1912 1918 (25 risultati)

Hardcover. Condizione: Fine. No Jacket. 304 pages : illustrations ; 23 cm. ; ; SBN: 0940889218; 9780940889217; LC: GV964 .L68 ; OCLC: 33988457 ; Originally published: London : J. Nisbet, [1900] ; red cloth with gold lettering ; no dustjacket ; "It was rarely except on the Links that I saw Freddie. It was my custom, and that of several others, to walk round and watch his play at golf, but I never even saw him compete for the Medal, or in any greater contest than a match over both Links with Andrew Kirkcaldy. We used to make little bets with him, in ordinary matches, that he would not do the round under seventy-eight, or some such figure, and we were apt to lose our halfcrowns. At first, his extraordinary driving was the chiet attraction, but he later aimed more at accuracy, and drove much within his powers. I remember his coming into the Club and asking whether it was worth while to measure a drive he had made. He had, in fact, "overpowered" the Heathery Hole, the thirteenth as you come in, on the right-hand course. The drive has been disputed, and I only narrate what I remember. Perhaps my recollection is inaccurate. He was playing behind his brother Willie, and, when the brother and partner had played their second, Freddie's ball flew over their heads, and lighted on the long, narrow table-land which there crosses the Links. Freddie, on approaching the hole, could not find his ball, and, I think, gave up the hole, and then found his ball about "hole-high." The day was of a light frost, brilliantly sunny, and with the faintest flicker of air, no breeze. I remember seeing Mr. Tait measuring the distance to the place where the ball was found, and I think the whole extent was about 350 yards, the "carry" being about 250 yards. Probably there is a more authentic record than my memory supplies. At first, his extraordinary driving was the chiet attraction, but he later aimed more at accuracy, and drove much within his powers. I remember his coming into the Club and asking whether it was worth while to measure a drive he had made. He had, in fact, "overpowered" the Heathery Hole, the thirteenth as you come in, on the right-hand course. The drive has been disputed, and I only narrate what I remember. Perhaps my recollection is inaccurate. He was playing behind his brother Willie, and, when the brother and partner had played their second, Freddie's ball flew over their heads, and lighted on the long, narrow table-land which there crosses the Links. Freddie, on approaching the hole, could not find his ball, and, I think, gave up the hole, and then found his ball about "hole-high." The day was of a light frost, brilliantly sunny, and with the faintest flicker of air, no breeze. I remember seeing Mr. Tait measuring the distance to the place where the ball was found, and I think the whole extent was about 350 yards, the "carry" being about 250 yards. Probably there is a more authentic record than my memory supplies.At first, his extraordinary driving was the chief attraction, but he later aimed more at accuracy, and drove much within his powers. I remember his coming into the Club and asking whether it was worth while to measure a drive he had made. He had, in fact, "overpowered" the Heathery Hole, the thirteenth as you come in, on the right-hand course. The drive has been disputed, and I only narrate what I remember. Perhaps my recollection is inaccurate. He was playing behind his brother Willie, and, when the brother and partner had played their second, Freddie's ball flew over their heads, and lighted on the long, narrow table-land which there crosses the Links. Freddie, on approaching the hole, could not find his ball, and, I think, gave up the hole, and then found his ball about "hole-high." The day was of a light frost, brilliantly sunny, and with the faintest flicker of air, no breeze. I remember seeing Mr. Tait measuring the distance to the place where the ball was found, and I think the whole extent was about 350 yards, the "carry" being about 250 yards. " ; FINE. Book.

