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Condizione: New. Idioma/Language: Español. Encuadernación: rústica Los problemas de los que se compone este libro atrajeron a los autores por su estética. Las preguntas qué es lo que hace que nos guste uno o otro problema? y cuál es la fuente de belleza y elegancia en la matemática? constituyen los temas fundamentales que se discuten en esta obra. La exposición está basada en una gran cantidad de exquisitos ejemplos del campo de la matemática elemental. En la primera parte del libro se presentan problemas que no requieren, con raras excepciones, cálculos o razonamientos complejos. Consideramos que estos problemas serán de gran interés tanto para estudiantes y profesores, ocmo para los aficionados a la matemática en general, independientemente de su preparación. La segunda parte del libro-Temas de olimpiadas- será del agrado de los lectores que tienden a perfeccionarse y se sienten especialmente atraídos por los problemas difíciles, es decir, de aquellos que saben hallar en ellos su belleza. Alexandr Vladímirovich Zhúkov. Autor de varios libros de divulgación de matemática y programación, entre ellos \" El omnipresente número pi\", publicado en español por Editorial URSS en 2005, así como de una gran cantidad de artículos de divulgación en numerosas revistas, entre las culaes figura la revista físico-matemática \"Kvant\", donde desde 1998 escribe una columna para escolares. Peter Isaak Samovol. Profesor de matemática del Academic Kaye College of Education y de la Universidad Ben Gurión (Beer Sheva, Israel). Posee una colosal experiencia en la preparación d eestudiantes para olimpiadas internacionales de matemática; se dedica a la metodología de trabajo con niños y jóvenes superdotados en el campo de la matemática. Mark Vilen Applebaum. Jefe del Departamento de metodología de la enseñanza dle Academic Kaye College of Education (Beer Sheva, Israel). Se dedica a la preparación de profesores de matemática para la escuela primaria y secundaria. Se especializa en el desarrollo de la criticidad y creatividad del pensamiento matemático de los estudiantes especialmente mediante al metódica del uso de problemas de investigación *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condizione: NUOVO. Firenze, Stamperia Editoriale Parenti cm.16,5x23, pp.complessive 512, brossura, cop.fig.con bandelle.

Condizione: Good. Strappetti e gualciture ai margini del piatto posteriore della sovraccoperta. **Per foto ed ulteriori informazioni contattateci** . Buono (Good). Book.

Condizione: NUOVO. Torino, UTET cm.20x26,5, pp.XX,1011, legatura ed.in tutta tela, sovraccop. Stato di nuovo.

Couverture souple. Condizione: Comme neuf. in-8 br., 349 p., état de neuf. La Nouvelle Vague a été en son temps une révolution cinématographique -tournage hors studio, primat de la mise en scène sur le scénario, importance accrue du réalisateur - et elle a été vécue comme une libération des carcans du cinéma traditionnel; une bouffée d'air pur. Enfin on osait montrer tout ce qu'on avait caché jusque là. Truffaut, Chabrol, Rohmer, Godard, Rivette: dans des styles très différents, ils ont fait le cinéma français, sa réputation à l'étranger, son scandale. Plus encore: ils ont incarné une révolution culturelle qui s'est bientôt confondue avec l'ensemble de toutes les avant-garde françaises des années soixante et soixante-dix. Que reste-t-il de ce mouvement? Aldo Tassone a interviewé une trentaine de réalisateurs pour leur poser cette question et beaucoup d'autres sur le cinéma d'hier et d'aujourd'hui : les fondateurs de la Nouvelle Vague, ses opposants, mais aussi des jeunes qui n'ont aucune raison d'avoir de la révérence pour leurs aînés. Tous parlent en toute liberté. et disent leur quatre vérités.

in-8°, pp. 152. Bross. edit. con legg. tracce del tempo.

