Adlington william translator (25 risultati)

Paperback. Condizione: Good. Hardcover. Original purple cloth. Cover shows mild shelf wear. Some discoloration along spine. Text and images are clean throughout. Binding is secure.

Hardcover. Condizione: Good. Hardcover bound in maroon cloth. Binding is tight. Light wear to boards with a few scratches on cover. Small pink stain on leading edge of text block. Bruise along leading edge of rear panel. Pages are crisp and unmarked. No dust wrapper. 8vo. 249pp.

Paperback. Condizione: Very Good. 282 pp.+ Color Illus Plt at Frontis, BW Illus Plts in Text, Plum Hardback, Silver Spine Title, VG, no DJ. Jean De Basschere (illustratore).

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. 2nd Abbey Classics Edition. 1925 hardcover with rare original dust jacket. Blue cloth boards with dulled title to spine. Hinges intact and binding secure. DJ is soiled, edgeworn and missing 1" from spine panel. 2nd Abbey Classics Edition . Your purchase benefits literacy and summer reading programs in Cincinnati and Hamilton County, Ohio. We ship every business day. All books ship in cardboard bookfolds with delivery confirmation. Sets or unusually heavy items ship in a box. …

Hard Cover CLOTH. Condizione: Good. No Jacket. Privately Printed for Rarity Press. ***PICTURE AVAILABLE VIA EMAIL UPON REQUEST. 282 pages; purple cloth with silver. Sunned spine and top edges. Spotting front and rear. Black and white illustrations. Jean De Bosschere (illustratore).

Hardcover. Condizione: Very Good. xiv + 235pp, bound in blue cloth, gilt lettered, very good condition, Chapman and Dodd, London, undated, circa 1930.

Hardcover. Condizione: Near Fine+. Condizione sovraccoperta: Very Good-. Illustrated Edition. The Abbey Library / Murrays Book Sales (Kings Cross) Ltd. , London, England, U.K. , circa 1955. Near Fine+ in a Very Good- Dust Jacket. Possibly Unread. The Text Block is clean, pages somewhat tanned but thick and firm, tight, straight and square, with no markings of any kind. The Binding is full yellow cloth, color uniform throughout, with gilt title, etc., to the spine, unmarked, illustrated endpapers, and all corners square and sharp. The Dust Jacket is bright, colors uniform throughout, intact after repair, with a 3" tear to the front panel discreetly closed from behind and a 1" tear to the rear panel also closed from behind, and wear at the edges and folds. The original price (25s.) is intact on the front flap. See photos. 282 pages plus 16 unnumbered pages of the artist's plates. 5 3/4" x 8 3/4'. Written in the 2nd Century, C.E., it is the only Latin novel to survive in its entirety. It was originally entitled Metamorphoses, referring both to the initial transformation of Lucius into an ass by means of a potion and later the entry of Lucius, again in human form, into the Mysteries of Isis, but the name The Golden Ass came from St. Augustine's reference to the work, in his treatise The City of God, as asinus aureus. In form it is an episodic picaresque novel. This edition was translated by William Adlington, and contains an Introduction by E. B. Osborn, and sixteen (16) full page erotic illustrations by Jean de Bosschere, along with many other partial page drawings. Jean de Bosschere (illustratore).…

359 pages. Hardcover: H 23.25cm x L 16cm. Lacks dust jacket. Purple cloth; some rubbing and light mottling to boards; sun fading to spine cloth; light discoloration occurs at rear board's margins; gilt stamping upon spine and front board remains bright. Gilt top edge; toned deckle fore-edge; deckle bottom edge. Strong toning and foxing to endpapers; some mild foxing on several initial and terminal leaves. Interior pages remain fairly clean. A very good- copy and a handsome edition of the classic Latin picaresque novel written sometime between 150-180 A.D. in the standard English translation by William Adlington. Includes six b/w plates including frontispiece which retains a lightly toned tissue guard plus other b/w illustrations or "decorations" amongst text many of which are chapter headpieces.…

Cloth. Condizione: Good. Reprint. London: Abbey Library, no publication date. 8vo. Yellow cloth binding, 282 pp. Illustrated in black and white by de Bosschère. Decorated endpapers. Reprinted from 1639 edition. Boards soiled, pages tanned. Good. de Bosschère, Jean (illustratore).

