1996 paris (22 risultati)

Marc TARASKOFF PARIS, Éditions des Autres - 5 Mars 1979 - Br.20,5x14 - Couverture noire au premier plat illustré en blanc par Marc TARASKOFF; 253 et (11) pages. Bon état. Français Livres.

Hardcover. 1st in English. xii, 306 p.; 21.5 cm. A profound and rigorous schematic analysis of the writings of the Lutheran pastor and martyr. Contents: Introduction -- I The context of Bonhoeffer's theology: 1 The task of theology, 2 Objective revelation and existential interpretation, 3 Bonhoeffer's theological method -- II A biographical sketch: 1 1906-1945, 2 Continuity or discoutinuity? -- III Sociology and ecclesiology: 1 Kant and Hegel on the reason for the church, 2 The church as the structure of the world -- IV Ontology without metaphysics? 1 The intellectual situation in 1929, 2 Theologies of act and being, 3 Ontology without metaphysics? -- V The immediacy of obedience and the mediation of the Word: 1 The immediacy of obedience, 2 The mediation of the Word -- VI The concrete commandment: 1 God in the midst of the world, 2 Themes of Ethics: mandates,responsibility, ultimate and penultimate -- VII Christianity without "Religion"? 1 Text and context,2 Christianity's case against religion,3 Bonhoeffer's understanding of religion and reality, 4 The "secret discipline," prayer and suffering in the life of man come of age -- VIII Jesus Christ as structure and as place: 1 Jesus Christ as concrete "spatiality", 2 Incarnation and eschatology -- IX Interpretations of Bonhoeffer: 1 Lutheran interpretations, 2 Atheisitic interpretations, 3 Ontological interpretations -- X The God of reality and the reality of God: 1 "Our mother the earth", 2 Prophet of the present, 3 A paradoxical thinker -- Bibliography -- Index. -- `One of the great merits of the present work is to show the continuities that must be understood if one is truly to understand the developments and shifts of emphasis (but not of overall outlook)in the final year of Bonhoeffer's life.' (Brown, p.viii) As new orig. midnight blue cloth in olive brown dj.

Encuadernación de tapa dura. Condizione: Como Nuevo. Sin Sobrecubierta. Titulo original: Josef W. Stalin. De la traducción: Susana Andrés. Prólogo de ramón Pérez-Maura. Biblioteca ABC. Protagonistas de la historia. Los gastos de envío son calculados para un peso inferior a 1kg, superándose este peso le informaremos de los gastos de envío adicionales.

Softcover. Condizione: New. 1a.ed. en esta colección. 190x125 mm. Colección Austral, Humanidades. 115 p. Rústica. Sprache: Spanisch, NUEVO / NEU / NEW. Historia de Roma es un relato fascinante, de admirable estilo literario, sobre la Roma antigua y los personajes que la poblaron: una narración histórica contada con un ritmo absorbente, que se cuenta entre las mejores obras de su prestigioso autor. (Extracto texto cubierta) [historia+roma+imperio romano+historia antigua]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 9,45 (original price 10,50) **.

Couverture rigide. Condizione: Assez bon. Condizione sovraccoperta: Assez bon. Edition originale. Publié à l'occasion de l'exposition présentée à Lausanne, au Musée de l'Elysée (novembre 1996-janvier 1997) puis à Paris, au Centre national de la photographie (mai-janvier 1997). 15 photographies en couleurs, prises entre 1988 et 1990, (dont une en double-page). Lausanne, Musée de l'Elysée et Paris, Centre national de la photographie, 1997, 25 x 24,8 cm., cartonnage bleu, jaquette illustrée, 72 pages. BILINGUE FRANÇAIS/ANGLAIS.

Softcover. Condizione: Gut. 2a.ed. en esta colección. 180x105 mm. Colección Lectores de Eudeba, 2. 125 p. Rústica. Sprache: Spanisch, Buen estado. Cubiertas: leves roces. Interior: firma de ant. propiet. en portadilla, hojas ligeramente tostadas (amarillentas). USADO / GEBRAUCHT / USED. [historia+roma+imperio romano+historia antigua]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 8,10 (original price 9,00) **.

