Alan greenlees (12 risultati)
Fred A. Farrell: Glasgow's War Artist
Greenlees, Alan ; Hayes, Fiona ; Meacock, Joanna ; Roberts, Mark
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Da: Gold Country Books, Sacramento, CA, U.S.A.Gold Country Books
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Soft cover. Condizione: New. New. Pristine, unmarked. // Shipped carefully packed in a sturdy box.
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. The first proper overview of Fred Farrell's vivid drawings from the First World War. Beautifully illustrated in full colour, insightful essays and catalogue entries explain the genesis, execution and reception of these poignant works.Frederick Arthur Farrell (1882-1935) came from a distinguished Glasg…ow family. He initially studied civil engineering, and as an artist was self-taught, although he owes a debt to the advice and example of Muirhead Bone. By the outbreak of World War I, he was developing a reputation as an up-and-coming etcher and watercolourist of portraits and topographical subjects. He enlisted as a sapper, or military engineer, with the Royal Engineers Railway Troops Depot but was discharged from the Army due to ill health.In December 1916, Farrell returned to the Front as a war artist, attached for three weeks to the 15th, 16th and 17th Highland Light Infantry in Flanders. In November 1917 he was in France, attached for two months to the staff of the 51st (Highland) Division. In between, authorized by the Minister of Munitions and Admiralty, and supported by Glasgow's Lord Provost, Farrell drew the heroic home effort of women in Glasgow's munitions factories, shipyards and engineering works. As a former soldier, Farrell's sketches and watercolours of the Front powerfully offer a landscape filtered through personal experience and emotion.Battle scenes and strategic deliberations are reconstructed, informed by first-hand accounts. Many include portraits of actual soldiers. There are poignant images of graves, devastated landscapes and destroyed churches. However, there are also scenes of reconstruction and renewed activity amid the desolation. He is at his most dynamic in his drawings of the munitions factories which are full of noise, light and movement. In these there is a sense of joy and energy in industry and machinery, in patterning and design.The commission Farrell received from the Corporation of Glasgow to produce 50 drawings of the front line and munitions factories in the city to record the war for posterity was extraordinary. He was unique in being the only war artist to be commissioned by a city rather than by the government, Imperial War Museum or armed forces. Glasgow was one of the first cities to recognize the importance of creating such a memorial, rather than just creating images for propaganda purposes.
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Da: Postscript Books, Newton Abbot, DEVON, Regno UnitoPostscript Books
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EUR 9,63
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Paperback. Condizione: New. After being discharged from the Army due to poor health, Fred Farrell went to the Western Front as a war artist in 1917, creating atmospheric sketches and watercolours that capture the movements of soldiers outside of direct combat and landscapes devastated by battle. This catalogue contains 50 of his… images, now in the Glasgow Museum's collection, including ten that depict the munitions factories and industrial efforts behind the fighting.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 24,95
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Paperback. Condizione: new. Paperback. Frederick Arthur Farrell (1882-1935) came from a distinguished Glasgow family. He initially studied civil engineering, and as an artist was self-taught, although he owes a debt to the advice and example of Muirhead Bone. By the outbreak of World War I he was developing a reputation as an up…-and-coming etcher and watercolourist of portraits and topographical subjects. He enlisted as a sapper, or military engineer, with the Royal Engineers Railway Troops Depot but was discharged from the Army due to ill health. In December 1916, Farrell returned to the Front as a war artist, attached for three weeks to the 15th, 16th and 17th Highland Light Infantry in Flanders. In November 1917 he was in France, attached for two months to the staff of the 51st (Highland) Division. In between, authorized by the Minister of Munitions and Admiralty, and supported by Glasgow's Lord Provost, Farrell drew the heroic home effort of women in Glasgow's munitions factories, shipyards and engineering works. As a former soldier, Farrell's sketches and watercolours of the Front powerfully offer a landscape filtered through personal experience and emotion.Battle scenes and strategic deliberations are reconstructed, informed by first-hand accounts. Many include portraits of actual soldiers. There are poignant images of graves, devastated landscapes and destroyed churches. However, there are also scenes of reconstruction and renewed activity amid the desolation. He is at his most dynamic in his drawings of the munitions factories which are full of noise, light and movement. In these there is a sense of joy and energy in industry and machinery, in patterning and design. The commission Farrell received from the Corporation of Glasgow to produce 50 drawings of the front line and munitions factories in the city to record the war for posterity was extraordinary. He was unique in being the only war artist to be commissioned by a city rather than by the government, Imperial War Museum or armed forces. Glasgow was one of the first cities to recognize the importance of creating such a memorial, rather than just creating images for propaganda purposes. First proper overview of Fred Farrell's vivid drawings from the First world War Beautifully illustrated in full colour Insightful essays and catalogue entries explain the genesis, execution and reception of these poignant works Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Paperback. Condizione: New.
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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EUR 17,86
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Paperback. Condizione: New.
