a m as vijvers (10 risultati)

Soft cover. Condizione: New. 1st Edition. From the Hand of the Master: The Hours of Catherine of Cleves edited by Anne Margreet W. As-Vijvers Ludion PB 2009 ISBN 9789055448234 NEW.

paperback. Condizione: New. U.S. orders are shipped from N.Y. state.

paperback. Condizione: Very Good.

Original publisher's sewn blue paperback, pictorial frontcover, large 8vo: 390pp., 19 contributions with illustrations - notes - footnotes - references, general bibliography, general index. CONTRIBUTIONS: 1. Annemarieke Willemsen: Looking through Classroom Windows: Daily Life at a Latin School in the Netherlands around 1500. 2. Jos. M.M. Hermans: Schoolboys and Book Production in Late Medieval Zwolle, c. 1470-1525. 3. Gerda C. Huisman: Commune Sacrarium: Manuscripts in Printed Library Catalogues of the Northern Low Countries 1595-1800. 4. Erwin Huizinga: Cutting and Writing: Medieval Dutch Surgeons and Their Books. 5. Saskia van Bergen: A Matter of Collaboration ? Manuscript-Production Practices as Revealerd in Flemish Manuscripts with Miniatures by the Masters of Otto van Moerdrecht. 6. Gregory T. Clark: The Purposes and Meaning of Tradition in 15th-Century Manuscript Illumination: The Cases of Flanders under Philip the Good and Paris under the English Occupation. 7. G.A.M. van Dongen: More Manuscripts from Mariënwater ? Manuscript Production in a Birgitte Convent Reconsidered. 8. Marc Gil: Jean du Chesne, écrivain lilois à la fin de l'époque bourguignonne. 9. Margaret L. Goehring: Artist or Style ? A Consideration of the Master of the Older Prayer Book of Maximilian I. 10. J.P. Gumbert: Can a Fleming Write Itaian? 11. Katryn M. Rudy: Margins and Memory: The Functions of Border Imagery in a Delft Manuscript. 12. Rob Dückers: The Maastricht ordinarii costodum: Rare Exponents of a Little-Known Genre. 13. Suzan Folkerts: & Jelma Hoekstra: Narrative Historical Sources in the Northern Low Countries. 14. Willem P. Gerritsen: Browsing in Derolez's CCB IV: A Literary Histirian among Book Lists. 15. A.J. Geurts: The Belgian-Dutch Bindings Society [Belgisch-Nederlands Bandengenootschap]: Goals, Achievements and Current Projects. 16. Ike de Loos: Attributions and Re-Attributions: The Origin and Function of Liturgical Manuscripts in the Low Countries. 17. Corinna Roeder: Die Bibliothek von Albert Hardenberg [um 1510-1574]: Erfassung und Erschliessung einer Gelehrtenbibliothek im Internet. 18. G. Warnar: A Medieval Dutch Homiliary and the Bibliotheca Neerlandica Manuscripta. 19. L.S. Wierda: Armamentarium titius sapientiae: The Franeker Academy Library and its 17th-Century Catalogues. VERY FINE COPY - AS NEW. STILL SHRINK-WRAPPED. Volume 3: Boekhistorische Reeks.

Groningen, Egbert Forsten / Leeuwarden, Fryske Akademy, 2008. Paperbound. 389 p. New copy. (Boekhistorische Reeks; III).

Hardcover. Condizione: Brand New. 01 edition. 250 pages. 12.00x8.70x1.80 inches. In Stock.

Buch. Condizione: Neu. Neuware - The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders, how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page layout and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts.

Groningen, Forsten, 2008. xvi,389 pp. W.num.ills. Wrappers. (Boekhist.Reeks 3; Fryske Ak. 1019A; contributions mainly in English, one in German, one in French).

Hardback, 250 pages., 150 b/w ill. + 32 colour ill., 210 x 297 mm. ISBN 9782503516844. The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders; how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page lay-out and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts. Languages: English. 0 g.

786 pages ., 355 b/w ill. + 72 colour ill., 210 x 297 mm, Languages: English. ISBN 9782503516844. This publication offers an overview of the style of the Flemish miniature, from the anonymous and modest early Romanesque illustrations to the luxurious late Gothic miniatures, some of which were exported as far afield as Spain and Russia. A beautiful overview of the development in style of the miniature. From the anonymous and modest early Romanesque illustrations to the luxurious late Gothic miniatures of Simon Marmion or Lucas Horenbout who, in the fifteenth and sixteenth centuries, exported their Flemish masterpieces as far afield as Spain and Russia. Never before has the reader-viewer been presented with such a complete overview of the art of Flemish miniatures from the eighth to the sixteenth centuries. Never before has a book presented such a fascinating history of eight centuries of the art of miniatures from the Low Countries. Never before have so many miniatures - more then 600 colour illustrations - been reproduced in one book. Languages: English. 0 g.