Archaeology reverse (36 risultati)

Hardcover. Condizione: Near Fine. 1st Edition. First edition, first printing. Contains bound-in pamphlet by Iain Sinclair, "Diving Into Dirt".

Hardcover. First edition, first printing. Fine clothbound hardcover; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A collection of images of the area of East London that was to be razed for the new buildings that would host the 2012 London Olympic Games, revealing traces and clues of the future developments that would soon redefine the area; shot with the same plastic camera that Gill used for Hackney Wick. Photographs by Stephen Gill; essay by Iain Sinclair. From an unnumbered edition limited to 3000 copies. Unpaginated [114 pages with one gatefold]; 104 color plates; 8.75 x 8.75 inches. LAID-IN are two press releases related to Gill exhibitions and a 34-page portfolio of work by Gill clipped from a magazine.…

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Jacket, as Issued. First Edition. cloth, hardcover., no flaws or wear. a pristine copy.; signed by stephen gill on the title page with no added inscription.; unpaginated. illustrated throughout in color with some sheets slightly smaller, as issued. Size: Square 8vo. Signed by the Photographer.…

Condizione: New. 2026. paperback. . . . . .

First Edition. First edition. Hardcover. Self published artist book. A collection of color photographs by Gill with an afterword by Iain Sinclair. A fine copy in cloth boards. No dust jacket as issued. Signed by Gill on the title page. A very fresh copy. Signed.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: As New. Condizione sovraccoperta: None, As Issued. 1st Edition. 1st Printing. Signed. Unpaginated. Published in 2007. Artist Book. Now considered a contemporary art photography classic. Limited Edition of 3000 copies. An austerely elegant production by Stephen Gill and Melanie Mues: Regular-sized volume format. Brown cloth boards with orange design on the cover and orange titles embossed on spine, as issued. Photographs by Stephen Gill. Text by Iain Sinclair. Printed on pristine-white, thick coated stock paper by EBS in Verona, Italy to the highest standards. Without DJ, as issued. Presents Stephen Gill's "Archaeology In Reverse". One of three conceptually inventive photography books published simultaneously by the artist/photographer (the other two are "Hackney Flowers" and "Anonymous Origami"). "Stephen Gill has learned this: To haunt the places that haunt him. His photo-accumulations demonstrate a tender vision factored out of experience. Alert, watchful, not over-eager, wary of that mendacious conceit, 'closure'. There is always flow, momentum, the sense of a man passing through a place that delights him. A sense of stepping down, immediate engagement, politic exchange. What I like about Stephen Gill is that he has learned to give us only as much as we need, the bones of the bones of the bones" (Iain Sinclair). Firmly grounded in the great British documentary tradition, Stephen Gill's photographs are honest, telling, and brilliant. His conceptual rigor and intelligence, unsentimental empathy for his subjects, and delicate use of color are astonishingly assured (that is, devoid of artistic vanity and self-indulgence) for a photographer who just started taking photographs (in his early 20's) and already has several published collections and one masterpiece (in his early 30's). The "object-in-relation-to-place" motif runs throughout Stephen Gill's oeuvre, and in this book, is especially moving. An absolute "must-have" title for Stephen Gill collectors. This is a copy of the Limited Edition of 3000 copies. It is very prominently, neatly, and beautifully signed in pencil on the title page by Stephen Gill. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary art photography classic. This is one of few such signed copies of the Limited Edition still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Although it is a Limited Edition, Gill did NOT sign most copies of the book. A scarce signed copy thus. 104 plates. Stephen Gill's "Hackney Wick" was selected as one of the greatest photography books in "The Photobook". One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER STEPHEN GILL TITLES IN OUR CATALOG) ISBN 0954940555. Signed by Author.…

Hardcover. Condizione: As New. No Jacket. 1st Edition. Fascinating documentary in the classic, quintessential style associated with Stephen Gill's photography.

Erste Auflage: 3000 Exemplare. 22,5 x 22 cm. 112 unpaginierte S. OLeinen. Sehr gutes Exemplar. Mit 104 ganzseitugen Fototafeln sowie einem Nachwort von Ian Sinclair in englischer Sprache.

Paperback. Condizione: Brand New. 210 pages. 5.98x2.00x9.00 inches. In Stock.

