A hanslip (11 risultati)

Soft cover. Condizione: Fair. Printed in Holland. Circa 1893. Unpaginated, string bound, color lithograph illustrations, 16 leaves printed on hard stock paper. Covers show soiling and chipped corners, the string has cut through the preliminary leaves. Now in a protective mylar sleeve.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Stated First Edition 1947. From the title page: 'A collection of thirty-eight drawings of historic buildings damaged during the bombing of London in the Second World War 1939-1945.' You can see the covers of the book in the photos. There is some soiling off the front top edge. The gilt lettering on the spine is fairly bright. The spine ends have a little bit of wear. There's also a little wear and light fraying over part of the juncture between the spine and rear cover. There is one spot of soiling on the rear cover. The cover edges have a few very small spots, but no rubbing. A couple of corners have a small spot of shallow rub-through. The book is pretty square and the spine is pretty straight. However, the covers do bow out quite a bit, as the photos should show you. There is a very thin space at the juncture between the front inside cover and the front end paper. It only comes down about 30% of the way from the top edge. The front cover is solidly bound. Between the rear inside cover and rear end paper there is another thin space coming down about 20% of the way from the top edge. The rear cover is also quite solidly bound. The remainder of both of these two junctures is free of any wear. The pages are nicely, tightly bound. I've turned all of them over. There is only one instance of a space at the juncture between two facing pages. It's at the center of the book where it may have been left lying open. Again the space begins at the top edge. It comes down about 30% of the way. The rest of the juncture is not affected. Both of these facing pages are tightly bound from top to bottom. The pages are exceptionally clean. I've looked at them all. I haven't seen any soiling. Several of the drawings are in color, including the frontispiece. They are all in excellent condition. I haven't found any instances of creasing. There are no markings. There are no attachments. There is a neatly penned inscription on the blank front end paper. There is no other writing anywhere in the book. There is a good deal of tanning on both inside covers and on the blank front end paper, not anywhere else. The acetate jacket is very rare. I saw only one other. Mine is in pretty nice shape. It has that small loss at the top edge of the spine, and it has a several creases. Note that it was produced a little bit shorter than the length of the book itself. As you can see from the smooth, even edges of the jacket, there is no loss on them, again it is just the way the jacket was produced. The jacket is quite clean. Unfortunately, the camera is picking up reflections of my arm, phone, etc. There's no soiling. There is a thin tear on the spine and continuing a little ways onto the front. The flaps are also clean. I don't see any tears on them. There are a couple of creases. The flaps don't have any print on them with the exception of the price off the bottom edge of the front flap. So the jacket is not price-clipped, not clipped at all. And I have always had it in a fitted protective cover--which is why it's picking up the reflections. The Introduction, titled A Reverie On London, is six pages. 'Hanslip Fletcher was an etcher, illustrator and painter specializing in architectural studies of London and elsewhere. He was born and lived in London. He was educated at Merchant Taylors' School and was a member of the Art Workers' Guild. His architectural drawings appeared in newspapers including the Daily Telegraph and Sunday Times ('the drawings reproduced in this book were commissioned from the artist by the proprietors of the Sunday Times' and the majority have appeared in its pages'). Mr. Fletcher exhibited extensively including at the Royal Academy, Goupil Galleries, Dudley Gallery, New English Art Club and other London galleries. His work is held by Dundee University, Manchester City Art Gallery, Royal Albert Memorial Museum, Exeter, as well as the British Museum.'. Hanslip Fletcher (illustratore).…

Hardcover. Condizione: Very Good. No Jacket. First Edition. original cloth backed boards hardcover,illustrated throughout,a very good clean and complete copy.Shelf B39.

Hardcover. Condizione: Very Good. No Jacket. This is a large book of drawings of historic buildings damaged during the bombing of London during the 2nd World War. Presented in illustrated boards without a wrapper. The cover is a little stained and it has a "browned" spine. There is a neat inscription on the first blank. Contents are clean and tight. Incredible drawings, throughout. Hanslip Fletcher (illustratore).…

First edition, first printing. Some wear and an inscription, but generally near fine in pictorial cloth covers. 38 drawings - the cover drawing plus 37 plates (4 in colour). Poor and somewhat tatty acetate dustjacket bearing the title present.

Condizione: Very Good. First edition hard back binding in publisher's original cream linen backed boards with blue paper covered sides sewn with blue cords through brass eyelets, cream paper title label to the front cover. Folio. 15'' x 10''. Contains 29 page introduction followed by 40 full-page single-sided monochrome plates by Hanslip Fletcher showing street scenes, buildings, squares, interiors etc. In Very Good clean and bright condition with hardly any usage marks. Member of the P.B.F.A. LONDON (Londinium).…

Cloth. Condizione: Very Good. First edition. The first edition of a beautiful collection of drawings that showcase the resilience of London's historic beauty after the Blitz. The first edition of Bombed London: A Collection of Thirty-Eight Drawings of Historic Buildings Damaged during the Bombing of London in the Second World War, illustrated by British artist Hanslip Fletcher, with an introduction by British architect Albert E. Richardson. In the publisher's original pictorial cloth, in the original glassine wrapper. Contains a colour frontispiece and all thirty-seven other full-page illustrations, including three in colour. Collated complete. A member of the Art Workers' Guild whose architectural drawings regularly appeared in he Daily Telegraph and Sunday Times, Fletcher always loved London and these drawings highlight how despite the Blitz London is able to retain its historic beauty. Richardson was a leading architect of his day, most famous for co-designing the Manchester Opera House. In the publisher's original pictorial cloth, in the original glassine wrapper. Externally, mostly smart, with minimal marks to boards. Minor browning to edges, and bumping to the head and tail of the spine, and to the extremities. Chips to glassine wrapper edges, with significant loss to bottom edge of rear wrapper. A couple of significant punctures to wrapper front joint and a couple of spots. Offsetting to free end papers, with faint spots to rear pastedown. Bookseller's stamp to front pastedown. Internally, firmly bound. Pages are bright and clean. Very Good. Hanslip Fletcher (illustratore). book.…

Rag Book. Condizione: Very Good -. No Jacket. First Edition. A Dean's Rag Book, illustrated with drawings. Dwarf Series No. 22 - book measures 4 3/4 x 3". A very nice copy of this rare publication, with just minor edge wear. Undated, believed to be from 1906. A. Hanslip (illustratore). Book.

First Edition. [12] 38 plates, three of which are colored. The cloth cover of St. Paul's through the ruins of Bow Church Windows which are all that survived in that raid. The drawings include the destruction of the such buildings as the Royal College of Surgeons, St. Thomas Hospital, Charterhouse (color), the ruins of St. James Piccadilly, The Record Office, and many others.…

Leather Bound. Condizione: New. Language: French. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2017, utilizing the invaluable guidance of the original edition published many years ago in . The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Vol:- Volume 1 vol., Pages:- 30, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1 vol. 30.…

Full Leather Bound. Condizione: New. Language: French. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [] and this unique edition is Reprinted in 2017 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - French, Vol: - Volume 1 vol., Pages 30, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. Volume 1 vol. 30.…