scholarly and Public Programs at Houghton Library, Harvard University. Nancy Netzer is the Inaugural Robert L. and Judith T. Winston Director of the McMullen Museum of Art and Professor of Art History, Boston College. William P. Stoneman was Curator of Early Books and Manuscripts at Houghton Library, Harvard University. Table of Contents List of Figures Contributors Abbreviations Introduction JEFFREY F. HAMBURGER Monastic Manuscripts Gilbert de la Porrée: The Man and His Manuscripts PATRICIA STIRNEMANN Writing Culture and Society over the longue durée: The Charters of Sawley Abbey, from Medieval Yorkshire to Present-Day Harvard, Houghton Library BRIGITTE MIRIAM BEDOS-REZAK Boston Public Library MS q Med. 86 in the Context of Manuscript Production in Delft KATHRYN M. RUDY Courtly Culture and Patronage Jean Bourdichon's Boston Hours and the Miniature-as-Object NICHOLAS HERMAN Rereading Boccaccio in Étienne Chevalier's Les cents nouvelles (Houghton Library, MS Richardson 31) ANNE D. HEDEMAN Picturing and Collecting Virgil in Mid-Fifteenth Century France CHRISTINE SEIDEL Vicarious Entertainment for the Mature Aristocrat and Bibliophile Louis of Gruuthuse (Houghton Library, MSS Typ 129 and 130) SCOT McKENDRICK Court Patronage in Renaissance Italy: Hercules in Illuminated Manuscripts Given as Diplomatic Gifts FEDERICA TONIOLO Princes, Patricians, Prelates, and Pontiffs Illumination in Rome and L'Aquila during the Schism and in Florence during the Council: Artists and Patrons of the Calderini Pontifical (Harvard, Houghton Library, MS Typ 1) FRANCESCA MANZARI Niccolò da Ferrara's Polistorio (Houghton Library, MS Typ 329): New Proposals on Don Simone Camaldolese and Mantuan codice articolo 012880 - Language : English text.…

Rilegato. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. Retail price: EUR 200,00 The images devised to accompany medieval commentaries, whether on the Bible or on classical texts, made claims to authority, even inspiration, that at times were even more forceful than those made by the texts themselves. Pictorial prefaces of the twelfth century represent commentaries of their own; they articulate and elaborate complex arguments regarding critical matters of faith. This study examines pictorial programmes in copies of Horace's poetic works, the Glossa ordinaria, anti-heretical polemics, and Rupert of Deutz's commentary on the Song of Songs to demonstrate the ways in which they helped to shape understandings of authorship at a critical historical moment.Codice articolo 013022 Coll. C 2.…

