Editore: Munchen : Monumenta Germaniae Historica, 1976
Da: MW Books, New York, NY, U.S.A.
Prima edizione
First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; Monumenta Germaniae historica. Physical description; 91 p. : ill. ; 21 cm. Notes; Includes bibliographical references and indexes. Contents; Einführung. Probleme einzelner Quellengattungen. Subjects; Monumenta Germaniae Historica (Deutsches Institut für Erforschung des Mittelalters) - Congresses. Monumenta Germaniae Historica - Congresses. Monumenta Germaniae Historica (Deutsches Institut für Erforschung des Mittelalters). Middle Ages - Historiography - Congresses. Germany - History - To 1517 - Sources - Congresses. 3 Kg.
Editore: Munchen : Monumenta Germaniae Historica, 1976
Da: MW Books Ltd., Galway, Irlanda
Prima edizione
EUR 21,00
Quantità: 1 disponibili
Aggiungi al carrelloFirst Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; Monumenta Germaniae historica. Physical description; 91 p. : ill. ; 21 cm. Notes; Includes bibliographical references and indexes. Contents; Einführung. Probleme einzelner Quellengattungen. Subjects; Monumenta Germaniae Historica (Deutsches Institut für Erforschung des Mittelalters) - Congresses. Monumenta Germaniae Historica - Congresses. Monumenta Germaniae Historica (Deutsches Institut für Erforschung des Mittelalters). Middle Ages - Historiography - Congresses. Germany - History - To 1517 - Sources - Congresses. 1 Kg.
Editore: Ahkademie-Verlag, Berlin, 1963
Da: Libreria Le Colonne, TORINO, TO, Italia
EUR 16,00
Quantità: 1 disponibili
Aggiungi al carrelloIn-8°, pp. 86. Bross, edit. HARTMANN von Aue o von Ouwe (1160 - presumibilmente tra il 1210 e il 1220) poeta epico tedesco attivo nei secoli XII e XIII. Insieme a Wolfram von Eschenbach e Gottfried von Straßburg è annoverato tra gli esponenti della cosiddetta mittelhochdeutschen Klassik (classicità alto tedesca media) intorno al 1200. Insieme a Hendrik van Veldeke fu un iniziatore del romanzo cortese, mediato dalla Francia. Di lui sono tramandate le narrazioni in versi Erec, Gregorius oder Der gute Sünder, Der arme Heinrich, Iwein, una controversia allegorica sotto il nome di Klagebüchlein e anche alcune Minnesang e canzoni inneggianti alle crociate (Kreuzlieder).
Lingua: Tedesco
Editore: Düsseldorf : Deutscher Verlag für Schweisstechnik, DVS, 1976
ISBN 10: 3871553409 ISBN 13: 9783871553400
Da: Roland Antiquariat UG haftungsbeschränkt, Weinheim, Germania
EUR 15,00
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover. 149 S. Guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Eintragung an der letzten Seite. Ansonsten gutes Exemplar. 9783871553400 Sprache: Deutsch Gewicht in Gramm: 1000.
Editore: London: 23 Golden Square, circa 1930s, 1930
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original silver print. 24 x 19.cm. .Signed recto in pencil by the photographer.Houston Rogers (1902-1970) was one of London's leading theatre photographers from the 1930s until his death in 1970. His first notable work was photographing Fred Astaire and Claire Luce as the leads in the musical The Gay Divorcee. Rogers was playing the saxophone for the production at the time.By the end of the 1930s he had covered many important West End productions, including John Gielgud's Queen's Theatre seasons in 1937 and 1938. Rogers also regularly photographed the new revues, including the Nude Tableau, at the Windmill Theatre.During the Second World War, a large proportion of his photographs were destroyed. Rogers found new work photographing both ballet and opera at the Royal Opera House in the 1950s and 1960s, producing photographs of productions as well as portrait studies of singers and dancers.Over his career he captured performers such as Margot Fonteyn, Rudolf Nureyev, Alicia Markova, Julie Christie, John Gielgud, Peggy Ashcroft, Bette Davis, Douglas Fairbanks, Vivien Leigh, Edith Evans, Judi Dench, Maggie Smith, Maria Callas, Tito Gobbi and Joan Sutherland. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: Ealing, London: Associated Talking Pictures (ATP), circa 1930s, 1930
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original silver print. 25 x 19.5cm. . Possibly for the 1937 British film "High Command.".Signed recto in red ink by the photographer.Wilfrid Newton (sometimes spelled Wilfred Newton) worked at Denham Studios during the 1940s, and photographed stills for the two big British films: Henry V and Caesar and Cleopatra.The British National Portrait Gallery has 30 portraits of movie stars by Newton, but not this one. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: London: 23 Golden Square, circa 1930s, 1930
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original silver print. 24 x 19.cm. .Signed recto in pencil by the photographer.Houston Rogers (1902-1970) was one of London's leading theatre photographers from the 1930s until his death in 1970. His first notable work was photographing Fred Astaire and Claire Luce as the leads in the musical The Gay Divorcee. Rogers was playing the saxophone for the production at the time.By the end of the 1930s he had covered many important West End productions, including John Gielgud's Queen's Theatre seasons in 1937 and 1938. Rogers also regularly photographed the new revues, including the Nude Tableau, at the Windmill Theatre.During the Second World War, a large proportion of his photographs were destroyed. Rogers found new work photographing both ballet and opera at the Royal Opera House in the 1950s and 1960s, producing photographs of productions as well as portrait studies of singers and dancers.Over his career he captured performers such as Margot Fonteyn, Rudolf Nureyev, Alicia Markova, Julie Christie, John Gielgud, Peggy Ashcroft, Bette Davis, Douglas Fairbanks, Vivien Leigh, Edith Evans, Judi Dench, Maggie Smith, Maria Callas, Tito Gobbi and Joan Sutherland. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: Ealing, London: Associated Talking Pictures (ATP), circa 1930s, 1930