Hardcover. Condizione: Good. No Jacket. 1st Edition. Unpaginated, black boards with large red splodge design to front board. Colour photographic illustrated throughout, b/w illustrated eps. First edition of 3,000 copies, includes 12 page booklet entitled Diving Into Dirt by Iain Sinclair. Minor shelfwear. Size: 8vo - over 7¾ - 9¾" tall. Book.…

Hardcover. Condizione: New.

Hardcover. Condizione: New. Archaeology in Reverse Stephen Gill Signed by the Photographer \nAfterword by Iain Sinclair Afterword by Iain Sinclair \nStephen Gill has learnt this: to haunt the places that haunt him. His photo-accumulations demonstrate a tender vision factored out of experience; alert, watchful, not overeager, wary of that mendacious conceit, ?closure? There is always flow, momentum, the sense of a man passing through a place that delights him. A sense of stepping down, immediate engagement, politic exchange. Then he remounts the bicycle and away. Loving retrievals, like a letter to a friend, never possession? What I like about Stephen Gill is that he has learnt to give us only as much as we need, the bones of the bones of the bones?? - Iain Sinclair Continuing to photograph where his award-winning book Hackney Wick left off, Stephen Gill has made Archaeology in Reverse in his cherished area in East London. Still making pictures with the camera he bought at Hackney Wick market for 50p, this time he focuses on things that do not yet exist. This magnificently produced book features traces and clues of things to come in a poetic, sometimes eerie and quiet photographic study of a place in a state of limbo prior to the rapid transformation that this area faces during the build-up to the Olympics in 2012. \n114 pp / Hardback \n104 Colour Illustrations \n216mm x 216mm \nPublished by Nobody \nISBN 978-09549405-5-3. …

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condizione: Fine. First Edition. Hardback. Small square 4to. 22 cms. Issued sans d/w. Original publisher's decorated cloth, as new. Lettered red at spine. Signed by Gill in pencil on title page. [114] pp, one folding leaf, + 12 pp booklet by Iain Sinclair bound in. Colour photobook, with Gill picking up where his 'Hackney Wick' left off.Iain Sinclair has signed his bound in booklet 'Diving into Dirt' as 'Iain Sinclair, Hackey still ISBN: 9780954940560 Fine. Signedes.…

Hardcover. Condizione: Fine.

First Edition. First edition. Hardcover. Self published artist book. Number 3 of only 100 copies. A collection of color photographs by Gill and with an afterword by Iain Sinclair. A fine copy in boards and in a fine cloth clamshell box. No dust jacket as issued. Signed and numbered by Gill on the title page and additionally signed by Sinclair as well. Includes an original c- print of an image by Gill that is signed by him on the reverse side. Signed.…

Hardcover. Condizione: Used - Very Good. Limited. Clean and bright. Possible light wear. No stamps or interior markings. Comes with book, signed print, and original box. Signed 2 of 5. Signed By Author.

Hardcover. Condizione: Fine condition. First edition, Special edition. 26/100. Square Quarto. Unpaginated. 12pp. essay by Iain Sinclair bound in (7 1/4 x 4"). Original color c type print laid in, protected by white envelope. Original color-illustrated yellow cloth with red lettering on spine, housed in anthracite cloth clamshell box with red lettering on spine. Illustrated endpapers. Color frontispiece photograph. Signed "Stephen Gill 26/100 Iain Sinclair" on title page and by Stephen Gill on verso of original photograph. Profusely Illustrated with vibrant full page color photographs throughout.…

Hardcover. Condizione: gut. 2007. Archaeology in Reverse In englischer Sprache. pages.

Hardcover. Condizione: gut. 2007. Archaeology in Reverse In englischer Sprache. pages.

Hardcover. Condizione: New.

