variantology deep time relations di zielinski siegfried (15 risultati)

Soft cover. Condizione: Very Good. clean pages. strong binding. no writing .

Condizione: Very Good. 2005. paperback. Good clean copy with minor shelfwear, remains very good. . . . . Books ship from the US and Ireland.

Condizione: Very Good. 2006. paperback. Volume 2 only. Good clean copy with minor shelfwear, remains very good. . . . . Books ship from the US and Ireland.

Condizione: Very Good. 2005. paperback. Good clean copy with minor shelfwear, remains very good. . . . .

Condizione: Very Good. 2006. paperback. Volume 2 only. Good clean copy with minor shelfwear, remains very good. . . . .

Trade Paperback. Condizione: Used - Like New.

Paperback. Condizione: Sehr gut. 384 p. : Ill. Der Einband ist minimal berieben, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. / The binding is minimally rubbed, otherwise a very good and clean copy without markings. -- Contents -- SIEGFRIED ZIELINSKI, SILVIA M. WAGNERMAIER -- Depth of Subject and Diversity of Method An Introduction to Variantology -- WERNER NEKES (Mülheim) -- Surface Tension - Various Images -- MARA MILLS (Cambridge, Mass.) -- Theatrum Fungorum: John Cage's Mycology and Photomechanical Reproduction -- PAOLA BERTUCCI (Bologna) -- Promethean Sparks. Electricity and the Order of Nature in the 18th Century -- CLAUDIA SCHINK (Cologne) -- Mythologia Fulgurales: On the History of Lightning in Mythology and Christianity -- SIEGFRIED ZIELINSKI (Berlin/Cologne) -- Show and Hide. Projection as a Media Strategy Located between Proof of Truth and Illusionising -- ELISABETH VON SAMSONOW (Vienna) -- A New Theory on the New, or How and to What End Do We Study Old Texts -- JOCHEN BÜCHEL (Munich) The Psychology of Matter -- HENNING SCHMIDGEN (Berlin) -- Repetition and Differences: Psychophysiological Time Machines, 1850-1865 -- VELIMIR ABRAMOVIC (Belgrade) Introduction to an Ontology of Time -- ANTHONY MOORE (London/Cologne) The Musical Yardstick -- NILS RÖLLER (Zurich) Revolution of the Ear? The Typewriter as a Listening Aid -- YASMIN HASKELL (Perth) Didac-tech? Prolegomena to the Early Modern Poetry of Information -- KOEN VERMEIR (Leuven/Berlin) The Hidden History of the Cyborg -- TIMOTHY DRUCKREY (New York) Re-Imagining Archaeology -- DAVID LINK (Cologne) while(true) - On the Fluidity of Signs in Hegel, Gödel, and Turing -- ARIANNA BORRELLI (Rome/Braunschweig) Mathematical Notation as a Philosophical Instrument -- AMADOR VEGA (Barcelona) Images that Are not Images: Notes Toward an "Apofatic Theology" for the 20th Century -- Index of Names -- Index of Places -- Index of Subjects -- Bibliography -- The Authors and Editors. ISBN 9783883759142 Sprache: Englisch Gewicht in Gramm: 1035.

Paperback. Condizione: Very Good. Inscription by the author to the original owner. Appears to have hardly been read. Same day dispatch (Mon- Fri) from the UK if ordered by 1pm. Signed.

Broschiert. Condizione: Sehr gut. 479 S. Very good condition. Sprache: Englisch Gewicht in Gramm: 860.

Paperback. Condizione: Very good. Paperback Octavo. wraps, 384 pp Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Condizione: Gut bis sehr gut. 1. Auflage. B : 6.25 x 9.25 in., 350 pages. - What does a thirteenth-century Majorcan missionary have to do with logical machines? Were the astrolabes of the late Middle Ages really only used to calculate the orbits of stars and planets, or were they philosophical instruments? Was the first avant garde in Russia more interested in Jesuit affect theory or H.G. Wells's time machine? Where do radar angels live? These excursions into the relationships between the arts, the sciences and technology lead neither to a revised history of art nor to a revised history of the media; they question our understanding of what we have defined as art and what we have seen as the media.

Soft cover. Condizione: Fine. Pristine condition. No markings.

broschiert, 0. 479 S., broschiert, gut erhalten, 0,900 kg.