Soft cover. Condizione: Fine. 1st Edition. 1 score (214 pages) ; 28 cm ; ISBN 9780073325026, 0073325023 ; OCLC 607092944 ; Spiral-bound collection of scores ; Contents: 1. Claude Debussy (1862-1918), "La cathédrale engloutie," no. 10 from Preludes, book I(1910)2. Claude Debussy, "Canope," no. 10 from Preludes, book II (1910-13)3. Claude Debussy, "Sarabande," from Pour le piano (1894-1901)4. Igor Stravinsky (1882-1971), Introduction to Part I, from The Rite of Spring (1913)5. Béla Bartók (1881-1945), "Song of the Harvest," no. 33 from Forty-four Violin Duets (1931)6. Béla Bartók, "Whole-tone Scale," no. 136 from Mikrokosmos, vol. 5 (1932-39)7. Béla Bartók, "Diminished Fifth," no. 101 from Mikrokosmos, vol. 4 (1932-39)8. Béla Bartók, "From the Island of Bali," no 109 from Mikrokosmos, vol 4 (1932-39)9. Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909)10. Anton Webern, Five Movements For String Quartet, op. 5, III (1909)11. Arnold Schoenberg (1874-1951), "Angst und Hoffen," no. 7 from Book of The Hanging Gardens, op. 15 (1909)12. Alban Berg (1885-1935), "Schlafend trägt man mich," no. 2 from Four Songs, op. 2 (1908-1909)13. Igor Stravinsky (1882-1971), Agnus Dei, from Mass (1944-48)14. Paul Hindemith (1895-1963), Interlude in G, from Ludus tonalis (1942)15. Paul Hindemith, "Vom Tode Mariä I," from Das Marienleben (1923)16. Charles Ives (1874-1954), "The Things Our Fathers Loved," from 114 Songs (ca. 1917)17. Charles Ives, "The Cage," from 114 Songs (1906)18. Ruth Crawford Seeger (1901-1953), Diaphonic Suite no. 4, III (1930)19. Luigi Dallapiccola (1904-1975), "Contrapunctus secundus," no. 5 from Quaderno musicale di Annalibera (1952-53)20. Luigi Dallapiccola, "Quartina," no. 11 from Quaderno musicale di Annalibera (1952-53)21. Anton Webern (1883-1945), "Wie bin ich froh," no. 1 from Drei Lieder, op. 25 (1935)22. Anton Webern, Piano Variations, op. 27, II (1935-36)23. Arnold Schoenberg (1874-1951), Klavierstück, op. 33a (1929)24. Igor Stravinsky (1882-1971), "Lacrimosa," from Requiem Canticles (1966)25. Pierre Boulez (b. 1925), Structures Ia, mm. 1-39 (1952)26. Milton Babbitt (b. 1916), Composition for Twelve Instruments, mm. 1-26 (1948)27. Olivier Messiaen (1908-1992), Turangalîla Symphony, Introduction, reh. 12-22 (1946-48)28. Elliott Carter (b. 1908), String Quartet no. 2, I, mm. 35-134 (1959)29. Karlheinz Stockhausen (b. 1928), Stimmung (three pages: Formschema, one sample page of Magische Namen, and one sample page of Modelle) (1968)30. John Cage (1912-1992), Winter Music (one page) (1957)31. Witold Lutoslawski (1913-1994), Jeux vénitiens, I (1960-61)32. György Ligeti (1923-2006), Ramifications, mm. 1-44 (1968-69)33. George Rochberg (1918-2005), Music for the Magic Theater, reh. 1-17 (1965)34. Luciano Berio (1925-2003), Sinfonia, III ("In ruhig fliessender Bewegung"), mm. 1-120 (to reh. F) (1968)35. George Crumb (b. 1923), "Dream Images (Love-Death Music)," no. 11 from Makrokosmos, vol. 1 (1972-73)36. Steve Reich (b. 1936), Violin Phase (1967)37. Louis Andriessen (b. 1939), De Staat, mm. 1-161 (1972-76)38. Arvo Pärt (b. 1935), Cantus (1977)39. Augusta Read Thomas (b. 1964), Spring Song, mm. 1-41 (1995)40. Thomas Adès (b. 1971), Asyla, II, mm. 1-43 (1997)41. Kaija Saariaho (b. 1952), Ariel's Hail (2000) ; Designed for use with Understanding Post-tonal music by Miguel Roig-Francoli ; Miguel Ángel Roig-Francolí (born 1953) is a Spanish/American composer, music theorist, and pedagogue. His 1980 Cinco piezas para orquesta (Five Pieces for Orchestra), commissioned by Radio Nacional de España and written in a postmodern, neotonal style, won first prize in the National Composition Competition of the Spanish Jeunesses Musicales in 1981 and second prize at the UNESCO International Rostrum of Composers in 1982, and continues to be widely performed in Spain. ; This collection of 41 selections and excerpts represents a wide range of music from the 20th Century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francoli; FINE. Sheet music.