Hardcover. Condizione: Good/NO DUSTJACKET. London, UK: ***** Privately Printed *****. Good/NO DUSTJACKET. 1924. . Hardcover. Sm 4to., 359pp., Shelf wear; shelf lean; cracked inner hinge; bookmark ribbon brittle; spine faded; previous owner's inscription on front free-end paper; gilded top edge; bookplate (approximately 4in x 3in) on front pastedown; head and tail of spine bumped and fraying; corners of cover bumped; cover fading in spots, small stains; foxing on paste-downs and free-end pages otherwise pages clean and unmarked. . Frontispiece; Black and White Illuastrations (illustratore). …

Hardback. Condizione: Good. No Jacket. Undated hardback edition, c. 1930s (?), in the Abbey Classics series (no.VI) with no jacket. In overall good to very good used condition with only minor signs of age, handling and storage - blue cloth boards tanned to spine and slightly rubbed to edges. Internally clean. Binding tight and appears little read, no annotations or inscriptions; light toning to page-ends but text bright and clear throughout. Not an old library book. Photograph available. Martin Travers (illustratore). …

Hardcover. Condizione: Very Good. y Very Good. y First Thus. London: John Westhouse, 1947. Book. Illus. by Brian Robb. Very Good. Pale Green Cloth Boards. First Thus. 7.5" Tall x 6" Wide. Tale written in the 2nd century AD about an ass with human intelligence, translated from the original Latin by William Adlington, with an introduction by Denis Saurat. 220pp, illustrated with black and white drawings to the text. Gilt drawing to top board and gilt title on black label to spine. Boards slightly bowed, minor marking to edges and remains of owner's inscription to pastedown, otherwise very good copy. Unclipped DJ has slight edge and surface wear, otherwise very good. Brian Robb (illustratore). Book.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Pages clean, no markings. Dust jacket unclipped with light edgewear. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Cloth. Condizione: Good. No Jacket. Cloth. No Jacket. 8vo - over 7¾" - 9¾" tall. 359 pages. Edited, with an introduction by F.J.Harvey Darton. Privately printed for the Navarre Society Limited. Covers rubbed and marked, corners knocked. Undated and pages ageing but a good copy with illustrations and "numerous decorations as occasion serves". Philip Hagreen (illustratore).…

Hardcover. Condizione: Good. Copy #82 of 450 numbered copies. A Good copy in original quarter Holland over boards, paper spine label (some dampstaining to boards, spine label nicked and browned).

Hardcover. Condizione: Good. No Jacket. 1st Thus. First thus - " This illustrated edition first published 1946" Boards rubbed and lightly marked, spine sunned, pencil inscription on front free endpaper. Clean throughout. Good. WEBSTER MURRAY (illustratore). Book.

Hardcover. Condizione: Good. #580 of 3000 Copies.Good. Scarce black DJ in Poor & fragile Condition, covers and flaps all separated and tucked in rear. Hardcover. Lacking Color Plates, Light to moderate shelf wear to boards/DJ. May require additional postage for priority or international shipping.Minor underlining/highlighting, otherwise clean text.…

Hardcover. Condizione: Good. No Jacket. Limited Edition. Limited edition, number 2843/3000. Tight binding, solid illustrated front board and spine strip, bright gilt lettering to spine strip, top edge gilt, bumped lower corners, 16 tissue protected plates-8 in color, 8 in black and white-clean, unmarked pages throughout. Jean De Bosschere (illustratore). …

Leather Backed Boards. Condizione: Very Good. No Jacket. . Done into English by William Adlington. With an introduction by Thomas Seccombe. Limited edition of 1150 copies. 279 pages with deckled edges. Decorative brown/gilt leather backing to paper covered boards. Engraved plate frontispiece (tissue guarded).The initial letter of each chapter printed with elaborate scrolling. Endpapers foxed; boards worn at corners. A few marks on boards and leather backing but still a very good and attractive publication.…

Hardcover. Condizione: Very Good. Limited Edition. Limited edition of just 550 copies. Full vellum hardback with gilt lettering and gilt rules. Showing well, sharp corners, no splits. Contents clean and tidy, just showing a couple of labels at the endpaper. Size: 195mm x 130mm; collation: pp. lxxxvi; 65. Illustrated. Scarce. …

Audio Book (Cassette). Condizione: Near Fine. Limited Edition. 1923 first limited edition, this is an early copy number 469 of 3000. With 16 full page colour and black and white illustrations by De Bosschere, depictions often somewhat grisly and macabre, in art nouveau style . Interior clean with no writing, marks or tears and all pages tight in binding, brown cloth covers with gilt titles clean and unscuffed, a little dulled to front. Jean De Bosschere (illustratore).…

