Lecture notes in morphogenesis - 16 serie (344 risultati)

2nd Edition. x, 299 p. Hardcover. 2nd. Ed. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.

VIII, 330 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Lecture Notes in Morphogenesis. Sprache: Englisch. …

Condizione: New.

Condizione: New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. This book develops a morphodynamical approach to linguistic and sign structures as an integrated response to multilevel and interrelated problems in semiolinguistic research. More broadly, the content is linked to the realities of living speech through a connection (via the concept of diacriticity) with the Merleau-Pontian phenomenology, and beyond the formal determinations of a semiolinguistic system and its calculus. Such problems are mainly epistemological (concerning the nature and legitimate scope of semiolinguistic knowledge), empirical (concerning the observational device and the datas composition), and theoretical (regarding the choice of a conceptual and formalized explicative frame). With regard to theory, the book introduces a morphodynamical architecture of linguistic signs and operations as a suitable mathematization of Saussurean theory. The Husserlian phenomenological signification of this formal apparatus is then established, and, from an empirical standpoint, its compatibility with neurobiological experimental results is discussed. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Brossura editoriale. Condizione: New. Un volume.

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Condizione: New. 1st ed. 2019 edition NO-PA16APR2015-KAP.

Pappband. 0. 123 S., Pappband, gut erhalten. 0.500 kg.

Condizione: New. pp. XII, 208 52 illus., 40 illus. in color. 1 Edition NO-PA16APR2015-KAP.

Hardcover. Condizione: Very good. Excellent condition. Binding is tight. Inside is clean and unmarked.

Condizione: New. pp. 267 Softcover reprint of the original 1st ed. 2015 edition NO-PA16APR2015-KAP.

Condizione: New. pp. VII, 137 1st ed. 2019 edition NO-PA16APR2015-KAP.

Paperback. Condizione: Brand New. 144 pages. 9.25x6.10x0.34 inches. In Stock.

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Condizione: New. pp. X, 299 100 illus., 50 illus. in color. Softcover reprint of the original 2nd ed. 2018 edition NO-PA16APR2015-KAP.

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Condizione: New. pp. 225.

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Hardcover. Condizione: Brand New. 222 pages. 9.25x6.25x0.75 inches. In Stock.

Hardcover. Condizione: Brand New. 2nd edition. 299 pages. 9.25x6.10x0.79 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware -This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the 'two cultures', the fields of morphological culture that are the object of this glossary have profoundly changed.The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes in cultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing - as Horst Bredekamp observes - an immense mass of images that fill our time and affect the most diverse areas of our culture.The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, both expressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision.The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary. 552 pp. Englisch.…

hardcover. Condizione: Sehr gut. 220 Seiten; 9783319244013.2 Gewicht in Gramm: 1.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book deals with the complexity of art by focusing on the singularity of the work of art. Gathering a selection of writings in art theory and semiotics, it explores the question of apprehending art from its perceptual aspects to aesthetic comprehension and understanding. Theoretical enquiries focus in particular on the dynamics of the perception of forms, the semiotic value of colour, the aesthetic phenomenon of empathy, the function of vision in relation to other senses and its faculty to lead, in a substantial way, to the embodiment of sense. These theoretical points are constantly observed with reference to the analysis of works of art, especially from the beginning of the modern era, when a renovated psychophysical approach oriented the evolution of contemporary aesthetics. Research into art theories sheds light on how differentials in topologic positions, dimensions, relationships and tones contribute to the arising of forms and colours in perception, and affectthe perceiver.The essays presented address in different ways the emergence of sense, by conceiving it as deeply anchored to the dynamics of perception, in addition to the cognitive disposition and knowledge, regardless of whether or not the subject (artist or beholder) is aware of these processes. Through in-depth analyses identifying to what extent the aesthetic moment builds on perceptual and semiotic processes, works of art are revealed to be singularities, reflecting the correlation with morphodynamics in the sciences.…

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book develops a morphodynamical approach to linguistic and sign structures as an integrated response to multilevel and interrelated problems in semiolinguistic research. More broadly, the content is linked to the realities of living speech through a connection (via the concept of diacriticity) with the Merleau-Pontian phenomenology, and beyond the formal determinations of a semiolinguistic system and its calculus. Such problems are mainly epistemological (concerning the nature and legitimate scope of semiolinguistic knowledge), empirical (concerning the observational device and the data's composition), and theoretical (regarding the choice of a conceptual and formalized explicative frame). With regard to theory, the book introduces a morphodynamical architecture of linguistic signs and operations as a suitable mathematization of Saussurean theory. The Husserlian phenomenological signification of this formal apparatus is then established, and, from an empirical standpoint, its compatibility with neurobiological experimental results is discussed.…

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book deals with the complexity of art by focusing on the singularity of the work of art. Gathering a selection of writings in art theory and semiotics, it explores the question of apprehending art from its perceptual aspects to aesthetic comprehension and understanding. Theoretical enquiries focus in particular on the dynamics of the perception of forms, the semiotic value of colour, the aesthetic phenomenon of empathy, the function of vision in relation to other senses and its faculty to lead, in a substantial way, to the embodiment of sense. These theoretical points are constantly observed with reference to the analysis of works of art, especially from the beginning of the modern era, when a renovated psychophysical approach oriented the evolution of contemporary aesthetics. Research into art theories sheds light on how differentials in topologic positions, dimensions, relationships and tones contribute to the arising of forms and colours in perception, and affectthe perceiver.The essays presented address in different ways the emergence of sense, by conceiving it as deeply anchored to the dynamics of perception, in addition to the cognitive disposition and knowledge, regardless of whether or not the subject (artist or beholder) is aware of these processes. Through in-depth analyses identifying to what extent the aesthetic moment builds on perceptual and semiotic processes, works of art are revealed to be singularities, reflecting the correlation with morphodynamics in the sciences.…