Hardcover. Condizione: Fine. 151 pp. ; color illustrations ; 28 cm. ; ISBN: 0968262309; 9780968262306 ; LC: ND1045 ; OCLC: 57339669 ; Text in English, Chinese, and French ; full-color illiustrated, stiff paper wrappers ; guidebook to the exhibition laid-in ; Catalogue of exhibitions held in Royal Ontario Museum, Toronto, August 21 to October 13, 1997; Vancouver Art Gallery, November 21 to December 8, 1997; and Canadian Museum of Civilization, Hull, Québec, December 18, 1997 to March 1, 1998. ; jointly organized by the Canadian Foundation for the Preservation of Chinese Cultural and Historical Treasures and China International Exhibition Agency ; includes the work of artists: Chen Banding (1877-1970), Chen Dayu (1912-), Chen Kuan (1959-), Chen Aiucao (1906-1988), C hen Ziyi (1919-), Cheng Shifa (1921-), Du Ziling (1914-), Feng Jizhong (1923-1967), Fu Baoshi (1904-1965), Fu Ershi (1936-), Guan Shanyue (1912-), Guo Weiqu (1908-1971), He Tianjian (1891-1977), Huang Zhou (1925-1997), Kang Shiyao (1921-1985), Li Ke ran (1907-1989), Li Kuchan (1898-1983), Li Xiongcai (1910-), Lin Fengmian (1900-), Liu Haisu (1896-), Liu Jiyou (1918-1983), Liu Wenfu (1934-), Pan Tianshou (1897-1971), Qi Baishi (1864-1957), Qian Songyan (1899-1985), Shi Lu (1919-1982), Shu Chungu ang (1941-), Tian Shiguang (1916-), Wang Geyi (1897-1988), Wang Weibao (1942-), Wang Xuetao (1903-1982), Wei Jianqiong (1941-), Wu Changshuo (1844-1927), Wu Fuzhi (1900-1977), Wu Guangzhong (1919-2010), Wu Jingting (1904-1972), Wu Zuoren (1908-1997), Xiao Shufang (1911-), Xie Ruijie (1902-), Xu Beihong (1895-1953), Xu Yuanshao (1944-), Ya Ming (1924-), Yang Jingsheng (1958-), Yu Jigao (1932-), Zhang Dazhuang (1903-1980), Zhang Dequan (1941-), Zhang Qiyi (1914-1968), Zhang Zingjun (1958-), Zhong We isheng (1964-), Zhou Sicong (1939-1996), Zhu Qizhan (1981-1996); from Hong Kong: Chao Shao'ang (1950-), Lu Zhoukun (1919-1975), Yang Shanshen (1913-); from Canada: Ho Paklee (1945-), Koo Mei (1934-); SIGNED by artists Wu Guangzhong (1919-2010) and Ho Paklee (1945-); Wu Guangzhong, born in Yixing, studied painting in France in his early years and afterwards taught at Qinghua University and Central Art College; his landscape paintings integrate Chinese and Western techniques, creating Jackson Pollock-like landscapes; in a dramatic calligraphic hand beneath his representative work, "Spring Snow" (1997); Ho Paklee (He Baili), born in Guangzhou but raised in Hong Kong, began by illustrating flowers and birds, then shifted into a Lingnan Style landscape painting style, and finally moving to watercolor landscapes, where he developed a highly original, eponymous Ho School of Landscape Painting; signed in a striking calligraphic hand beneath his painting, "Jade Reflection" (1996) ; FINE. Signed by Author(s). Book.