Cloth. Condizione: Near Fine. First edition. An extremely bright, first edition copy of Jean de Bosschere's illustrated edition of the classic Roman novel 'The Golden Asse'. An uncommon work, especially in such a wonderful condition.'The Golden Ass(e)' is the only ancient Roman novel in Latin to survive in its entirety.Collated, complete with a frontispiece and fifteen plates. Jean de Bosschere was renowned for his lavish and erotic colour plates, with their stunning use of saturated colour. Such plates are included in this work, and other erotic classics produced by him such as Aristophanes, Ovid, and Strato.A limited edition, numbered 1963 of 3000 copies.This text was translated by William Adlington one among the host of translators that made the Elizabethan era the "golden age of translations". His translation of this work in 1566 was the text's first appearance in English and has been steadily reprinted into the twentieth century.With an introduction by E B Osborn.A fantastic copy of this fantastically illustrated work. A truly brilliant example of Jean de Bosshere's striking illustrations. In the publisher's original cloth binding. Externally, excellent with just some minor bumping to the head and tail of spine. Internally, firmly bound. Pages are bright. A few light spots to the endpapers. Otherwise, pages are very clean. Near Fine. Jean de Bosshere (illustratore). book.…

, [16] 226 [6] pages, black and white frontispiece, printed in black and red ink throughout with illustrated capitals, number 208 of limited edition of 220 copies, finely bound First Edition thus , rebound, slight tanning to untrimmed edges, light foxing to title page, the book is in near fine condition , full light brown morocco with gilt design to both boards, title stamped to upper board, five raised bands and gilt lettering to spine, marbled endpapers, red top edge , quarto, 35.5cm x 23cm Hardback ISBN.…

Hardcover. Condizione: As New.

Condizione: Fine. Limited edition. Limited to five hundred and fifty copies. Octavo (7 5/8 x 5 inches; 193 x 125 mm.).[ii], [lxxxvi], [1,], [1, blank], 65, [1, blank]. With a Pre-Raphaelite engraved frontispiece, a wonderful etched engraving of Venus and the Sea-Gull by Scottish Artist Vereker Monteith Hamilton (1856-1931), and a small engraved vignette on the last leaf. Original front wrapper bound in at end. Bound ca. 1910 by Alfred De Sauty (stamp-signed "De Sauty" in gilt on front turn-in) in an Arts and Crafts style binding of full dark green morocco. Front cover with double gilt ruled border surrounding ten floral clusters with maroon morocco inlaid bouquets and fine pointillé, all joined together by a decorative gilt bordered inlaid dark blue morocco gilt decorated branch. In addition there are fourteen inlaid red morocco butterflies and two small gilt decorated inlaid red morocco circles. The center of the front cover is lettered in gilt "Cupid and Psyche". Rear cover with double gilt ruled border surrounding four similar 'corner-piece' floral clusters with maroon morocco inlaid bouquets. There is a central rectangular panel surrounded by a double gilt border enclosing four small gilt decorated inlaid red morocco circles. Spine with five raised bands, decoratively paneled and lettered in gilt in compartments with five decorative gilt butterflies, gilt ruled board-edges, triple gilt ruled turn-ins, top edge gilt, others uncut. Spine ends expertly and almost invisibly repaired. A superb and understated example of the genius of Alfred De Sauty. William Adlington (fl. 1566) was an Elizabethan translator most famous for his translation of Apuleius' Metamorphoses, a 2nd century Roman novel (based on a Greek text), known in English as "The Golden Ass" (1566). The plot follows Lucius, who driven by his desire to see and understand magic, accidentally transforms himself into a donkey. Adlington's version departs at times from the original source material, embracing the "art" of translation and resulting in an incredibly readable version (Robert H. F. Carver). The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche is an excerpt from The Golden Ass. Scholars cite Adlington's translation as one of Shakespeare's sources of inspiration. The work of bookbinder Alfred de Sauty (1870-1949) is appreciated for its delicate tooling. Although little is known about his life he worked in both London (1898 to 1923) and Chicago (1923 to 1935). "For instance, scholars are unsure whether, when in London, de Sauty worked independently, for the firm of Riviere & Sons, or both. While in London, he may also have been a designer for the Hampstead Bindery and a teacher at the Central School of Arts and Crafts" (Harvard) as works he bound during this period are signed "de S" or "De Sauty." De Sauty's career in Chicago working for the hand bindery of R. R. Donnelley & Sons is better documented; bindings made here use the name R. R. Donnelly. "He signed his work at the foot of the front doublure, if present, and at the center of the bottom turn-in of the front upper board, if not" (Harvard). Fine.…