Softcover. 1. Oln., Ou., 131 S., Gr8°. (Leichte Altersspuren, gutes Exemplar); 2. Opbd., 305 S., GrFol. (Leichte Altersspuren, gutes Exemplar); 3. Okrt., ca. 150 S. (nicht paginiert), Gr8°. (Gutes Exemplar). Abgabe der 3 Titel nur zusammen. Daniel Sillescu: Das New Age Buch. Bewußtseinswandel in Wirtschaft, Politik, Erziehung, Psycholige, Physik, Biologie, Medizin, Grenzwissenschaften, Philosophie, Musik & Kunst. Mainz: Positiv (1986). Okrt., 189 S., 8°. (Gutes Exemplar)., 1. Mit separater Broschur: Qualität des Liegens - gesunder, erholsamer Schlaf: objektiv untersucht. Mit einer kleinen Kultrugeschichte des betts; 2. Mit Fachwort-Lexikon; 3. Mit Beiträgen u. a. von Karl Lagerfeld, Beiträge zu Medien, Mode, Film, Kunst u. a. 3000 gr. 0.0.

Brossura editoriale, in ottimo stato. in 8° pp. 200.

Brossura editoriale, in ottimo stato. in 8° pp. 122.

Encuadernación de tapa blanda. Condizione: Muy bien. Idioma español. Ejemplar en muy buen estado. Dimensiones: 24x17 - ( 498-640 pp. ).

I ed.: 31-12-1972. Anno/Vol. LXXXIV - Fascicolo IV - Dicembre 1972 della rivista quadrimestrale fondata da Costanzo Rinaudo nel 1884, con Amministrazione c/o le Edizioni S cientifiche Italiane (Napoli, Via Chiatamone, 7) e Redazione a Torino, in via Po 17. VIII/ (4)+893-1138+(12) pubblicitarie in carta leggera paglierina, con grafica in nero e rosso, anche illustrate in nero/ brossura in cartoncino liscio bianco con grafica in nero e bronzo. Con tabelle e grafici in nero nel testo e f.t. Stato buono (usura della copertina, in particolare ai margini e al dorso - copertina e pagine brunite - parzialmente intonso). Sommario: Genova e i genovesi nel Seicento (Gabriella Sivori; Il tramonto dell'industria serica genovese - José-Gentil Da Silva; Forza-lavoro, deprezzamento della moneta e strategia del capitale nel XVII secolo. (Elementi genovesi per un modello sull'instaurazione dei rapporti capitalistici di produzione) - I genovesi e la Sicilia durante la guerra dei Trent'anni (Carmelo Trasselli; Finanza genovese e pagamenti esteri. 1629-1643 - Maurice Aymard; Bilancio d'una lunga crisi finanziaria) - Rassegne (Edoardo Grendi; Problemi e studi di storia economica genovese (secoli XVI-XVII) - Giovanni Rebora; Fonti e studi di storia medievale genovese) - Appunti e Documenti (Giuseppe Felloni; Le circoscriioni territoriali civili ed ecclesiastiche nella Repubblica di Genova alla fine del secolo XVIII - Hermann Kellenbenz; Christoph Furtenbach a Genova e il suo testamento) - Recensioni (L. Liagre-De Sturler; Les relations commerciales entre Gênes, la Belgique et l'Outremont d'après les archives notariales génoises. 1320-1400 (Gian Giacomo Musso) - D. Gioffré; Il mercato degli schiavi a Genova nel secolo XV (Jacques Heers) - Archivo de Simancas; Papeles de Estado, Genova: siglos XVI-XVII (Edoardo Grendi) - G. Felloni; Gli investimenti finanziari genovesi in Europa tra il Seicento e la Restaurazione (José-Gentil Da Silva)) - Indice dell'Anno LXXXIV.

