albert kramer (76 risultati)

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair.

Soft cover. Condizione: Good. 1st Edition. Binding has light wear and minor soil; cover and pages at front have small top-corner crease; tight, text clean. 217, [7] p. [br 15].

Soft cover. Condizione: Good. No Jacket.

paperback. Condizione: Very Good. ECML PKDD 2018 Workshops: Nemesis 2018, UrbReas 2018, SoGood 2018, IWAISe 2018, and Green Data Mining 2018, Dublin, Ireland, September 10-14, 2018, . (Lecture Notes in Computer Science, 11329) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condizione: New.

Paperback or Softback. Condizione: New. Inventions at Your Service. Book.

Hardcover. Condizione: Good +. Normal to moderate age/use wear. Book.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. Not marked; 8vo - over 7¾" - 9¾" tall.

, Kramer, Franz Albert, 1900-1950, Hrsg. Politische Leitsätze. Koblenz, Historisch-Politischer Verlag, no date, preface dated 1946, 95pp., sewn PAPERBACK, very good stiff sewn paper wraps. Ideas on rebuilding the state, from: Constantin Frantz, Julius Ficker, Philipp von Segesser. On the German catastrophe, from: Georg Gottfried Gervinus, Jakob Burckhardt. Kramer: Der Weg in die Zukunft, pp. 79-95.

Broschiert. Condizione: Gut. 111 S. ; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. Sprache: Deutsch Gewicht in Gramm: 220.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: Very Good. *Price HAS BEEN REDUCED by 10% until Tuesday, May 26 (holiday SALE item)* 61 pp., hardcover, very good in a chipped dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

gebundene Ausgabe. Condizione: Gut. 224 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann entsprechende Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.). Aufgrund des Alters und der häufigen Nutzung können Stabilität, Einband sowie Papierqualität beeinträchtigt sein. In FRANZÖSISCHER Sprache. Sprache: Französisch Gewicht in Gramm: 395.

OBroschur. Condizione: Sehr gut. Premiere 27. November 1999. 32 S. mit Stab u. Besetzung, geheft. OBroschur, 8°. Mit 11 Probenfotos. Umfangr., durchgeh. typogr. gestaltet. Textzusammenstellung, mit u.a. Texten v. Vilem Flusser, Adorno/ Horkheimer, Rimbaud u. zahlr. (Zeitungs-)Texten der Zeit. Ecken u. Kanten gering berieben. Schönes, sehr gutes Exemplar, nahezu tadellos. Broschüre.

Hardcover. Condizione: Very Good -. No Jacket. PRESENTATION COPY FROM AUTHOR. Front pastedown bookplate states it is from author, however there is no signature or inscription. Normal scuffs, soils and edge wear on exterior, with typical library marks. A story of the search for spirituality. 88 pages. PRESENTATION COPY FROM AUTHOR'S WIFE. Book.

Condizione: gut. 49 S., 23 cm, Bibliotheksexemplar, sekundär gebunden, gebräunt, Rand leicht geknickt, einzelne Bleistiftanstreichungen. Sprache: Deutsch.

8°, Broschur 136 Seiten, kaum Gebrauchsspuren an Einband und Block, Block sauber und fest Deutsch 300g.

Paperback. Condizione: Brand New. 160 pages. 10.00x7.00x0.40 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Softcover. 4° (26,8 x 18,7 cm). Graue Originalbroschur (Paperback), mit schwarzen Einbandtiteln. 354, (2) Seiten mit 58 Tafeln (Tafelabbildungen) sowie viele Abbildungen und Skizzen im Text und einige Karten. Die Schnitte teils minimal braunfleckig. Offensichtlich unbenutztes, insgesamt wirklich gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! Archae.

