a a fedorov davydov (36 risultati)

131pp. 151 illus. Tall 8vo. Wraps.

275 S./p., einige Abbildungen/some illustrations, Originalkunststoff (publisher's plastic binding), gutes Exemplar (fine), Sprache: russisch.

Hardcover. Condizione: Good. . . . . Folio, hardcover, gray cloth. Vg condition in good dj. Dust jacket tape-repaired and edgeworn. Covers and contents clean, no marking or writing. Binding sturdy, square and tight. Text entirely in Russian. 57 Plates, some color. 19th, Art, Century, Painting, Russian,

gr. 8°, 300 S./pp., 106 teils farbige Tafeln und XII Schwarzweiß-Fotografien im Anhang/106 partially coloured plates and XII black and white photographs in the appendix, Originalleineneinband (publisher's cloth binding), Rücken minimal fleckig/spine minimally stained, einige Seiten knickspurig/some pages with folding marks, sonst gutes Exemplar (otherwise fine), (Fedorov-Davydov, Russkii peizazh XVIII - nachala XX veka. Issledovaniia. Ocherki. Istoriia. Problemy. Khudozhniki). Sprache: russisch.

Hardcover. Condizione: Fine. Izd. Moskov. Un-ta, 1989/, pp. 250, ill. Coin hoards, etc. [ Mint condition] ISBN 5211002776.

Taschenbuch oder Softcover. Condizione: Sehr gut. Zustand: Besitzervermerksstempel auf dem oberen Schnitt, insgesamt GUTER Zustand! Stichworte: Mittelalter, Archaologie, Siedlungsgeschichte, Stadt, Lander, Gebiete, Volker // Wolga, Siedlung, Wolga, Geschichte, Goldene Horde, :z Geschichte 500-1500, :z Geschichte, Unteres Wolga-Gebiet, Untere Warthe Deutsch 324g.

Hardcover. Condizione: Very Good. Mos. 1974/, pp. 208, + 56 illust., some in color. [Spine lacks lettering; otherwise vf].

178 S./pp., Originalbroschur (publisher's paper covers), Einband gering gebrauchsspurig / binding shows some wear and tear, sonst gutes Exemplar (otherwise fine), Sprache: russisch.

Zustand: gut gebundenes Buch mit Schutzumschlag in russisch / leichte Gebrauchsspuren.

131 S. Br.

4°, OLn., 211 S. mit zahlr. Abb., Einb. gering abgegriffen, Papier altersbed. leicht gebräunt ru Gewicht in Gramm: 1550.

Condizione: Good. 12mo. 24 pp., 5 illus. Text in Russian. Very good in stapled wraps.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Good. /Mos. 1955/, pp. 170, illust., qt. Leading classical artist of late 18th Century. [1753-1824].

Hardcover/Hardback. Condizione: Fair.

Condizione: New. 278 113 of lates.

4°, 225 S., zahlreiche Abbildungen/numerous illustrations, Originalleineneinband (publisher's cloth binding), gutes Exemplar (fine), Sprache: russisch.

Moscow, 1987. hardcover. 229 pages. Wir kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. ru.

Soft cover. Condizione: Good. 168 pages, [2] leaves of plates : illustrations ; 26 cm. Text in Russian.

Hardcover. Condizione: Very good. 253, [3] pages. Frontis illustration. Format is approximately 7 inches by 8.75 inches. Text is two columns per page. Illustrations (photographs and drawings). Photo of author on back cover. Cover has slight wear and soiling. German Alexeyevich Fedorov-Davydov (1931-2000) was an outstanding historian, archaeologist, numismatist and art historian, professor of Moscow State University. German Fedorov-Davydov graduated Moscow State University Historical division in 1954 majoring in archeology. In 1969 he became a professor in the Archeology Institute of the USSR Academy of Science, his post-graduate and doctoral monographs were "Altyn Orda coin hoards" (1957), and "East European Nomads from 10th to 14th centuries" (1966). German Fedorov-Davydov was tireless field archeologist. In his publications German Fedorov-Davydov illuminated actual, very serious historical problems almost state-forbidden at that time. G. Fedorov-Davydov continued traditions of pre-revolutionary orientalists - numismatists, immensely contributing to the wealth of knowledge in the field, including the birth and development of the Russian monetary system and terminology. German Fedorov-Davydov is an author of about 230 scientific and popular-scientific works, including 26 books. His monographs "East European Nomads under rule of Altyn Orda Khans" (1966), "Social order of Golden Horde" (1973), "Art of nomads and Golden Horde" (1976) became classical for the period of Early Middle Age world of the Euroasian steppes. His books were published and republished in England, Germany, Belgium, Hungary, Poland, Estonia, among them are "City Culture of the Golden Horde" (Oxford, 1984), "Stadte der Golden Horde an der unteren Wolga" (Munchen, 1984), "Le tresor de Saransk Les Monnaies de la Russie Moskovit 14 et 15 ieme Siecle" (Belgique, 1985), "Le tresor de Saransk Les Monnaies de la Principaute de Nijegorod. 14-15 Siecles" (Belgique, 1992). A famous work "Coins tell" ("World", 1986, republished again in 1990) was even published in Marathi and Telugu Indian languages. Presumed First Edition, First printing 1 of 10,000.