I ed.: 31-3-1978. Anno/Vol. XC - Fascicolo I - Gennaio-Marzo 1978 della rivista quadrimestrale fondata da Costanzo Rinaudo nel 1884, con Redazione a Torino, in via Po 17. VIII/ 1-228+(6) pubblicitarie in carta leggera paglierina, con grafica in nero/ brossura in cartoncino liscio bianco con grafica in nero e blu e con illustrazione in b/n al primo piatto (Scipione Maffei. Ritratto di Pietro Rotari, inciso da Marco Pittari). Stato buono (leggera usura della copertina, in particolare ai margini e al dorso - copertina e pagine brunite - appunto a matita al primo piatto della copertina - parzialmente intonso). Sommario: E. Ashtor; Aspetti della espansione italiana nel Basso Medioevo - Claudio Donati; Scipione Maffei e la Scienza chiamata cavalleresca. Saggio sull'ideologia nobiliare al principio del Settecento - Giuseppe Galasso; Sinistra storica e Mezzogiorno - Rassegne (R. Romano; Ancora sulla storia dei prezzi - Marta Petrusewicz; La Polonia nella crisi del Seicento: analisi di un dibattito - Marina Roggero; Istruzione e Ancien régime: problemi e metodi di ricerca in alcuni dei più recenti contributi francesi - Aldo Garosci; Alle origini del conflitto tra Stato e Chiesa nella Spagna moderna - Enrico Serra; " Opera omnia " di Sidney Sonnino, pubblicata da Laterza sotto gli auspici della University of Kansas e diretta da Benjamin F. Brown) - Storici e Storia (Jadran Ferluga; Un maestro: Georg Ostrogorsky - Marcello Carmagnani; Antonello Gerbi e il Nuovo Mondo) - Problemi e Documenti (Jerzy W. Borejsza; La marcia su Varsavia del 1926 nella versione italiana) - Recensioni (Paolo Grossi; Un altro modo di possedere (A. Momigliano) - John Pinsent; Military Tribunes and Plebeian Consuls: the Fasti from 444 V to 342 V (L. Capogrossi Colognesi) - M. Borgolte; Der Gesandtaustauch der Karolingefr mit Abbassiden (E. Ashtor) - Ernst Werner; Stadtluftmacht frei (G. Tabacco) - John Monfasani; George of Trebisond (C. Vasoli) - Werner L. Gundersheimer; Ferrara. The Style of a Renaissance Despotrism (E. Sestan) - Giorgio Politi; Aristocrazia e potere politico nella Cremona di Filippo II (M. Luzzati) - V. Kostic, Kulturne veze izmedu jugoslavenskih zemalja i Engleske do 1700 godine (B. Tenenti) - L. Gestri; Capitalismo e classe operaia in provincia di Massa-Carrara (R. P. Coppini)) - Libri ricevuti.

Encuadernación de tapa blanda. Condizione: Muy bien. Idioma español. Ejemplar en muy buen estado. Dimensiones: 27x20 - 514 pp.

Encuadernación de tapa blanda. Condizione: Muy bien. Idioma español. Ejemplar en muy buen estado. Dimensiones: 27x20 - 482 pp. Sumario: Michel Cavillac: La reforma de la beneficencia en la España del siglo XVI: la obra de Miguel Giginta - Jacques Maurice: Campesinos de Jerez ( 1902-1933) - Mercedes Gallent Marco : Valencia y las epidemias del siglo XV - Mercedes Cabrera Calvo Sotelo : La estrategia patronal en la Segunda República ( II: El bienio negro) - Jeanne Marie Favarel - Yves Zigman: Ambroise Croizat: su papel en la planificación de la Seguridad Social en Francia - José Alvarez Junco: Sobre el anarquismo y el movimiento obrero andaluz - Aldo Agosti: La Tercera Internacional y su historia - El pauperismo y las asociaciones obreras en España.

Couverture rigide. Condizione: Très bon état. In-4 reliure éditeur sous jaquette illustrée. Plus de 270 photographies issues des archives photographiques du Musée national de la Montagne de Turin. Très bon état d'occasion. in-4°.

Brossura editoriale, in ottimo stato. in 8° pp. 220.

Condizione: MOLTO BUONO. Torino, Einaudi Ed. cm.15,5x21,5, pp.XLII,628, 64 tavv.in bn.e 47 tavv.a col.ft., legatura editoriale in tutta tela, sovraccoperta figurata a colori, cofanetto con piatti figurati a colori. Collana Storia di Roma,1.

Encuadernación de tapa dura. Condizione: Muy bien. Idioma italiano. Encuadernación de tapa dura. Ejemplar en muy buen estado ( dedicatoria). Dimensiones: 25x18 - 1016 pp.

