albert band (16 risultati)

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Ca. 47 Min. Laufzeit CD. Mit Bernd Krämer, Danny Deutschmark, Martin Engelien, Wolf Simon, Fritz Hilpert, Martin Hesselbach und Helge Schneider (am Sax). Enthält u.a. eine von über 60 Coverversionen allein im Jazz-Bereich von "Peter Gunn" (weitere Versionen existieren u. a. von Ray Anthony, Aaron Bell, Les Brown, Maxwell Davis, Eumir Deodato, Quincy Jones, Mundell Lowe, Shelly Manne, Ralph Marterie, Jimmy & Marian McPartland, The Swingle Singers und Si Zentner, zudem im Bereich der Rockmusik u.a. von Emerson, Lake & Palmer) sowie jazzige Fassungen u.a. von "Time after Time" (Cyndi Lauper), "Angie" (Rolling Stones) und "Hey Joe" (Jimi Hendrix). CD 1973 Gramm 200.

OBr. 236 S. Zustand: Deckblatt verso fehlt, Einband mit drei Klebestreifen fixiert. Wenige Anstriche mit buntem Blei, sonst innen sauber. Fotos auf Anfrage.

OLn. 280 S. OU. Fotos auf Anfrage.

Kt. 242 S. Zustand: Gutes Exemplar. Fotos auf Anfrage.

Revised Draft script for an unproduced film. With a single manuscript ink notation to page 21. Loosely based on the 1946 novel. A bleak retelling of the somewhat apocryphal, failed 1212 "Children's Crusade"-a Christian campaign to regain Jerusalem from the Muslims, led by a young boy who claimed to possess prophetic powers, followed by thousands of children. In screenwriter Albert Band's version, following Humphrey Slater's novel, the tragedy plays out through the plight of three young children, who take to the streets to hide from zealous Christian press gangs who seek to train them for the crusade, sleeping in alleys and surviving on cats and stolen bread. In the mid- and late 1960s, Band worked primarily in Italy, producing several Euro Westerns and writing screenplays for "Massacro al Grande Canyon" (1964); "Gli uomini dal passo pesante" (1965), which he also directed; "I crudeli" (1967); and "Un minuto per pregare, un instante per morire" (1968). Orange titled wrappers, with a printer's stamp on the verso of the front wrapper reading "teena mayers s.r.l. / via marche, 84 / 00187 roma / tel. 485785 - 482470." Title page present, noted as REVISED, dated November, 1969, with credits for screenwriter Albert Band and novelist Humphrey Slate. 138 leaves, with last page of text numbered 135. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with offsetting on the front wrapper, bound internally with two gold brads.

audioCD. Condizione: Sehr gut. Seiten; CD - 4024 1L-9VM8-44CQ Sprache: Deutsch Gewicht in Gramm: 500.

LP. Condizione: Gut. LP-Vinyl Schallplatte(n) in einem guten bis sehr guten Zustand, am Cover kleinere Gebrauchsspuren. Stereo und/oder Mono. Platte top. A1 Introduction Written-By Albert Mangelsdorff 0:30 A2 Peter Gunn Written-By Henry Mancini, Sammy Cahn 3:24 A3 Angie Written-By Jagger, Richards* 3:51 A4 Time After Time Written-By Cyndi Lauper, Rob Hyman 4:22 A5 Reach Out, I'll Be There Written-By B. Holland, E. Holland, A. Dozier* 5:44 A6 Now That You're Gone Written-By Dieter Dehm*, Klaus Lage 4:43 B1 Hey Joe Written-By Billy Roberts 4:01 B2 Hello Written-By Lionel Richie 3:40 B3 Albert's Tune Written-By Albert Mangelsdorff 4:28 B4 Ich Hab' Dich Lieb Written-By Goerman, Göran Walger, N. Heirell 3:28 B5 Ode To Billy Joe Written-By Bobbie Gentry 2:57 B6 Michelle Written-By Lennon, McCartney* 3:41 B7 Outro Written-By Albert Mangelsdorff 1:08 LP106 Sprache: Deutsch Gewicht in Gramm: 1001.

