albert maysles (28 risultati)

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

dvd. Condizione: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Trade Paperback. Condizione: Very Good+. Condizione sovraccoperta: None. Unopened, in original shrinkwrap; 7.4 X 5.3 X 0.3 inches.

Mass Market Paperback. Condizione: Good. Cover is a little rubbed and there is light shelfwear. Pages and cover are age toned. Tight binding, no interior markings.

hard cover, approximately 55 minutes playing time, 4 1/8 x 7 3/8 inches, VHS Video new in plastic wrap, no dust jacket, non-fiction,

Soft cover. Condizione: Very Good to Fine. Painted Cover Based on the Movie. (illustratore). PBO - Paperback Original (True 1st). 128 pages. " photos interspersed in text. Four relentless door-to-door salesmen deal with constant rejection, homesickness and inevitable burnout as they go across the country selling very expensive bibles to low-income Catholic families." >> Soiling to covers; pen to interior front cover. Size: 12mo - over 6¾" - 7¾" Tall. Book.

Condizione: Good. 58 minutes, color.

Condizione: Good. 57 minutes, color.

Mass Market Paperback. Condizione: Very Good. First Edition. First Edition, First Printing. Published by Signet, 1969. 12mo. Paperback. Code of T3966 on cover and spine. Red stained page ends. Book is very good. Covers have some light shelf wear. Original price blocked out with pen on cover. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Pamphlet. This is not a book. The original gallery guides--one in English and one in Spanish--for a traveling exhibition on the theme of hospice care, titled "Hospice: A Photographic Inquiry" and held first at the Corcoran Gallery of Art, Washington DC, March 9 - May 5, 1996. The show featured commissioned photographs by Nan Goldin, Sally Mann, Jim Goldberg, Jack Radcliffe, and Kathy Vargas as well as a film by Albert Maysles. Edited by Susan Badder, Philip Brookman, George Kimmerling, and Jay Mahoney; Spanish translation by Suzanne Alvarez. Double parallel-fold; 16 pages; color and b&w illustrations throughout; 4 x 9 inches. Photographer biographies; list of exhibition stops. Condition: English, Near Fine with a crease to the last page; Spanish, Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Hardcover. Condizione: Brand New. dvd edition. 7.50x5.25x0.50 inches. In Stock.

1. ed. 375 S. : überw. Ill. ; 29 cm, 1700 gr. Zustand: Sehr gut, neuwertig, noch original eingeschweißt. - "Der beste Kameramann Amerikas" (Godard) "Er zählt zu den Männern, die vor mehr als 50 Jahren Amerikas Dokumentarfilm revolutioniert haben. Albert Maysles gelangen Filme, die so nah dran sind an den Menschen, als ob es keine Kamera gäbe. Martin Scorsese ist ein großer Bewunderer des Maysles-Stil, dessen Kennzeichen eine immer in Bewegung gehaltene Handkamera ist, die schnell vor- und zurückzoomt, die knallhart Ausschnitte, Blenden, Unschärfen korrigiert, mit Raum-Zeit-Sprüngen im Schnitt mitten hinein führt ins Geschehen. Maysles hat mit Orson Welles, den Beatles, den Stones, mit Marlon Brando, Vladimir Horowitz und Christo Filme gemacht. Einige von ihnen wurden zu Meilensteinen der Filmgeschichte: The Salesman", über eine Gruppe von Hausierern, oder Grey Gardens" über eine Tante und eine Cousine von Jackie Kennedy, die in einem verwilderten Haus in Boston die Mutter-Tochter-Beziehung durchfighten, oder Lalee's Kin", das Porträt einer schwarzen Baumwollpflückerin. Dieser bilderpralle Fotoband bietet einen einzigartigen Einblick in sein Lebenswerk. Er zeigt Sophia Loren, Arthur Miller, Marlon Brando, Dalí, Christo, die Stones, die Kennedys, Fidel Castro u.v.a bei den Dreharbeiten und beweist, dass Maysles nicht nur ein Genie hinter der Kamera war, sondern auch eine unvergleichliche Leichtigkeit im Umgang mit Menschen besaß." (Verlagstext) Mit einem Vorwort von Martin Scorsese. Internationale Ausgabe, Text englisch. ISBN: 9783865214966 Sprache: Englisch Gewicht in Gramm: 1705 4° (28,5x22,5cm), OPappbd., geb., Fadenheftung.

Hardcover, 28 cm, 375 pp. Ills.: b/w and color illustrations. Cond.: zeer goed / very good ISBN: 9783865214966.

Condizione: Very Good. Signet 1969 128 pages. clean, tight copy.

Hardcover. Condizione: Very Good. Maysles, Rebekah; Murphy, Dan (illustratore). First Edition. Color Illustrations; 4to; 200 pages.

4°. 375 S. Ill. OPp. Erste Ausgabe. Sehr gutes Exemplar. Der Versand erfolgt als Päckchen (EUR 5,19 Inlandsporto). Bitte bestellen Sie nur, wenn Sie dieser Portoanpassung zustimmen können.

Hardcover. Condizione: Fine. First Edition. Hardback. 4to. Illustrated laminated boards. Issued without dust jacket. Copiously illustrated in colour and black and white throughout. ISBN: 3865214967 Pages: 240 Fine.