Condizione: MOLTO BUONO. Torino, Einaudi cm.15.5x21,5, pp.XXV,698, 33 tavole in bn. fuori testo , legatura editoriale in tutta tela, sovraccoperta figurata a colori. cofanetto con piatti figuratai a colori. Collana Storia di Roma.

Condizione: leido. Rústica con solapas 600.

Encuadernación de tapa blanda. Condizione: Muy bien. In-8. #1 Jul/Aug 1960 (All published). Wrappers. Collaborators : Enrique Molina, Andrés Coyné, Aldo Pellegrini, Octavio Paz, Francisco Madariaga, Julio Llinás,Edgar Bayley, Alberto Girri, Juan Antonio Vasco, Carlos Latorre, Mario Satz, Leopoldo José Bartolomé, Rodolfo Alonso, Alberto Vanasco, Raúl Gustavo Aguirre. Translations by : Denis Roche, Robert Benayoun, Jean-Jacques Lebel, André Breton y Wallace Stevens, Among others. Provenzano 303. W33.

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. Folio #1 Sep 1963- #2 1964. (Complete set). Wrappers. Collaborators : Aldo Beccari, Jorge Conto, Maria Teresa Gramuglio, Noemi Ulla, Juan José Saer, Among others. El Arremangado Brazo was published in the city of Rosario between 1963 and 1964, directed by Rafael Oscar Ielpi, Romeo B. A. Medina and Aldo F. Oliva. Like Pausa magazine, its possible antecedent, added, among directors and collaborators, an important group of young writers and intellectuals, coming both from the Faculty of Philosophy and Letters (today Humanities and Arts) of the National University of Rosario and from its bars surrounding: María Teresa Gramuglio, Gladys S. Onega, Norma Desinano, Juan José Saer, Noemí Ulla, Gladys Rimini, Daniel Wagner, among others. Although only two numbers were published, it offers a wide sample of the interests that crossed and questioned the publishing group, sometimes referred to as "the Ehret group", in reference to a bar that was around the corner from the Faculty.In the editorial of the first issue, the magazine proposed to provide tools for working with the word and to denounce all those values ??that were "frightened by the advance of the class struggle." To these ends, he dedicates, in addition to some essays and critical notes, the section Reportage to the other city : accompanied by photographs, the reportage to an anonymous man offered not only a sample of the vision of the world of a man conditioned, situated , but also linguistic evidence for a realistic literature , perceptible thanks to the unaltered transcription of the interviewee's speech. In this way, in addition to the literary content, the reports section is the most significant in terms of the objective of developing an intellectual task capable of promoting knowledge of social reality as a whole. With regard to the objective of the complaint, the editorial of the second issue clarifies that "El Arremangado Brazo is postulated as a project to prosecute our literature (preferably today's) from a leftist perspective.". The sum of reports "to the other city" ("The man from Villa Manuelita" and "The garbage men"), the translation of "Dialectical materialism and history of literature", by Lucien Goldmann, original translations of poets not very widespread in Argentina in those years (Vinicius de Moraes, Manuel Bandeira, Carlos Drummond de Andrade), generally harsh reviews of Argentine authors (Desinano on Dalmiro Sáenz and Medina on Jorge Riestra), works by the same directors (short stories by Medina and poems by Ielpi), a then unpublished story by Juan José Saer, "Por lavuelta", which would only be published the following year in the book Palo y Hueso, trace the singular arc of a mythical publication until now, which finally returns to be put into circulation. Lacks to all bibliographies. W32.

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. Aldo Pellegrini, Enrique Pichón Rivière y Elías Piterbarg (dir.). Ciclo. Arte, literatura, pensamiento modernos. "Revista bimestral. N°s 1 y 2. Buenos Aires, Talleres Boris Ordon e Hijos, 1948-1949. N° 1 y N° 2. Rústica, 21 × 15 cm, 95 pp c/u. Completando el conjunto de publicaciones concebidas dentro de la gran discusión de los problemas estéticos de la época, surge en 1948 el N° 1 de Ciclo. Diagramada por Tomás Maldonado, se incluyen fragmentos de Trópico de Capricornio, de Henry Miller, y una obra sobre este autor de George Bataille, textos de René Char y André Breton, un cuestionario formulado a Breton por Piterbarg, un ensayo de Pellegrini y una conferencia de Ernesto N. Rogers sobre el arte concreto. Reproducciones en b/n de obras de Iommi, Maldonado, Del Prete, Prati, Jorge Souza, Max Bill, Moholy Nagy y comentarios bibliográficos y de artes plásticas de David Sussmann, Edgar Bayley y Pichon Rivière cierran este valioso número inicial. El de marzo-abril de 1949 fue también el último.".