orig. wrappers. Condizione: Unopened. Minor wear. Good. 24x15cm, 104 pages., Series: Akademie der Wissenschaften in Wien, Philosophisch-Historische Klasse, Sitzungsberichte, 183. Band, 5. Abhandlung. Part 4 only [of 4]. Full title reads: "Studien zur Shauri-Sprache in den Bergen von Dofâr am persischen Meerbusen, 4 : Index (Shauri-Deutsches Glossar) und Nachträge zu den Texten von D. H. von Müller (Textkritische Noten nach den ersten Aufnahmen)". The romanized Shehri - German glossary runs pages 6- 69. South Arabian Shehri language [aka Jibbali, Geblet, Sheret, ehri, hauri, Shahari, Jibali, Ehkili, Qarawi, and Garawi] of Oman.

Condizione: New. Print on Demand pp. 128.

Albumblatt (1 S. kl. 8 to) mit eigenhändiger Empfehlung, Unterschrift signiert - mit Repro-Porträtfoto unter dunkelblaues Passepartout (4 to) gerahmt (dito : Porträtfoto mit eigenhändiger Widmung, Empfehlung, Unterschrift signiert Euro 45,-) (dito : Großes Repro-Foto,ca. 8° mit CELESTE HOLM (1919), von beiden mit eigenhändiger Widmung, Empfehlung, Unterschrift signiert für Euro 45,-).

IV, 696 Seiten. - Zusammen in grünem Halbleinen-Einband (ca. Ende des 19. Jahrhunderts) mit goldgeprägtem Titel auf horizontal mit Goldfileten begrenztem schwarzen Leder-Rückenschild und kräftig-blindgeprägtem dekorativen Verlagssignet oben rechts auf dem Vorderdeckel, Papieroberkante mit älterem Stempel 'VERLAGSARCHIV GEORG REIMER'; 8vo.(ca. 22 x 14 x 4 cm). *** [FRÜHSOMMER-VERKAUF / EARLY SUMMER-SALE: um über 20% REDUZIERTER PREIS bis Montag, den 29.06.2026 / PRICE-REDUCTION of over 20% until Monday, June 29; vorheriger Preis / previously EUR 120,-] --- 1. AUFLAGE, SOLIDE GEBUNDENE ORIGINALAUSGABE; ARCHIVEXEMPLAR DES REIMER-VERLAGES, Vorsatzblatt oben rechts mit Stempel 'Genau collationiert'. - Die Preußischen Jahrbücher waren eine kulturpolitische Monatsschrift nationalliberaler Prägung, die von 1858 bis 1935 erschien. --- Kanten des Buchrückens leicht berieben, innen tadellos; SEHR GUTES EXEMPLAR MIT BESTER PROVENIENZ. - WEITERE BÄNDE DER REIHE sowie andere historische und literarische Werke MIT DERSELBEN HERKUNFT IM BESTAND. . .

Condizione: Good. Embossed and printed card with manuscript writing, inviting Alan Jay Lerner to a reception at the White House, September 7, 1966.Provenance: Estate of Alan Jay Lerner, (1918-1986).Alan Jay Lerner is celebrated for his enduring and engaging contributions to musical theater, including 'My Fair Lady', 'Camelot', and 'Paint Your Wagon', among many others. His work is remembered for its distinctive blend of emotional depth and charm, which led to the creation of some of the most significant works in musical theater for both stage and screen.Over the course of four decades, Lerner rubbed shoulders with some of the world's most iconic figures, many of whom became confidants and pen pals.

Condizione: Good. Embossed and printed card with manuscript writing, inviting Alan Jay Lerner to a dinner at the White House, January 26, 1966.Provenance: Estate of Alan Jay Lerner, (1918-1986).11 x 16cm.Alan Jay Lerner is celebrated for his enduring and engaging contributions to musical theater, including 'My Fair Lady', 'Camelot', and 'Paint Your Wagon', among many others. His work is remembered for its distinctive blend of emotional depth and charm, which led to the creation of some of the most significant works in musical theater for both stage and screen.Over the course of four decades, Lerner rubbed shoulders with some of the world's most iconic figures, many of whom became confidants and pen pals.