2 Vol. 4°. 1 w. Bl., XI, 122 S. mit 14 Tafeln; IX, 243 S. mit 7 Tafeln. OLn.-Bände. Minim staubig, gute Erhaltung. Originalausgabe. - Erschien in 500 Exemplaren. - I: Zurich, 1734-1744. From the Archives of Switzerland. - II. From the State Archives of Bern and Basel, Switzerland. Sprache: englisch.

Vinyl. Condizione: Sehr gut. 16 tracks. Cover etw. berieben/Klebung leicht gelöst, LP sehr gut erh.! Wenige leichte Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 1550.

[32] pp.; 21.6 x 13.9 cm.; staple bound; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Fillmore East Program for the final evenings of performances at the storied venue before its closure on June 27, 1971. Performances by the Allman Brothers Band, J. Geils Band, Albert King, and Joe's Lights (formerly Joshua Light Show) held June 25-27, 1971. Published by Bill Graham and edited by Kip Cohen. Includes texts on the performing artists with many farewell messages from bands and record labels as well as a Fillmore east live album discography. Cover designed by David Byrd. Very Good. Light handling wear and rubbing of cover edges; chipping of top right corner of recto; 1.5 cm. loss to bottom left corner of verso; 2.8 cm. dog-ear to corner; and a 3 mm. tear to top left corner of verso. Light bumping of corners of contents with light red-yellow soiling to edges. Contents otherwise clean and unmarked.

Draft script for the 1957 film noir, here under the working title "Night Target." A strike through the printed title and "Footsteps in the Night" and "1956" written in manuscript ink on the wrapper with the name of an uncredited crew member written in manuscript pencil on upper right of wrapper. The final of five Los Angeles-set police thrillers starring Bill Elliott as a L.A.sheriff's department detective, following "Dial Red O" (1955), "Sudden Danger" (1955), "Calling Homicide" (1956), and "Chain of Evidence" (1957). Two detectives investigate the strangulation death of well-liked card player. A gambling addicted neighbor is suspected, but something doesn't quite add up. "Wild" Bill Elliott's final film, retiring from acting in 1957. Green titled wrappers. Distribution page present, with receipt removed. Title page integral to the distribution page present, with receipt removed, dated March 14, 1956, with credits for screenwriter Albert Band. 95 leaves, with last page of text numbered 94. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with three gold brads. Spicer US. Lyons, p. 91. Grant US. Selby US.

Zweyte, rechtmäßige, verbesserte und vermehrte Auflage. Acht Bände in vier. 8°. [2] Bl., XVI, [1] Bl., 240 Seiten, [1] Bl. Frontisp. (Kupferstich, Porträt) / [1] Bl., VI, [1] Bl. 216 Seiten, [1] Bl. / XVI, 256 Seiten / [4], 242 Seiten / VI, 264 Seiten / VI, 263 Seiten / VII, 254 Seiten / IV, 178 Seiten, [1] Bl. Mit goldener Titelprägung versehene, marmorierte, feste Pappbände. Rotschnitt! Besitzerstempel auf vorderer Deckel-Innenseite des ersten Bandes. Innen stellenweise etwas stockfleckig. Keine Anstreichungen! Keine Anmerkungen! Bindungen/Buchblöcke fest! Die Einbände mit nur leichten Gebrauchsspuren.

Vintage reference photograph from the 1951 film, showing director John Huston in costume for his cameo as a Union veteran. With manuscript ink and pencil annotations on the verso regarding layout, along with a collector label. Based on the classic 1895 novel by Stephen Crane, which follows a Union soldier throughout the course of the Civil War. At the completion of shooting, Huston considered the film one of his best, but MGM cut over an hour from his film before releasing it to a poor reception. 8 x 10 inches. Very Good plus, lightly creased and worn to the corners.

Vintage studio still photograph from the 1951 film showing director John Huston on location. Based on the classic 1895 novel by Stephen Crane. At the completion of shooting, Huston considered the film one of his best, but MGM cut over an hour from his film before releasing it to a poor reception. 10 x 8 inches. Very Good plus, with light creasing to the corners, and light toning to the margins. Godard, Histoire(s) du cinema.