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Tributes in Honor of James H. Marrow Studies in Painting and Manuscript Illumination of the Late Middle Ages and Northern Renaissance J. F. Hamburger, A. Korteweg (eds.) 679 p., 311 b/w ill. + 81 colour ill., 210 x 275 mm, 2006 ISBN: 978-1-905375-08-0 Languages: English Hardback The publication is available. Retail price: EUR 230,00 print Share/Save/Bookmark Bibliography of James H. Marrow Abbreviations Alfred Acres, ?Elsewhere in Early Netherlandish Painting?; Jonathan J. Alexander, ?A Shepherdess on a Swing in a Netherlandish Book of Hours?; François Avril, ?Un nouveau manuscrit de Jean Bourdichon: Les Heures de Charles de Martigny, évêque d?Elne?; Gabriele Bartz, ?Adam wird ins Paradies getragen?; Marina Belozerskaya, ?Good Dog: Model Canines in Renaissance Manuscripts?; Adelaide Bennett, ?Christ?s Five Wounds in the Aves of the Vita Christi in a Book of Hours about 1300?; Paul Binski, ?The Faces of Christ in Matthew Paris?s Chronica Majora?; Bodo Brinkmann, 'Happy End für einen Löwen?; Klara H. Broekhuijsen, ?Ende ziet alomme int paradijs: Seth?s Vision of Paradise as Part of an Unusual Decoration Program in a Fifteenth-Century Book of Hours from Utrecht?; Walter Cahn, ?The Allegorical Menorah?; Bert Cardon, ?The Miroir de la salvation humaine Revisited: Bibliothèque Nationale de France, Ms. Fr. 3275?; Debra Taylor Cashion, ?The Man of Sorrows and Mel Gibson?; Albert Châtelet, ?L?enseignement paternel dans les Heures de Milan-Turin?; Gregory T. Clark, ?Made In Flanders and the Master of the Ghent Privileges: A Second Coda?; Henri Defoer, ?Images as Aids for Earning the Indulgences of Rome?; Christopher de Hamel, ?Dates in the Giant Bible of Mainz?; Albert Derolez, ?Two Notes on Mercatel?s Earliest Astrological Manuscripts?; Mark Evans, ?The Afterlife of Saint Jerome: Giovanni Bilivert?s Portrait of Neri Corsini?; Reindert L. Falkenburg, ?On Compositional Errata in Pieter Aertsen?s Peasant Scenes?; Marc Gil, ?D?Italie du nord en Artois, le portrait de saint Bernardin de Sienne des Heures d?Antoine de Crèvecoeur, vers 1450?55 : Leeds, University Library, The Brotherton Collection, Ms. 4?; Liz Guenther, ?Realism and Invention in the Prints of Albrecht Dürer?; Jeffrey F. Hamburger, ?The Writing on the Wall: Inscriptions and Descriptions of Carthusian Crucifixions in a Fifteenth-Century Passion Miscellany?; Christian Heck, ?Histoire mythique et archéologie au quinzième siècle: Une représentation inédite de Stonehenge?; Lynn F. Jacobs, ?The Miraculous Threshold in Hugo Van der Goes?s Portinari Altarpiece?; Eberhard König, ?Zur Wirklichkeit im Fensterbild der Kreuzannagelung des Wiener Stundenbuchs der Maria von Burgund?; Joseph Leo Koerner, ?Bosch?s Enmity?; Anne S. Korteweg, ?Framing the Issues: A Codicological Approach to Dutch Border Decoration?; Thomas Kren, ?Simon Bening, Juan Luis Vives, and the Observation of Nature?; Anne-Marie Legaré, ?The Reception of the Dresden Prayer Book Master in the Hainaut?; Jean Michel Massing, ?Two Portolan Charts of the Mediterranean in Cambridge by Joan Martines and Estienne Bremond?; Ruth Mellinkoff, ?Pilate?s Wife?; Elizabeth J. Moodey, ?Historical Identity in the Burgundian Netherlands: The Role of Manuscripts?; William Noel, ?William de Brailes in Baltimore, Paris, and Stockholm?; Judith Oliver, ?A Bundle of Myrrh: Passion Meditation in French Vernacular Poems and Images in Some Liège Psalters?; Peter Parshall, ?Penitence and Pentimenti: Hieronymus Bosch?s Mocking of Christ in London?; Véronique Plesch, ?Sixteenth-Century Pictorial and Dramatic Religious Cycles in the French Alps: Time.…

Hardcover. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1700grams, ISBN:0300043082. …

Rilegato. Condizione: nuovo. XXV+301 p., 150 colour ill. Brepols, 2021. Languages: English. Hardback - This book argues that the images devised to accompany medieval commentaries, whether on the Bible or on classical texts, made claims to authority, even inspiration, that at times were even more forceful than those made by the texts themselves. Paradoxically, it was in the context of commentaries that modern concep­tions of independent authorship first were forged. Looking beyond author portraits and the genre known as the accessus ad auctores, usually seen as the sites of such claims, this study examines pic­torial programmes in copies of Horace's poetic works, the Glossa ordinaria, the dominant biblical commentary of the first half of the twelfth century, anti-heretical polemics, and Rupert of Deutz's commentary on the Song of Songs. The inventive images fashioned to accompany these works do not merely illustrate or exemplify pre-existing understandings of authorship; rather, they help to shape them at the very moment at which a particular historically situated set of ideas about authorship was itself coming into being. Pictorial prefaces of the twelfth century represent commentaries of their own that work both in concert with the commentaries to which they are attached but also, at times, in ways that go beyond anything that the commentator himself authored or authorized. In this way, they participate in a broader trend in the High Middle Ages to cham­pion the ability of images to articulate and elabo­rate in the manner of rhetorical persuasion com­plex arguments regarding critical matters of faith.…