Soft cover. Condizione: Very Good. No Jacket. In Yiddish. 267 pages. 207 x 142 mm. Lili Berger was born to an observant Jewish family in Malken, near Bialystok. Her traditional Jewish education included 3 years at a Hebrew school, after which she attended the Polish-Jewish Gymnasium in Warsaw. After graduating she studied pedagogy in Brussels. In 1936 she settled in Paris, taught at a Jewish school and became involved with the Jewish left. She married Louis Gronowski (Lulke Grojnowski), a leader of the Jewish Communists in charge of the Jewish section of the MOI (Main-d'oeuvre immigrée), a network created to mobilize immigrant workers. During the war, they both assumed key roles in the French Resistance in German-occupied Paris. As head of the MNCR (Mouvement national contre le racisme), Lili Berger was active in rescuing Jewish children from deportation. At the end of 1949, when Poland came under Communist rule, Berger and her husband returned to Warsaw. Like other Jewish intellectuals, they saw an opportunity to create a "progressive" Yiddish cultural life in the land of their ancestors. In Poland Lily Berger began publishing articles and stories in both Yiddish and Polish. In 1953 her first book appeared, a Yiddish translation entitled Briv fun toytn-hoyz (Letters from Death Row), the letters of Ethel and Julius Rosenberg. It was followed by a collection of literary criticism, a novel and a collection of short stories. Berger also published two books in Polish, one about the Jewish resistance movement in France and the other a collection of essays and sketches entitled The Vietnamese People in Struggle. Post-war Poland quickly proved to be a dangerous place for writers and especially Jews, who in 1967, following the Six Day War in Israel, were again seen as a fifth column. Along with thousands of other Jews, Berger was forced to leave Poland in 1968 during the great exodus which she bitterly refers to in her writing as the trikener pogrom, the bloodless pogrom. Settling in Paris again, she resumed her literary activity, writing for the Naye Prese and, later, for the monthly journal Ofsnay and the weekly Di Vokh. Her work appeared in various Yiddish publications in Israel, South Africa, Mexico and the United States. She also published books of selected essays and stories and a historical novel about Esther Frumkin for which she received a prize from the Jewish P.E.N. club in New York. Printed by Yiddish publishing houses in Paris, Tel Aviv and Buenos Aires, her books received awards internationally. The subjects of Berger's numerous articles and essays were often writers and artists. The list includes Franz Kafka, Janusz Korczak, Simone de Beauvoir, Chaim Soutine, Chana Orloff, Vasili Grossman and scores of Polish Jewish writers who wrote in Polish or in Yiddish. She considered it her duty to write about the creative and courageous people whom she had known personally, who had experienced the horrors of the Holocaust or the Soviet Gulag and faced further ordeals in post-war Communist Poland. These pen portraits are not exhaustive treatments, but painted in broad strokes interwoven with personal recollections, information and ideas. Her work is full of valuable historical detail. On the other hand, while providing fresh insights, Berger, as a true artist, often leaves her readers with unanswered questions to reflect upon and ponder. One certainty, however, emerges from her work written after her disillusionment with the new Poland: the centrality of the State of Israel in Jewish life. Similarly, her fiction deals with the various aspects of the Polish Jewish experience in the twentieth century. Her stories are peopled by characters scarred by the Holocaust: a middle-aged Parisian couple who had met in a DP camp; a 15 year old Polish Catholic girl who discovers that she was born a Jew; an elderly Jew married to the French woman who had risked her life to save his; a young man who rejects his parents for hiding their Jewish identity in Post war Poland.

PARIS, Gallimard , 1971 - In-8 - broché - Couverture à rabats - 49 pages - très frais - Envoi rapide et soigné Professeur au Collège de France, membre de l'Académie française, fut de ceux à qui le renouvellement des études médiévales doit le plus. S'intéressant tour à tour aux réalités économiques, aux structures sociales et aux systèmes de représentations, il fut notamment l'auteur de Guerriers et paysans, Les trois ordres ou L'imaginaire du féodalisme, Le chevalier, la femme et le prêtre, Guillaume le Maréchal, Le temps des cathédrales, Saint Bernard L'art cistercien, Dames du XIIe siècle. Livres.

Hardcover. Condizione: Brand New. 242 pages. 9.00x6.00x0.75 inches. In Stock.

Paris: Loudmer, 1996 Wrpps, 4to. unpaginated, 114 lots illustrated in colour. With introductory notes by 'P. A.', Roger Little and Louis Perrois. A very nice copy of the first edition in the publisher's wrappers. We have been selling antiquarian books on Africa, Oceania, archaeology, anthropology, travel and the ancient world for over forty years. All our books are carefully catalogued and they are in excellent condition unless stated in the description. All shipments are fully insured at our expense. All books are carefully packaged in new packaging material and despatched by registered or recorded mail, or by a courier service; the customer is always able to track their shipment. All sales are accompanied by a VAT invoice. Photographs may be supplied if requested.[L].

Brossura. Condizione: Molto buono (Very Good). Plaquette pubblicata in 1000 copie numerate e firmate dall'Artista in occasione della mostra retrospetiva del Centre Artistique de Bondues-Marcq "Septentrion", Marcq-en-Bar?ul, 4 maggio - 3 giugno 1973. Testi di Lucien Curzi e Michel Bohbot. Elenco delle 85 opere espote. Note biografiche e mostre. Un ritratto dell'Artista e 18 riproduzioni di opere. . Cm 23x20. pp. 12. Dedica e firma autografe dell'Artista (Inscribed and signed by the Artist). Molto buono (Very Good). Lieve alone di ruggine in corrispondenza dei punti metallici (Spots of rust from staples along spine). Prima ed. di 1000 es. numerati e firmati dagli Artista. . Book.

Couverture rigide. Condizione: Très bon état. Petit in-4 carré relié, très bon état d'occasion. in-4°.