Condizione: New. Print on Demand pp. 128.

EINFÜHRUNG IN DIE POLITIK J. Schweitzer Verlag (Arthur Sellier) München Berlin, 1. Auflage 1927, ERSTAUSGABE, 181 SS. gebunden (Hardcover, braunes Oln. gr. 8°), gut erhalten - mit eigenhändiger Empfehlung, Ort, Datum, Unterschrift in Tinte signiert "Die besten Wünsche für Ihre politische Arbeit spricht Ihnen aus Ihr alter Lehrer F. VAN CALKER München, 8.V.28".

Brief mit Empfehlung, Ort,Datum, Unterschrift Prag 23.4.1928 1 S. 4° , mit gedrucktem Briefkopf Die Direktion des Deutschen Theaters in Prag , an Chefredakteur Oskar Kuh in Prag , der unter den herzlichsten Sympathiebezeichnungen aller deutschen Kreise Prags seinen 70.Geburtstag feiert.

Condizione: Good. Jose Ferrer (typed letter on personal stationary, thanking Lerner for his opening night telegram and adding "despite the mixed notices the show is doing extremely well and we appear to be in for the long run", 18 April 1958); likely referring to "Oh, Captain!".The musical comedy premiered on Broadway on February 4, 1958, and ran until July 19, 1958.It was playing at the Alvin Theatre in New York City during April 1958.\they worked together on the ill fated CARMELINA. a musical. Book by Alan Jay Lerner and Joseph Stein; [ directed by Jose Ferrer.Opening Date:Apr 08, 1979.Closing Date>Apr 21, 1979.Provenance: Estate of Alan Jay Lerner, (1918-1986):.Alan Jay Lerner is celebrated for his enduring and engaging contributions to musical theater, including 'My Fair Lady', 'Camelot', and 'Paint Your Wagon', among many others. His work is remembered for its distinctive blend of emotional depth and charm, which led to the creation of some of the most significant works in musical theater for both stage and screen.Over the course of four decades, Lerner rubbed shoulders with some of the world's most iconic figures, many of whom became confidants and pen pals.

Condizione: Good. Tls. One page, 24 x 16cm., from Lady Bird Johnson (typed letter on White House paper, thanking Lerner for "letting use descend en masse on such short notice" to a performance of "One a Clear Day."Provenance: Estate of Alan Jay Lerner, (1918-1986).Alan Jay Lerner is celebrated for his enduring and engaging contributions to musical theater, including 'My Fair Lady', 'Camelot', and 'Paint Your Wagon', among many others. His work is remembered for its distinctive blend of emotional depth and charm, which led to the creation of some of the most significant works in musical theater for both stage and screen.Over the course of four decades, Lerner rubbed shoulders with some of the world's most iconic figures, many of whom became confidants and pen pals.

Brief (1 S. kl. 4° gefaltet mit gedrucktem Kopf REICHS-POSTAMT) mit Ort, Datum, eigenhändiger Unterschrift in Tinte signiert Berlin, W. 30.XI.1898 - an die kaiserliche Ober-Postdirection in Hamburg mit Genehmigung eines Fernsprechvermittlungsamtes für das Postamt Stade. Rückseitig Antwortentwurf mit technischen Einzelheiten.

E.Albumblatt (3-Zeilen, Rückseitig auf Postkarte an den Autographensammler und stud.med. (später Dr.med. / Dermatologe) Alwin Scharlau in Rostock, dem er seinen Wunsch nach seinem Autogramm erfüllt) in Tinte mit Ort, Datum (Poststempel), Unterschrift signiert "Freundlichen Gruß ! / Des Lebens Inhalt ist des Lebens Leistung / PROFESSOR DR. BAUMGARTEN".

ORIGINAL-RADIERUNG (auf Bütten, gesamt 28,6 x 21,5 cm) am Unterrand in Bleistift eigenhändig bezeichnet und signiert MOTIV : MEERSBURG (dito wie vor : Motiv : GÖTTINGEN zum gleichen Preis vorhanden, in altsilbernem Holzrahmen der Zeit unter Glas gerahmt).

