Alan parker director (12 risultati)

Two vintage studio still photographs from the 1982 film, one of Dana Hill and one of Dana Hill, Viveka Davis, Tracey Gold, and Tina Yothers . George (Albert Finney) is caught in an affair by his wife Faith (Diane Keaton), destroying their already fragile marriage and devastating their four children. Nominated for the Palme d'Or. Set in Marin County, California, shot on location in California. 8 x 10 inches. One Near Fine, one Very Good plus with 1 inch bruise in upper left corner. …

Vintage studio still photograph from the 1984 film. Based on the 1978 novel by William Wharton, about two childhood friends who face traumatic experiences in Vietnam, both returning as deeply changed men. Nominated for the Palme d'Or. Set in Philadelphia and Vietnam, shot on location in Philadelphia, in San Jose, Hercules, Milpitas, Modesto, and Santa Clara, California, and in Wildwood, New Jersey. 10 x 8 inches. About Fine.…

Vintage one sheet poster for the 1982 film. George (Albert Finney) is caught in an affair by his wife Faith (Diane Keaton), destroying their already fragile marriage and devastating their four children. Nominated for the Palme d'Or. Set in Marin County, California, shot on location in California. 27 x 41 inches. Folded as issued. Near Fine.…

Condizione: New. Informed consent - as an ethical and legal doctrine - has been the source of much concern to physicians. This much expanded and updated edition provides information to help clinicians meeting their legal and ethical obligations. It offers practical suggestions for incorporating informed consent into clinical practice. Num Pages: 352 pages, black & white illustrations. BIC Classification: 1KBB; MBDC; MBQ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 242 x 162 x 29. Weight in Grams: 646. . 2001. 2 Rev ed. Hardback. . . . .…

Condizione: New. Informed consent - as an ethical and legal doctrine - has been the source of much concern to physicians. This much expanded and updated edition provides information to help clinicians meeting their legal and ethical obligations. It offers practical suggestions for incorporating informed consent into clinical practice. Num Pages: 352 pages, black & white illustrations. BIC Classification: 1KBB; MBDC; MBQ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 242 x 162 x 29. Weight in Grams: 646. . 2001. 2 Rev ed. Hardback. . . . . Books ship from the US and Ireland.…

Script Format, reprint. Condizione: As New. /1990 SHOOTING DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU NEED ANY OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Pas de couverture. Condizione: Bon. Authentic signed large magazine photo. Obtained in person in Paris in the 80s. Size : 28x19 cm. Condition : see scans please. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Vintage studio still photograph from the 1942 film, showing actors Robert Cummings and Priscilla Lane. Date stamp and provenance stamp on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901. Jones worked for Paramount Pictures in the early 1930s, and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures, where he worked well into the 1950s. A high spot among Alfred Hitchcock's early thrillers, and the director's only collaboration with author Dorothy Parker, who contributed to the screenplay. The film included much more location footage than most of the director's pictures, including Boulder Dam, locations in New York City including Radio City Music Hall and Rockefeller Center, and of course Liberty Island for the famed closing scene on the Statue of Liberty. 10 x 8 inches. Very Good, moderately wavy on the bottom and top edges, with touch-ups on the recto.…

Vintage reference photograph of director Alan Parker standing with the members of the band on the set of the beloved 1991 film. Based on the 1987 novel, about a young man from Dublin who assembles a soul band composed of a group of working-class music fans. Set and shot on location in Dublin. 10 x 8 inches. Near Fine. Carlson and Connolly, Destroy All Movies.…

Three vintage publicity photographs from the 1942 film, one showing actor Alan Baxter in heavy makeup and costume as Freeman, the other two showing actors Robert Cummings and Priscilla Lane. One with a printed mimeo snipe affixed to the verso, and one with a provenance stamp on the same. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901. Jones worked for Paramount Pictures in the early 1930s, and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures, where he worked well into the 1950s. A high spot among Alfred Hitchcock's early thrillers, and the director's only collaboration with author Dorothy Parker, who contributed to the screenplay. The film included much more location footage than most of the director's pictures, including Boulder Dam, locations in New York City including Radio City Music Hall and Rockefeller Center, and of course Liberty Island for the famed closing scene on the Statue of Liberty. 8 x 10 inches. Very Good to Very Good plus.…

Two vintage borderless reference photographs taken on the set of the 1982 film, one showing director Alan Parker, director of animation Gerald Scarfe, and cameraman John Stanier in conversation, the other showing Parker and actor Bob Geldof. With printed mimeo snipes on the verso. From the archive of film historian and author Joel Finler. Based on Pink Floyd's 1979 rock opera, about a young rock star named Pink whose troubled childhood in 1950s England leads him into an adulthood marred by isolation and depression, and eventually complete mental collapse. Shot on location in London and Quebec. 10 x 8 inches, with wide bottom margins. Near Fine. Ebert IV.…

First edition of the draft script for the 1996 film, boldly signed by Oliver Stone, based on the 1978 musical stage production by Tim Rice and Andrew Lloyd Webber, which was in turn based on Rice and Webber's 1976 concept album, following the brief life of Argentinean first lady Eva Peron from her impoverished illegitimate beginnings to her later idolatry. The film went through many iterations of production, passing between studios and directors, with Parker returning to direct in 1994 after having initially rejected the opportunity in 1979.…