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original silver print. 24.5 x 19.5cm. . Possibly for the 1937 British film "High Command.".Signed recto in red ink by the photographer.Wilfrid Newton (sometimes spelled Wilfred Newton) worked at Denham Studios during the 1940s, and photographed stills for the two big British films: Henry V and Caesar and Cleopatra.The British National Portrait Gallery has 30 portraits of movie stars by Newton, but not this one. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: Berlin: circa 1923, 1923
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original silver print. 30 x 21.5cm. Signed and titled verso in pencil by the photographer, who was also the cinematographer of the fil. .Carl Hoffmann's cinematography profoundly shaped German Expressionism, particularly through his innovative use of lighting and composition in films like F.W. Murnau's Faust (1926), where he crafted atmospheric visuals blending stark shadows and ethereal effects to evoke supernatural themes. His techniques also influenced epic filmmaking during the Weimar Republic, emphasizing dynamic camera movements and visual storytelling that prioritized mood over realism. Following World War II, these Expressionist methods were carried to Hollywood by émigré filmmakers, impacting the stylistic development of American genre films, including film noir and fantasy productions.Posthumously, his work has been acknowledged in key film scholarship, such as Lotte H. Eisner's The Haunted Screen: Expressionism in the German Cinema (1952), which praises the technical prowess of Expressionist cinematographers like Hoffmann for advancing cinematic aesthetics. Contemporary recognition includes the restoration and screening of his silent films at festivals, underscoring his enduring influence on visual narrative techniques.He alos orked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: Berlin: circa 1923, 1923
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original silver print. 30 x 23.5cm. Signed recto in pencil by the photographer, who was also the cinematographer of the fil. .Carl Hoffmann's cinematography profoundly shaped German Expressionism, particularly through his innovative use of lighting and composition in films like F.W. Murnau's Faust (1926), where he crafted atmospheric visuals blending stark shadows and ethereal effects to evoke supernatural themes. His techniques also influenced epic filmmaking during the Weimar Republic, emphasizing dynamic camera movements and visual storytelling that prioritized mood over realism. Following World War II, these Expressionist methods were carried to Hollywood by émigré filmmakers, impacting the stylistic development of American genre films, including film noir and fantasy productions.Posthumously, his work has been acknowledged in key film scholarship, such as Lotte H. Eisner's The Haunted Screen: Expressionism in the German Cinema (1952), which praises the technical prowess of Expressionist cinematographers like Hoffmann for advancing cinematic aesthetics. Contemporary recognition includes the restoration and screening of his silent films at festivals, underscoring his enduring influence on visual narrative techniques.He alos orked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: Berlin: circa late 1940s, 1940
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original silver print. 24 x 18cm. Mounted. Signed in pencil by the photographer and indistinctly titled Berilée.? Annotated "Fahn Rose" in a later hand verso. . Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in Great Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: Berlin: circa late 1940s, 1940
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original silver print. 24 x 18cm. Mounted. Signed in pencil by the photographer and indistinctly titled Berilée.? Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in Great Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: Berlin: Staatstheater Charlottenburg, 1930
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original platinum print. 22 x 16.2 cm. Mounted. Signed in pencil by the photographer.Elli Marcus (born December 6, 1899 in Berlin , ? August 8, 1977 in New York City ) was a German and American theater photographer; her subjects, among others, were Max Reinhardt, Bertolt Brecht and Marlene Dietrich . .In 1918, Elli Marcus opened her first photo studio in Berlin and specialized in fashion and advertising photography . Outside of her studio, she mainly worked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in Great Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: Ealing, London: Associated Talking Pictures (ATP), circa 1930s, 1930
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original silver print. 24 x 18cm. . Possibly for the 1937 British film "High Command.".Signed recto in red ink by the photographer.Wilfrid Newton (sometimes spelled Wilfred Newton) worked at Denham Studios during the 1940s, and photographed stills for the two big British films: Henry V and Caesar and Cleopatra.The British National Portrait Gallery has 30 portraits of movie stars by Newton, but not this one. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.
Editore: Berlin: Staatstheater Charlottenburg, 1930
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. Original platinum print. 17.5 x 13cm. ounted. Signed in pencil by the photographer.Elli Marcus (born December 6, 1899 in Berlin , ? August 8, 1977 in New York City ) was a German and American theater photographer; her subjects, among others, were Max Reinhardt, Bertolt Brecht and Marlene Dietrich . .In 1918, Elli Marcus opened her first photo studio in Berlin and specialized in fashion and advertising photography . Outside of her studio, she mainly worked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in Great Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.