Alan deller (12 risultati)

15 pp.; 20.8 x 14.7 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition brochure published in conjunction with show held July 6 - September 24, 2000. Curated and with an introduction by Virginia Button and Charles Esche. Artists include Oladélé Ajiboyé Bamgboyé, Michael Craig-Martin, Martin Creed, Tacita Dean, Jeremy Deller & Allan Kane, William Furlong, Liam Gillick, Douglas Gordon, Graham Gussin, Susan Hiller, Jaki Irvine, Alan Johnston, Mark Lewis, Hilary Lloyd, Brighid Lowe, Sarah Lucas, Julian Opie, Yinka Shonibare, Bob and Roberta Smith, Gillian Wearing, and Richard Wright. Very Good / Fine. Light yellowing of cover edges with additional light rubbing. Contents clean and unmarked.…

Soft cover. Condizione: Very Good. 1st Edition. 208 pp bw photos, SIGNED with dedication by author inside front cover. Clean sound paperback. Signed by Author(s).

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

SOFTCOVER. Condizione: New. 1st Edition. 4to in colour printed stiff card covers, 128pp, colour plates, illustrations in text, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Soft cover. Condizione: Very Good. 1st Edition. First monograph on this key figure of the English avant-garde in the 1960s and 1970s. The exhibition it accompanies was co-curated by Jeremy Deller, Camden Arts Centre, London, 7 July - 16 September 2012. This copy with the leaflet 'A Family Guide to The Bruce Lacey Experience'. 128 pages, illustrations (many colour). First edition, first printing. Minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Soft cover. Condizione: Very Good. Very good lightly used condition.

Softcover, 158 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Near Fine. 1st Edition. An uncommon exploration into British folk art. Publisher's wraps, one indentation to front cover, extremities lightly bumped & spine ends similarly. Spine a touch cracked. Else a smart example.

Paperback. Condizione: New.

Soft cover. Condizione: Near Fine. Minor shelf wear.

Card covers. Condizione: Very good. 15 x 22cm 16pp very good card-covered catalogue produced for a touring event which took place at the Kent County Show, Detling, July 14-16 and the Queen Elizabeth Queen Mother Hospital .In a field near Sandwich in Kent, Alan Gibbs, a local model maker, is firing up his steam engine. Its chimney is coughing out irritated little clouds of smuts and its pistons are bobbing up and down. At a table, curator Rob Tufnell is using an Apple Mac powered by the engine. For this is the Steam Powered Internet Machine: the latest deeply eccentric project from Turner-prizewinning artist Jeremy Deller and his collaborator Alan Kane. "We were thinking about something that connects the industrial revolution and the digital revolution," said Deller. Kane added: "They are worlds apart but there's also a proximity. The steam age and the digital age are not so far apart.".…

Paperback. Condizione: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia.…