Couverture rigide. Condizione: Très bon état. In-4 28 x 20 cm. Cartonnage éditeur illustré, titre non paginé 128 pp., 287 éditions originales et livres illustrés modernes décrits, pour la plupart magnifiquement reliés, 287 illustrations en couleurs, index des illustrateurs. Exemplaire en très bon état.

Condizione: Good. Folio. 33 x 46 cm. Original red-orange buckram slipcase and black fabric chemise. . 11 color lithograph plates and 14 original lithographs in sepia. One of 275 numbered copies, signed by the artist.Paris, Aux dépens d'un amateur, 1970.In-folio en feuilles, couverture en toile noire rempliée, emboîtage orange de l'éditeur.Illustrée de 25 lithographies originales de Léonor Fini.Tirage limité à 275 exemplaires, un des 190 exemplaires sur vélin d'Arches, le 221.

Condizione: Good. Large folio. 27 x 20 inches. 68 x 52cm. Qtr. morocco portfolio in a slipcase, with the text and 14 full sheet silkscreens. Very heavy, more than 11 kilos.A few bumps on the box.12 large format silkscreen illustrations; bound in leather and marbled paper boards (signed by Waldberg and Fini) in matching marbled paper portfolio are contained with the book in a sumptuous matching leather and paper box. Includes many of Fini's most beautiful images such as "Vesper Express" and "Guardian of the Wells." .Edition of 175, plus 26 Artist's Copies69 par 52,5 cm. 44 pages non numérotés. Demi-maroquin noir avec coins d'éditeur, non rogné.Mors intérieur fendu (sans incidence sur la solidité du volume), sinon excellent état. Avec une boite ayant un dos en maroquin noir (petits défauts à la boite).Édition illustrée de 12 sérigraphies et de deux dessins de Leonor Fini. Préface et titres rédigés par Patrick Waldberg.Tirage limité à 301 exemplaires. Un des 175 exemplaires sur vélin de Rives signé par Leonor Fini et par Patrick Waldberg.Un des recueils les plus troublants de la grande artiste Leonor FINI. Chaque leçon est, malgrésa beauté, une source de trouble voulue par l'artiste.Expertise by Jean-Paul Veyssière, 37000 Tours, France.

Condizione: Good. Large folio. 27 x 20 inches. 68 x 52cm. Two board portfolios in a slipcase. One portfolio contains the text and 14 silkscreens. The second portfolio contains 12 signed and numbered color silkscreens, each one of 26 signed impressions. Very heavy, more than 11 kilos.12 large format silkscreen illustrations; bound in leather and marbled paper boards (signed by Waldberg and Fini) in matching marbled paper portfolio are contained with the book in asumptuous matching leather and paper box. Includes many of Fini's most beautiful images such as "Vesper Express" and "Guardian of the Wells." .Edition of 275, Plus 26 Artist's CopiesLes leçons, édition du Tamanoir, Bruxelles, 1976 Ouvrage comprenant une préface de Patrick Waldberg et douze sérigraphies, dimensions variées, marges 68 x 52 cm, très belles épreuves, tirage à 275 exemplaires et 26 exemplaires de collaborateur numérotés a à z, exemplaire L comprenant le livre relié avec les douze sérigraphies et une suite supplémentaire des douze sérigraphies signées et numérotées l/z très bon état général, quelques usures sur l'emboîtage d'origine.Expertise by Jean-Paul Veyssière, 37000 Tours, France.

Paris, Loudmer Comm. Pris., 1996, in-4°, ca. 120 pp nn , 287 lots, cartonnage illustré. Avec index des relieurs et des illustrateurs. P resque toutes les reliures sont illustrées en couleurs. Importante collection de l'art du livre du 20e siècle.

Paris, Loudmer Comm. Pris., 1996, in-4°, ca. 120 pp nn , 287 lots, cartonnage illustré. Avec index des relieurs et des illustrateurs. P resque toutes les reliures sont illustrées en couleurs. Importante collection de l'art du livre du 20e siècle.

Paris, Hotel Georges V, expert Claude Blaizot, 1996-1997, 2 vols in-4°, ca. 200 pp nn avec 175 lots (presque tous ills. en couleur) ; 101 pp avec 471 lots , qq. ills. en couleurs, (beaucoup ills. de reliures). Broché, couvertures oriignales, catalogue complet en 2 vols. (book auction sale catalogue).

2. Paris, Expert Courvoisier, 1996, In-4°, 27,5 x 21,5 cm, ca. 60 nn pp, 227 lots, coloured & b/w ills., sewn, orig. wrapper. Book of Hours, Psalter of Urfé.(Livre en français).

2. Paris, Picard Audap Solanet, 1996, in-4°, ca 40 nn pp, many b.w. plates, 76 lots, sewn, orig.wrapper.

28,6 : 17,5 auf Velin 35,3 : 25,7 cm. Rückseitig mit handschritlicher Notiz des Künstlers: "En remerciement pour le / Stylo qui m'a permis de / faire ce dessin. / J BERTHOLLE / août 1953". - Tadellos erhalten.