228 p. with 150 col. and b/w illustrations. 4°. Cloth. Corners a bit bumped. Dust jacket (damaged) is enclosed. Iskusstvo kocevnikov i Zolotoj Ordy. Ocerki kul'tury i iskusstva narodov Evrazijskich Stepej i zolotoordynskich gorodov. - Russian text, English summary. Rare.

Soft cover. Condizione: Very Good. /Moscow 1929/, pp. 247, uncut. Discussion of modernism, decorativism in Russia in early 20th C as expressed by GAXN [Gos. Akademiia Khudozhestvennykh Nauk] [front coveer edges frayed] [Scarce].

131 S. Mit zahlreichen Abbildungen. OKart. Materialien zur Allgemeinen und Vergleichenden Archäologie, 11. Sprache: Deutsch.

Soft cover. Condizione: Very Good. 1st Edition. Malevich's Tragic 1929 Retrospective Exhibition Catalogue. Octavo 17.3x12.8 cm., original paper wrappers, 10(2) pp. With a b/w reproduction of "Na senokose." 1000 copies only. Glavit no. A-51089. This booklet, published in conjunction with an exhibition of Malevich's works at the Tret'iakov Gallery, includes a biography of the artist. The author, Aleksei Fedorov-Davydov (19001969), at the time the head of the Department of modern Russian art at the Tret'iakov, was a prominent art historian. Malevich produced forty new works for this show. He had left behind the bulk of his mature works in Europe when he returned to Russia in 1927. In this new series of work the artist attempted to redefine himself, given that he had abandoned painting by 1922. In light of the current prevailing conditions he seemed to be reinventing himself in producing new works and antedating them back into the first decade of the century which would produce an historical narrative more suited to the homo sovieticus than can be discerned from the verified works on hand we have and details of his biography. No photographs exist of this exhibition. A fully illustrated catalogue was promised but never materialized, and this is the sole documentation for the event. Some of the work was exhibited in Ukraine in 1930, where the authorities closed down the show and confiscated the items, a dark portent. Within two years of this exhibition at the Tret'iakov Gallery the Stalinist regime had rejected bourgeois abstract art, and Malevich was banned from creating anything of the sort. The paintings from this exhibition were stored in the Russian Museum and not available for view until almost 1980. Fedorov-Davydov's text seems to reflect the tension between Malevich's prominence and the pending rejection of his aesthetic, as he stresses exhibit's importance to up-and-coming artists. "On the one hand," he writes, "this era reached its climax with the whole system engendered by the isolation of bourgeois culture of art from life; on the other, it constructed the germs of those new forms of art that are now growing in front of our eyes". BL 375. Getty 481. MoMA 828. OCLC locates six copies worldwide at the Tate, Frick, MoMA, UNC-Chapel Hill. .Reference: Kokkori, Maria, "Exhibiting Malevich under Stalin," in Utopian Reality: Reconstructing Culture in Revolutionary Russia and Beyond, ed. Christina Lodder, Maria Kokkori, and Maria Mileeva (S.l.: Brill, 2013): 138. A very good+ copy.

Book measures: 15 x 11.5 cm. 23 pages: plates. Text in Russian. One of 350 copies. As of April 2024, OCLC doesn't locate any other copies of the book. A slightly worn copy. Nikolai Nikolaevich Kupreianov, born in 1894 in Vlotslavek (W?oc?awek), Kingdom of Poland, and passing away in 1933 in the Moscow Region, USSR, was a significant graphic artist during the early Soviet era. Trained under notable mentors such as Princess Maria Klavdievna Tenisheva and Dmitrii Kardovski, Kupreianov made his mark with engravings in the 1910s before transitioning to drawing and painting, becoming a master of realism. He taught photography and engaged in poster design in Petrograd after the Russian Revolution, producing notable works addressing the preservation of historical monuments and libraries. Internationally recognized, he exhibited at prestigious venues like the Venice Biennale and Paris's International Exhibition of Modern Decorative and Industrial Arts. Despite his untimely death by drowning in 1933, Kupreianov's legacy endures through his impactful contributions to art and education.