Hardcover. Condizione: Very Good. Very faint wear to illustrated covers. Otherwise a fine hardcover copy. Corners are sharp. Binding is firm. Not ex-library. No remainder mark. 375 pages. s29f4.

4°, 375, (1) S., mit zahlreichen farbigen und s/w Abbildungen. Orig.-Pappband. Erste Ausgabe.- Mitherausgegeben von Steven Kasher Gallery, New York.- Vorwort von Martin Scorsese.- Gutes Exemplar.- PLEASE NOTE: Additional shipping costs to destinations outside of the EU are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase.

Hard Cover. Condizione: Very Good. First Edition. This is a very good hardcover copy without dust jacket as issued with just kight cover wear. SIGNED by Albert Maysles in ink on the lower half of the title-page. Not inscribed to anyone just signed. Otherwise completely clean. Stated first edition 2007. Illuistrated in color and black & white. Filmography. 11" high X 9" wide, 375 pages. Scarce signed. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Author.

hardcover. Condizione: Like New. Maysles, Rebekah; Murphy, Dan (illustratore). First Edition. Brand new gift quality hardcover in pictorial boards, stated first edition with sound track cd in rear pocket. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Schöne Werkschau des US-amerikanischen Kameramanns u. Regisseurs Albert Maysles (1926-2015), der vor allem durch seine Dokumentarfilme, besonders aus dem Bereich Musik (Monterey Pop, Gimme Shelter, Horowitz - der letzte Romantiker, The Beatles: The First U.S. Visit, When We Were Kings, South of the Border) berühmt wurde.

2 vol.: vol. 1: [3] pp.; vol. 2: [4] pp.; 2 vol.: vol. 1: 27.9 x 21.5 cm.; vol. 2: 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Press release issued by the public relations company John Springer Associates, Inc. on December 3, 1970 about the Rolling Stones documentary 'Gimme Shelter," directed by David Maysles, Albert Maysles and Charlotte Zwerin. Includes credit information, background information on the directors, and a musical Score for Gimme Shelter, in order of appearance. Very Good. 6.6 cm. dog-ear to top left corner of original press release with light edge-wear, light yellowing of pages and 5 mm. of loss to page 3.

Steidl. Göttingen. ISBN 9783865214966 2007. 4°. 375 (2) Seiten / pages + Photos + Illustrations. Original publisher's wrappers. Originaleinband. Tadellos. Fine copy. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Vintage reference photograph from the landmark 1970 documentary, showing directors Albert Maysles and David Maysles with Mick Jagger. Mimeo snipe on the verso. From the archive of film historian and author Joel Finler. Directed by cinema verite pioneers Albert and David Maysles and Charlotte Zwerin, the documentary follows the final weeks of The Rolling Stones' historic 1969 US tour, from performances at Madison Square Garden and Muscle Shoals, Alabama, to the legendarily disastrous and extraordinarily violent Altamont Free Concertlater described by Rolling Stone magazine as "perhaps rock and roll's all-time worst day, December 6th, a day when everything went perfectly wrong." On the recommendation of the Grateful Dead, informal security for the Altamont show was provided by the Hells Angels, leading to a number of escalating conflicts between the unruly bikers and the increasingly drunk and drug-addled hippies in the audience. The violence culminated in the death by stabbing of an 18 year-old audience member, captured in its entirety on camera, along with the accidental deaths of three others at the show. A film associated with the Direct Cinema movement of the 1950s and 1960s, but just as much with the beginning of a new style of "reactionary" documentary filmmaking, wherein the events being documented lead the film rather than the film being led by a preconceived idea. Considered by many to be the greatest rock documentary ever made, encapsulating the chaotic, bleak, and ultimately timely downfall of the peace and love era. Shot on location in Alabama, New York, and California. 10 x 8 inches. Near Fine. Criterion Collection 99.

Seven vintage borderless black-and-white double weight photographs from the 1970 documentary film. The legendary documentary followed the final weeks of the Rolling Stones' historic 1969 US tour, from performances at Madison Square Garden and Muscle Shoals, Alabama, to the legendarily disastrous and extraordinarily violent Altamont Free Concertlater described by "Rolling Stone" magazine as "perhaps rock and roll's all-time worst day, December 6th, a day when everything went perfectly wrong." On the recommendation of the Grateful Dead, informal security for the Altamont show was provided by the Hells Angels, leading to a number of escalating conflicts between the unruly bikers and the increasingly drunk and drug-addled hippies in the audience. The violence culminated in the death by stabbing of an 18 year-old audience member, captured in its entirety on camera, along with the accidental deaths of three others at the show. A film associated with the Direct Cinema movement of the 1950s and 1960s, but just as much with the beginning of a new style of "reactionary" documentary filmmaking, wherein the events being documented lead the film rather than the film being led by a preconceived idea. Considered by many to be the greatest rock documentary ever made, encapsulating the chaotic, bleak, and ultimately timely downfall of the peace and love era. Shot on location in Alabama, New York, and California. Approximately 9.5 x 7 inches. Most Near Fine. Criterion Collection 99.