intelligent multimedia data hiding (42 risultati)

Condizione: New. pp. xvi + 400.

Condizione: New. pp. xvi + 400 1st Edition.

Condizione: New. pp. xvi + 400.

2007th ed. 17 x 23 cm. 416 pages. HC Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.

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Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Brand new book. Fast ship. Please provide full street address as we are not able to ship to P O box address.

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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - When the rst watermarking papers appeared in mid 90ies, the industrial needs on copyright protection and rights management of digital media were already pressing. The music industry was already loosing large revenues due to music piracy. Watermarking was proposed as a very promising solution to combat digital piracy and illegal digital media copying. Most of the p- posed techniques have been based on solid theoretical background and, thus, attracted a large interest in the scienti c community. The ensuing explosive growth produced rich literature, signi cant theoretical results and IPR p- tection solutions. Besides watermarking, which is an active technique, in the sense that a watermarkmustbeembeddedinthemultimediasignal,passivetechniquesfor IPRprotectionandDRMemergedrecently.Suchtechniques(calledsometimes ngerprinting or replica detection or perceptual hashing) are essentially fast retrieval/hashingtechniquesforbroadcast/internettra cmonitoringthrough replica searches in copyright holder or trusted third parties databases. Watermarking is proven to be a very good solution for intellectual pr- erty rights protection, particularly for digital images. It has also been s- cessfully used for still image content authentication. Its use for video, audio and music IPR protection was less widespread, since the related technical and business model problems were proven to be more di cult to tackle. Fing- printing/replica detection is still at its development phase and has found so far signi cant use in music copy detection. However, there are no solutions that are yet universally acceptable.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - When the rst watermarking papers appeared in mid 90ies, the industrial needs on copyright protection and rights management of digital media were already pressing. The music industry was already loosing large revenues due to music piracy. Watermarking was proposed as a very promising solution to combat digital piracy and illegal digital media copying. Most of the p- posed techniques have been based on solid theoretical background and, thus, attracted a large interest in the scienti c community. The ensuing explosive growth produced rich literature, signi cant theoretical results and IPR p- tection solutions. Besides watermarking, which is an active technique, in the sense that a watermarkmustbeembeddedinthemultimediasignal,passivetechniquesfor IPRprotectionandDRMemergedrecently.Suchtechniques(calledsometimes ngerprinting or replica detection or perceptual hashing) are essentially fast retrieval/hashingtechniquesforbroadcast/internettra cmonitoringthrough replica searches in copyright holder or trusted third parties databases. Watermarking is proven to be a very good solution for intellectual pr- erty rights protection, particularly for digital images. It has also been s- cessfully used for still image content authentication. Its use for video, audio and music IPR protection was less widespread, since the related technical and business model problems were proven to be more di cult to tackle. Fing- printing/replica detection is still at its development phase and has found so far signi cant use in music copy detection. However, there are no solutions that are yet universally acceptable.

Buch. Condizione: Neu. Neuware -When the rst watermarking papers appeared in mid 90ies, the industrial needs on copyright protection and rights management of digital media were already pressing. The music industry was already loosing large revenues due to music piracy. Watermarking was proposed as a very promising solution to combat digital piracy and illegal digital media copying. Most of the p- posed techniques have been based on solid theoretical background and, thus, attracted a large interest in the scienti c community. The ensuing explosive growth produced rich literature, signi cant theoretical results and IPR p- tection solutions. Besides watermarking, which is an active technique, in the sense that a watermarkmustbeembeddedinthemultimediasignal,passivetechniquesfor IPRprotectionandDRMemergedrecently.Suchtechniques(calledsometimes ngerprinting or replica detection or perceptual hashing) are essentially fast retrieval/hashingtechniquesforbroadcast/internettra cmonitoringthrough replica searches in copyright holder or trusted third parties databases. Watermarking is proven to be a very good solution for intellectual pr- erty rights protection, particularly for digital images. It has also been s- cessfully used for still image content authentication. Its use for video, audio and music IPR protection was less widespread, since the related technical and business model problems were proven to be more di cult to tackle. Fing- printing/replica detection is still at its development phase and has found so far signi cant use in music copy detection. However, there are no solutions that are yet universally acceptable.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 420 pp. Englisch.

Condizione: New. In.

Condizione: New. In.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Editor(s): Huang, Hsiang-Cheh; Fang, Wai-Chi. Series: Studies in Computational Intelligence. Num Pages: 416 pages, 27 black & white tables, biography. BIC Classification: MBG; MQW; TBJ; UB; UYQ. Category: (G) General (US: Trade). Dimension: 235 x 155 x 22. Weight in Grams: 635. . 2014. Paperback. . . . .

Condizione: New.

Condizione: New.

Condizione: New.

Paperback. Condizione: new. Paperback. When the ?rst watermarking papers appeared in mid 90ies, the industrial needs on copyright protection and rights management of digital media were already pressing. The music industry was already loosing large revenues due to music piracy. Watermarking was proposed as a very promising solution to combat digital piracy and illegal digital media copying. Most of the p- posed techniques have been based on solid theoretical background and, thus, attracted a large interest in the scienti?c community. The ensuing explosive growth produced rich literature, signi?cant theoretical results and IPR p- tection solutions. Besides watermarking, which is an active technique, in the sense that a watermarkmustbeembeddedinthemultimediasignal,passivetechniquesfor IPRprotectionandDRMemergedrecently.Suchtechniques(calledsometimes ?ngerprinting or replica detection or perceptual hashing) are essentially fast retrieval/hashingtechniquesforbroadcast/internettra?cmonitoringthrough replica searches in copyright holder or trusted third parties databases. Watermarking is proven to be a very good solution for intellectual pr- erty rights protection, particularly for digital images. It has also been s- cessfully used for still image content authentication. Its use for video, audio and music IPR protection was less widespread, since the related technical and business model problems were proven to be more di?cult to tackle. Fing- printing/replica detection is still at its development phase and has found so far signi?cant use in music copy detection. However, there are no solutions that are yet universally acceptable. When the ?rst watermarking papers appeared in mid 90ies, the industrial needs on copyright protection and rights management of digital media were already pressing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: new. Hardcover. When the ?rst watermarking papers appeared in mid 90ies, the industrial needs on copyright protection and rights management of digital media were already pressing. The music industry was already loosing large revenues due to music piracy. Watermarking was proposed as a very promising solution to combat digital piracy and illegal digital media copying. Most of the p- posed techniques have been based on solid theoretical background and, thus, attracted a large interest in the scienti?c community. The ensuing explosive growth produced rich literature, signi?cant theoretical results and IPR p- tection solutions. Besides watermarking, which is an active technique, in the sense that a watermarkmustbeembeddedinthemultimediasignal,passivetechniquesfor IPRprotectionandDRMemergedrecently.Suchtechniques(calledsometimes ?ngerprinting or replica detection or perceptual hashing) are essentially fast retrieval/hashingtechniquesforbroadcast/internettra?cmonitoringthrough replica searches in copyright holder or trusted third parties databases. Watermarking is proven to be a very good solution for intellectual pr- erty rights protection, particularly for digital images. It has also been s- cessfully used for still image content authentication. Its use for video, audio and music IPR protection was less widespread, since the related technical and business model problems were proven to be more di?cult to tackle. Fing- printing/replica detection is still at its development phase and has found so far signi?cant use in music copy detection. However, there are no solutions that are yet universally acceptable. When the ?rst watermarking papers appeared in mid 90ies, the industrial needs on copyright protection and rights management of digital media were already pressing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.