Lingua: Inglese
Editore: Glasgow Museums in association with Philip Wilson Publishers, 2014
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Da: George Longden, Macclesfield, Regno UnitoGeorge Longden
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Paperback. Condizione: Fine. Spine not creased. 220 x 215 mm. 80 pp. Beautifully illustrated.
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- Prima edizione
Da: M & P BOOKS PBFA MEMBER, Buxton, Derbyshire, Regno UnitoM & P BOOKS PBFA MEMBER
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: PBFA
Condizione: Usato - Ottimo
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Soft cover. Condizione: Fine. No Jacket. First Edition. Tight Firm Clean Copy - First Edition - No Signatures, Inscriptions Or Notations Discovered. Illustrated. Pictorial Soft Card Cover With No Visible Wear Other Than One Price Sticker Removal Remains Mark On Rear.
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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 39,22
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Paperback. Condizione: new. Paperback. Frederick Arthur Farrell (1882-1935) came from a distinguished Glasgow family. He initially studied civil engineering, and as an artist was self-taught, although he owes a debt to the advice and example of Muirhead Bone. By the outbreak of World War I he was developing a reputation as an up…-and-coming etcher and watercolourist of portraits and topographical subjects. He enlisted as a sapper, or military engineer, with the Royal Engineers Railway Troops Depot but was discharged from the Army due to ill health. In December 1916, Farrell returned to the Front as a war artist, attached for three weeks to the 15th, 16th and 17th Highland Light Infantry in Flanders. In November 1917 he was in France, attached for two months to the staff of the 51st (Highland) Division. In between, authorized by the Minister of Munitions and Admiralty, and supported by Glasgow's Lord Provost, Farrell drew the heroic home effort of women in Glasgow's munitions factories, shipyards and engineering works. As a former soldier, Farrell's sketches and watercolours of the Front powerfully offer a landscape filtered through personal experience and emotion.Battle scenes and strategic deliberations are reconstructed, informed by first-hand accounts. Many include portraits of actual soldiers. There are poignant images of graves, devastated landscapes and destroyed churches. However, there are also scenes of reconstruction and renewed activity amid the desolation. He is at his most dynamic in his drawings of the munitions factories which are full of noise, light and movement. In these there is a sense of joy and energy in industry and machinery, in patterning and design. The commission Farrell received from the Corporation of Glasgow to produce 50 drawings of the front line and munitions factories in the city to record the war for posterity was extraordinary. He was unique in being the only war artist to be commissioned by a city rather than by the government, Imperial War Museum or armed forces. Glasgow was one of the first cities to recognize the importance of creating such a memorial, rather than just creating images for propaganda purposes. First proper overview of Fred Farrell's vivid drawings from the First world War Beautifully illustrated in full colour Insightful essays and catalogue entries explain the genesis, execution and reception of these poignant works Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: moluna, Greven, Germaniamoluna
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EUR 23,80
EUR 48,99 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Condizione: New. First proper overview of Fred Farrell s vivid drawings from the First world War Beautifully illustrated in full colour Insightful essays and catalogue entries explain the genesis, execution and reception of these poignant worksÜber den Autor.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 20,02
EUR 76,09 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Paperback. Condizione: New. The first proper overview of Fred Farrell's vivid drawings from the First World War. Beautifully illustrated in full colour, insightful essays and catalogue entries explain the genesis, execution and reception of these poignant works.Frederick Arthur Farrell (1882-1935) came from a distinguished Glasg…ow family. He initially studied civil engineering, and as an artist was self-taught, although he owes a debt to the advice and example of Muirhead Bone. By the outbreak of World War I, he was developing a reputation as an up-and-coming etcher and watercolourist of portraits and topographical subjects. He enlisted as a sapper, or military engineer, with the Royal Engineers Railway Troops Depot but was discharged from the Army due to ill health.In December 1916, Farrell returned to the Front as a war artist, attached for three weeks to the 15th, 16th and 17th Highland Light Infantry in Flanders. In November 1917 he was in France, attached for two months to the staff of the 51st (Highland) Division. In between, authorized by the Minister of Munitions and Admiralty, and supported by Glasgow's Lord Provost, Farrell drew the heroic home effort of women in Glasgow's munitions factories, shipyards and engineering works. As a former soldier, Farrell's sketches and watercolours of the Front powerfully offer a landscape filtered through personal experience and emotion.Battle scenes and strategic deliberations are reconstructed, informed by first-hand accounts. Many include portraits of actual soldiers. There are poignant images of graves, devastated landscapes and destroyed churches. However, there are also scenes of reconstruction and renewed activity amid the desolation. He is at his most dynamic in his drawings of the munitions factories which are full of noise, light and movement. In these there is a sense of joy and energy in industry and machinery, in patterning and design.The commission Farrell received from the Corporation of Glasgow to produce 50 drawings of the front line and munitions factories in the city to record the war for posterity was extraordinary. He was unique in being the only war artist to be commissioned by a city rather than by the government, Imperial War Museum or armed forces. Glasgow was one of the first cities to recognize the importance of creating such a memorial, rather than just creating images for propaganda purposes.