No binding. Condizione: Good. Monografiya A. A. Fedorova-Davydova - eto fundamentalnoe issledovanie tvorchestva I.I. Levitana.Bogatstvo soderzhaniya pejzazhnoj liriki Levitana, glubina ego filosofskikh razdumij o cheloveke i o prirode, blestyashchee masterstvo - yavlyayutsya v knige predmetom vdumchivogo analiza.Vnimatelno proslezheny v monografii sobytiya zhizni i tvorcheskogo puti khudozhnika, ego svyazi s sovremennikami, druzhba s A.P. Chekhovym. Rassmotrenie protsessa raboty Levitana nad sozdaniem kartiny soprovozhdaetsya obzorom otzyvov pechati na vystavki, v kotorykh uchastvoval khudozhnik.V knige vosproizvedeny mnogie pejzazhi Levitana iz muzeev i chastnykh sobranij.Levitan Isaak Ilich 1860, Kibartaj, Litva, Nr. 1900, Moskva, russkij zhivopisets-pejzazhist. S nachala 1870-kh gg. zhil v Moskve. Uchilsya v Moskovskom uchilishche zhivopisi, vayaniya i zodchestva MUZhVZ, 1873Nr.85 u A.K. Savrasova i V.D. Polenova. S 1884 eksponent, s 1891 chlen Tovarishchestva peredvizhnikov. S 1897 chlen khudozhestvennogo obedineniya 'Myunkhenskij Setsession'. Uchastnik vystavok zhurnala 'Mir iskusstva' 1898Nr.1900. S 1898 prepodavatel MUZhVZ ucheniki Nr. P.I. Petrovichev, N.N. Sapunov i dr. Rabotal v Krymu 1886, 1899, na Volge 1887Nr.90, v Finlyandii 1896, v Italii, Frantsii, Shvejtsarii 1890, 1894, 1897, 1898. Sozdatel zhanra 'pejzazha nastroeniya', kotoromu prisushchi bogatstvo poeticheskikh assotsiatsij, mazhornost 'Mart', 1895, 'Ozero. Rus', 1900 ili skorbnaya odukhotvorennost obraza 'Nad vechnym pokoem', 1893-1894, obretayushchaya v kartine 'Vladimirka' 1892 sotsialno-kriticheskuyu okrasku. I.I. Levitan pokazyval tonchajshie sostoyaniya prirody, byl avtorom plenernoj, nyuansirovannoj zhivopisiTom 1. - I.I. Levitan - zhizn i tvorchestvo.Tom 2. - Dokumenty, materialy, bibliografiya.

Hardback. 581pp including 215 monochrome reproductions, 6 coloured plates, Iskusstvo, Moscow 1953 Very good copy.

gebundene Ausgabe, Halbleder. Condizione: Sehr gut. 570 p. 17 montierte farb. Tafeln, plus 96 farb. Tafeln, 28 x 31 cm Zustand: sehr gut bis neuwertig; ue10238 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. ru Gewicht in Gramm: 5000.

Moscow: State Tretyakov Gallery, 1929. 12 p. with covers. 17.5×13 cm. Covers are detached, but preserved in full in a plexiglass cover. Otherwise very good. Reproduction of one of Malevich's works included in the brochure. This booklet, published in conjunction with an exhibition of Malevich's works at the Tret'iakov Gallery, includes a biography of the artist. The author, Aleksei Fedorov-Davydov (1900-1969), at the time the head of the Department of modern Russian art at the Tret'iakov, was a prominent art historian. Malevich produced forty new works for this show. He had left behind the bulk of his mature works in Europe when he returned to Russia in 1927. IIn this new series of works the artist attempted to redefine himself, given that he had abandoned painting by 1922. In light of the current prevailing conditions he seemed to be reinventing himself in producing new works and antedating them back into the first decade of the century which would produce an historical narrative more suited to the homo sovieticus than can be discerned from the verified works on hand we have and details of his biography. No photographs exist of this exhibition. A fully illustrated catalogue was promised but never materialized, and this is the sole documentation for the event. Some of the work was exhibited in Ukraine in 1930, where the authorities closed down the show and confiscated the items, a dark portent. Within two years of this exhibition at the Tret'iakov Gallery the Stalinist regime had rejected bourgeois abstract art, and Malevich was banned from creating anything of the sort. The paintings from this exhibition were stored in the Russian Museum and not available for view until almost 1980. Fedorov-Davydov's text seems to reflect the tension between Malevich's prominence and the pending rejection of his aesthetic, as he stresses exhibit's importance to up-and-coming artists. "On the one hand," he writes, "this era reached its climax with the whole system engendered by the isolation of bourgeois culture of art from life; on the other, it constructed the germs of those new forms of art that are now growing in front of our eyes".

LeatherBound. Condizione: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 160. A perfect gift for your loved ones. Reprinted from 1909 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Russian Pages: 160.