Hardcover. Condizione: New. Archaeology in Reverse Stephen Gill \nSpecial Edition Limited to 100 copies Signed and numbered with a C-Type Print \nAfterword by Iain Sinclair \nAfterword by Iain Sinclair \nStephen Gill has learnt this: to haunt the places that haunt him. His photo-accumulations demonstrate a tender vision factored out of experience; alert, watchful, not overeager, wary of that mendacious conceit, ?closure? There is always flow, momentum, the sense of a man passing through a place that delights him. A sense of stepping down, immediate engagement, politic exchange. Then he remounts the bicycle and away. Loving retrievals, like a letter to a friend, never possession? What I like about Stephen Gill is that he has learnt to give us only as much as we need, the bones of the bones of the bones?? - Iain Sinclair Continuing to photograph where his award-winning book Hackney Wick left off, Stephen Gill has made Archaeology in Reverse in his cherished area in East London. Still making pictures with the camera he bought at Hackney Wick market for 50p, this time he focuses on things that do not yet exist. This magnificently produced book features traces and clues of things to come in a poetic, sometimes eerie and quiet photographic study of a place in a state of limbo prior to the rapid transformation that this area faces during the build-up to the Olympics in 2012. \n114 pp / Hardback \n104 Colour Illustrations \n216mm x 216mm \nPublished by Nobody \nISBN 978-09549405-5-3.…

Publisher's decorated cloth, as new. Signed by Gill on title. Nobody, in association with the Archive of Modern Conflict, 2007. Square 8vo. [114] pp, one folding leaf, + 12 pp booklet by Iain Sinclair bound in. Colour photobook, with Gill picking up where his 'Hackney Wick' left off. Stephen Gill is a British experimental, conceptual and documentary photographer. Books are a key aspect to Gill's practice. Gill mainly draws inspiration from his immediate surroundings of inner city life in East London and more recently Sweden with an attempt to make work that reflects, responds and describes the times we live in. His work is often made up of long-term photo studies exploring and responding to the subjects in great depth. After working mainly in black and white from 1984, his practice since the mid 1990s was mostly in colour. Until 2003 his work mostly had a descriptive and typographical approach towards the subjects. Eight of his photo studies made between 1997 and 2003 were assembled and published as chapters in a book called Field Studies in 2004, which also toured as an exhibition. In January 2003 Gill bought a Bakelite 1960s box camera made by Coronet for 50 pence at Hackney Wick Sunday market, near where he lived. The camera had a plastic lens, and it lacked focus and exposure controls. Over the next four years he had used the camera to photograph within the extremely varied environment of Hackney Wick, including waterways and allotments, and to make portraits of people at the Sunday market and who lived and worked in the area. The subject parameters to this long-term obsession were geographical rather than conceptual. The lack of image clarity that the plastic camera offered aligned very much with Gill's frame of mind at the time.…

Condizione: New. In English.

Hardback. Condizione: Fine. No Jacket. First Edition. First edition, first impression, number 53 of 100 copies printed. Signed and numbered to title by the photographer and Iain Sinclairl, who wrote the afterword to this edition. With an original photograph by Stephen Gill, signed and dated to lower right. All in Fine condition and with the original publisher's folding cloth box. Signed by Author.…

First edition, first impression, number 53 of 100 copies printed. Signed and numbered by the photographer in pencil to the title page, additionally signed by Iain Sinclair, who wrote the afterword to this edition. With an original photograph by Stephen Gill, signed and dated to lower right of verso. Square octavo. Full-page colour photographs throughout, one page folding, with 6-page booklet containing an afterword by Iain Sinclair. Original yellow cloth boards, titles to spine red, imitation ink splash to front board red. pictorial endpapers. Housed in the publisher's brown cloth folding box. A near fine copy. …

Paperback. Condizione: Brand New. 210 pages. 5.98x2.00x9.00 inches. In Stock. This item is printed on demand.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - High Quality Content by WIKIPEDIA articles! Reverse stratigraphy is the result of a process whereby one sediment is unearthed by human or natural actions and moved elsewhere, whereby the latest material will be deposited on the bottom of the new sediment, and progressively earlier material will be deposited higher and higher in the stratigraphy. Such events can be triggered by rockslides, treethrows, or other events which cause the strata of a deposit to be flipped or reversed .In Archeological excavations a common cause of inversions in the stratigraphy is the collapse of walls on river banks or other raised mounds where deposits which have been cut through behind the wall prior to collapse slip over the collapsed structure resulting in the structure being under the deposits that originated earlier in time. In this case care must be taken to re-context the slipped deposits so the event of slippage appears in the correct place stratigraphically in the Harris matrix.…