Eigenhändiger Brief (2 S. 8°, 3 kl. Falzrestchen am Oberrand) mit Ort, Datum, Unterschrift in Tinte signiert Altona, Kaiserhof, 13.X.1918 - an S. Excellenz, General der Artillerie von Stein (= HERMANN VON STEIN (1854-1927, preußischer General der Artillerie, Generalquartiermeister und Kriegsminister ) "Lieber Stein ! dem alten Kameraden herzlich die Hand zu drücken in schwerer Schicksalstunde drängt es mich.Mögen die Führer von Heute ihre schwere Aufgabe lösen können ! .Jetzt gilt s für uns alle erst recht, unseren Mann zu stehen.glimpflicher Friede. - INTERESSANTER BRIEF ZUM ZUSAMMENBRUCH ! DAZU : E.Original-Briefumschlag dazu.

Condizione: Fine. Publisher's original stapled cream and brown card wrap covers [soft back]. 8vo. 6'' x 3¼''. Contains 28 + covers printed pages of text with splendid monochrome photographs throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. MOTORING, SPORTS CARS.

Condizione: Near Fine. Publisher's original stapled beige and brown card wrap covers [soft back]. 8vo. 8'' x 6''. Contains [ii] 24 [ii] + covers printed pages of text with splendid monochrome photographs throughout. The staples are just starting to weep and one single page section has worked loose to the centre, in near Fine condition, no dust wrapper as issued. Member of the P.B.F.A. MOTORING, SPORTS CARS.

187 : 258 mm. Hübsches Kniestück des Prinzregenten zusammen mit der Prinzessin von Bayern. Die Unterschriften des Paares auf dem Untersatz der Photographie. Leicht gebräunt und leicht bestoßen an den Ecken. Photographie: Friedrich Müller, München. - Ludwig war ab 1912 Prinzregent und von 1913 bis 1918 der letzte König von Bayern.

Berlin, Springer Verlag, 1911-1974, 4°, dunkelblaue Original-Leinwandeinbände bzw. Original-Halbleinwandeinband in meist guter Erhaltung. Vorhanden: Band 8, 1907 (Rücken beschädigt). Band 12, 1911. Band 13, 1912. Band 17, 1916. Band 18, 1917. Band 19, 1918. Band 20, 1919. Band 38, 1937. Band 39, 1938. Band 40, 1939. Band 41, 1940. Band 42, 1941. Band 43, 1942. Band 44, 1950 + Festschrift 75 Jahre. (Die Abbildungen zeigen einen Beispielband) *Schiffbau / Schiffsbau / Schiffe / Technik. (OBM).

Autogrammkarte, schön in Tinte mit Ort und Datum eigenhändig signiert Berlin, 12.IV.02 - mit Repro-Porträtfoto unter matt-lindgrünes Passepartout (4 to) gerahmt.

ZEUGNIS (1 S. 4° Doppelblatt, mittlere Faltspur mit Klebestreifen, Ober- und Unterrand ebenso, Gebrauchsspuren) mit eigenhändiger Unterschrift in Tinte signiert als 1. Vorsitzender des Prüfungsamt für Privatmusiklehrer, zusätzlich signiert von EMIL KRAUSE (1870-1943, deutscher Sozialdemokrat , Reformpädagoge und Schulsenator in Hamburg ) als Staatskommissar und W. WOLFF (wohl WERNER WOLFF 1883-1961, deutscher Dirigent und Schriftsteller) als stellv. Vorsitzender. - Ernennung der Erika Bieber zur staatlich anerkannten Gesangslehrerin (Rückseitig von ihrem Sohn dem Hamburger Bankier, Schiffsmakler und Philantrop KURT HARTWIG SIEMERS (1907-88) für seine Sammlung zugeeignet.).

Kleines Original-Foto (7,5 x 6 cm, bei der Arbeit über einem Manuskript, rs. leichte Klebstoffspuren, Hamburg 1930), bildseitig in Tinte eigenhändig signiert.