alain seban (23 risultati)

Softcover. Condizione: Bon. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condizione: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.

Soft cover. Condizione: Fine. 1st Edition. Title - Christian Dotremont - Logogrammes / Author - Alain Seban / Publisher - Centre Pompidou / Year - 2011 / Language - French / Binding - Paperback / Size - 24 x 20 cm / Pages - 108 / ISBN - 9782844265531.

Centre Pompidou, Fondation Alberto et Annette Giacometti, l'exposition/the exhibition, 2007, in/4 broché 60 pages, photographies en couleurs.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 336 pp, illustrations - A seminal exhibition by the artist Daniel Buren at the Centre Pompidou in Paris is recreated through photographs of the since-destroyed pieces and illuminating reflections by the exhibition s curator. Since the late 1960s Daniel Buren has been challenging the traditional methods of presenting art through museums and galleries. Through his conceptual works Buren audaciously argues that the art and its viewing environment are both inextricable and antithetical. This beautiful volume takes readers on a tour of a spectacular exhibition at the Centre Pompidou in Paris. The photographs depict Buren s employment of the museum as a whole. The pieces, which he destroyed immediately after the exhibition closed, included hundreds of open cubes, mirrors, banners, and even a car park. Also featured are fascinating, behind-the-scenes accounts of the installation by the curator, Buren s own pre-exhibition sketches, ideas, andfloor plans, and perceptive essays that capture the significance of Buren s daring achievement.

Condizione: Good. Hardcover, richly illustrated in colour.

First edition. 11.5 x 9.5 inches. 320 pages. Profusely illustrated in color. Original pictorial boards. "Born in Hungary in 1922, Simon Hantaï moved to Paris at the age of 26, and fell in with André Breton's postwar Surrealist circle, where he was quickly acclaimed by Breton himself. But it was not until the early 1960s that Hantaï developed the "pliage" or "folding method" that has made him an influential figure on both sides of the Atlantic. Hantaï began applying paint to folded canvasses, which--once the canvasses were unfolded and stretched--resulted in irregular patterns of bold color punctuated by strips of unprimed ground. Throughout the rest of his career, Hantaï devoted himself to developing new techniques that slowed down or automated the painterly gesture--a concept that stemmed in part from the early influences of Surrealist automatism, Pollock's Abstract Expressionism and Matisse's cut-outs. Hantaï was featured in the Wexner's seminal As Painting exhibition of 2001, and his work is housed in major collections worldwide, including The Museum of Modern Art, New York. This elegant and comprehensive volume is published for the Centre Pompidou's acclaimed Hantaï retrospective, held five years after his death in 2008, and constitutes the first major publication in English on his work" (the publisher). Corners lightly bumped; internally a clean copy.

Softcover, 240 pages; in French; very good condition except 1-inch light crease to upper right corner of most pages; no internal marks. Foreign shipping may be extra.

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Le Centre Pompidou à Paris abrite l'une des plus grandes collections de photographies du XXe siècle au monde. Cet ouvrage comprend un catalogue complet de la collection, 350 photographies de 283 des artistes et photographes les plus célèbres qui se sont intéressés à ce médium - de Dritkol, Abbott, Strand, Evans, Brancusi, Rodtchenko et Abbott, en passant par Alvarez Bravo, Man Ray, Boubat et Klein, jusqu'à Mapplethorpe, Sherman, Struth, Gursky et Goldin. L'ouvrage se compose de 6 parties, chacune introduite par un court essai, et propose une nouvelle histoire de la photographie à travers les collections du Centre Pompidou.---------------------------------------EDITION EN ANGLAIS-------------------The Centre Pompidou in Paris houses one of the greatest collections of twentieth century photography in the world. This book comprises a comprehensive catalogue of the collection, 350 photographs by 283 of the most famous artists and photographers to engage with the medium - from Dritkol, Abbott, Strand, Evans, Brancusi, Rodtchenko and Abbott, via Alvarez Bravo, Man Ray, Boubat and Klein, to Mapplethorpe, Sherman, Struth, Gursky and Goldin. The book is comprised of 6 sections, each introduced by a short essay, and proposes a new history of photography through the collections of the Centre Pompidou.-----------------------.

Hardcover without dustjacket as issued, 240 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. No Jacket. English edition (text is in English). Condition: Very good, with just a hint of shelfwear to covers. Binding sound, no inscriptions. 239pp. Many colour illustrations. This book was produced to accompany the exhibition of work by Lucian Freud entitled "Lucian Freud. L'Atelier" held at the Centre Pompidou, Paris from 10 March to 19 July, 2010. It includes essays by Cecile Debray, Eric Darragon and Laurence des Cars, amongst others. The exhibition was the second retrospective of Freud's work to be held in Paris, the first being in 1987.

Hardcover. Condizione: Sehr gut. Illustrated. 317 S. Schönes Exemplar, fast keine Gebrauchsspuren, innen auch sehr gut. D260304axh63 ISBN: 9782080201935 Sprache: Englisch Gewicht in Gramm: 1588.

Condizione: Bueno. Centre Pompidou, 2011, 80pp, tapa blanda, cubierta fatigada, por lo demás buen estado//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseñables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y puede sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. AS7181.

Condizione: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Hardcover. Condizione: gut. 2010. Lucian Freud: The Studio In deutscher Sprache. pages.

Condizione: gut. Collection Photographs : History of Photography-Centre Pompidou In deutscher Sprache. pages.

Hardcover. Condizione: New.

Hardcover. Condizione: New.

Couverture souple. Condizione: Neuf.

Hardcover, 468 pages, ENG, 240 x 195 x 48 mm, in good condition, illustrated in colour / b/w. ISBN 9783865214805. The Centre Pompidou in Paris houses the largest collection of Modern art in Europe, and one of the greatest collections of twentieth-century photography in the world. This comprehensive catalogue of the photo collection features 350 images, reproduced in tritone and duotone, by nearly 300 of the most famous artists and photographers to engage with the medium--from Franti ek Drtikol, Paul Strand, Walker Evans, Constantin Brancusi, Alexander Rodchenko and Berenice Abbott, via Manuel Alvarez Bravo, Man Ray and Edouard Boubat, to Robert Mapplethorpe, Cindy Sherman, Thomas Struth, Andreas Gursky, Nan Goldin, Vik Muniz, Gregory Crewdson and Thomas Demand. It is divided into six sections, each of which is prefaced by a brief essay. Contributing scholars include Herbert Molderings (on Modernist photography), Alain Sayag (on Dada and Surrealist photography), Clement Cheroux (on "Poetic Realism"), Christopher Phillips, and Agnes de Gouvion Saint-Cyr and Quentin Bajac (on contemporary photography). This substantial and lavishly produced volume offers an authoritative perspective on twentieth-century photography as viewed through the contents of one of the greatest photographic archives in the world. 1830 g.

Couverture rigide. Condizione: Neuf.

Soft cover. Condizione: Very Good. 88PP. cOLOUR PLATES AND B&W ARCHIVE PHOTOGRAPHS.