No Binding. Condizione: Near Fine. Original Photograph. Original Photograph, Image 9" X 6 7/8". Inscribed By The Subject. Photographer's Logo At Lower Left. , And His Stamp On Verso. Albert Witzel (1879-1929) Moved To Los Angeles, Where He Opened His Studio At 811 S. Hill St. He Was Soon Recognized As One Of Los Angeles' Top Society Photographers, With Many Of His Images Appearing In The Los Angeles Times, Starting In 1912. He Began Reaching Out To Theatrical Entertainers In Need Of Carefully Crafted Portraits To Lure Customers. Around The Same Time, Moving Picture Companies Migrated To Los Angeles To Film In The Ever-Present Sunshine, Away From Motion Picture Trust Interference. These Companies Had Recently Introduced The Practice Of Promoting The Stars Of Their Films, Helping To Create Brand Awareness Among Consumers, Who Flocked To Movies Starring Their Favorites. Witzel'S Theatrical Clients Promoted His Talents To Their Movie-Making Friends, Who Quickly Began Hiring Him To Take Their Portraits. Film Companies Employed His Services Too. The Balboa Film Co. Hired Him In 1913-1914 To Shoot Portraits Of Their Star Stable, Quickly Followed By Companies Like Triangle-Ince.Witzel'S Photograph Of Viola Barry From Balboa Films "The Sea Wolf" Was The First Movie Star Portrait To Appear In The Los Angeles Times, 1913. His Images Often Employed Rembrandt Lighting And Offered Moody Shadows And Sheen. Witzel'S Work Began Running Regularly In The Times In 1915, And Film Fan Magazines Like Photoplay And Motion Picture Regularly Published His Work As Well. Witzel Expanded His Work With Studios, Occasionally Shooting Freelance Images Of Sennett Bathing Beauties In 1916 That Were Published In Magazines And Newspapers, And Working On Assignment For Fox Studios In 1917, Photographing Theda Bara In A Series Of Somewhat Soft Pictorialist Images For Her Iconic Films, "Cleopatra," "Salome," And Madame Du Barry." In Order To Handle The Increased Workload, Witzel Added New Studios And Employed Retouchers Like Photographer William Mortensen And Extra Photographers Like Otto Schellenberg, W. F. Seely, George Cannons, And Max Munn Autrey To Shoot Portraits. Autrey Eventually Became Head Of Witzel'S Hollywood Studio At 6324 Hollywood Blvd. From 1922-1924. Their Work Became More Intense And Exotic, Emphasizing A Glamorous Star Look. The Witzel Studio Downtown Also Handled One Of The More Infamous Special Photo Shoots In Silent Film History. Harold Lloyd Posed In The Studio With A "Fake" Bomb That Turned Out To Be Real, Losing His Right Thumb And Forefinger. The Comedian Performed All Of His Action Stunts, Including Hanging Off A Downtown Building, With Only Three Fingers On His Right Hand. N 1923, Witzel Was Forced Out Of His Lease At 828 S. Hill St. By The May Co., New Owners Of The Original Hamburger'S Department Store, Who Wanted To Make Additions To Their Building. The Firm Opened A New Studio At 1007 W. 7Th St., Run By His Brother Charles, To Go Along With One At 536 S. Broadway. This Studio Occupied The Entire Second Floor And The Lobby Of The Recently Constructed Building, With New Up-To-Date Equipment In What The Times Called The "Largest Photography Studio In The West." The Witzel Hollywood Studio Remained Its Most Attractive, With The South Broadway Studio The Most Modern. During The Mid-1920S, However, Studios Began Establishing Their Own Portrait Galleries To Maintain A Firm Hand And Established Look With The Requirement For An Ever Increasing Production Of Prints. Spurr Left To Establish His Own Studio, Schellenberg Ended Up At Universal, Cannons Went To Sennett, And Autrey Departed To Found Fox'S Portrait Department. Witzel And His Staff Of Photographers Focused More On Special Shoots For Newspapers And Magazines, Like The Peggy Hamilton Fashion Features For The Los Angeles Times, And Other Select Sections. Signed by Author(s).

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Softcover. 34 Seiten Zustand: keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten gut. Sprache: Deutsch Gewicht in Gramm: 160.

Paperback, 92 pp., amply illustrated, 4° (23 x 30 cm), colour reproduction inserted, dust jacket worn, slightly dusty, chipped and torn, edges slightly dusty, colour reproduction slightly wavy, condition: very good Book Language/s: German.

Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good. Early American Edition. Fragements from the Scriptures Largely from the words of Jesus. . Rare edition in dust jacket. 60 pgs. Size: 16mo - over 5¾" - 6¾" tall.