Encuadernación de tapa blanda. Condizione: Muy bien. In-8. #1 1965. (All published). Wrappers. Collaborators : Gonzalo Arango, Ernesto Cardenal, Jaime Carrero, Julio Cortázar, Pablo Antonio Cuadra, Ulises Estrella, Lawrence Ferlinghetti, Wiltod Gombrowicz, Federico González Frías, Miguel Grinberg, Raquel Jodorowsky, Thomas Merton, Henry Miller, Ektor Nho, Salvatore Quasimodo, Joaquín Sánchez Macgrégor, Alejandro Vignati, Among others. Illustrated by Abel Mendoza and Jaime Carrero. This important magazine gives an account of the meeting of poets held in Mexico, with the representation of 14 American countries, of "non-consecrated", whose ages oscillate between 18 and 30 years, "Marxists, Catholics, nihilists, academics, apolitical , yogas, iracundos." The first pages of this booklet publish the messages to the First Meeting of Poets by Julio Cortázar, Salvatore Quasimodo, Thomas Merton, Witold Gombrowicz, Henry Miller and the Colombian "nothing" Gonzalo Arango includes a "Declaration of Mexico" from whose text we break down these two final paragraphs: Our mission is permanent and often silent. Based on the coincidences we initiate an action that goes beyond the poet and the artist. The goal of this action is the increase in the area of consciousness that defines the new being and the transformation of life into a work of art. The struggle is incessant, painful at times. A dynamic force, in constant performance, ready to resist all the arrogance of the false prophets of our time, all legislation that violates the right of expression and all rhetorical revolutionism that ignores the true meaning of change. On the threshold of the new era, we subscribe to this statement aware that only in the fusion of our ideas and our actions, is the concrete evidence of its advent. Peace through art (Mexico, D. F., February 1964). Henry Miller is the honorary president of Acción Poética that sponsors this booklet Art and rebellion ; Miguel Grinberg its coordinator, Aldo Sorenson Vitale its director and Clara Dabbah and Juan Carlos Kreimer, secretary and diagrammer. Tarcus p51, Provenzano p249. C2.

Encuadernación de tapa blanda. Condizione: Muy bien. Folio. #1 Oct 1953 - #4 Jul 1954. (Complete set). Wrappers in slipcase. Collaborators : Onetti, Latorre, Svanascini, Enrique Molina, A. Pellegrini, Henry Miller, Enrico Gras, Oliverio Girondo, Mario Trejo, Juan Carlos Paz, Tomás Maldonado, Picabia, Dylan Thomas, Juan Filloy, Juan Esteban Fassio, Alfred Jarry, Norah Lange, Tristan Tzara, Juan Antonio Vasco, Francisco José Madariaga, Among others. Letra y Línea appeared in Buenos Aires at the same time as Contorno which also cultivates Arlts memory and around the time when Cortázar decided to travel to Paris. The magazine, directed by Aldo Pellegrini and financed by Girondo, undoubtedly has a surrealist air, but it is above all a magazine of cultural updating, substantial articles, critical studies that polemize when they should and with solid arguments. The avant-garde air does not cease and surrealism undoubtedly obtains preference, but the general set impresses as a tempered response to the exorbitant sculptural-poetic essay that Kosice and his companions had practiced some of whom were already in Letra y Línea in the sense of making moderate use of the proclamative tone of the ultraist renovators and devoting more time to studying works and currents of thought. Thus, there is polemic with Mallea, the first Sabato is defended, there is homage to Francis Picabia who died at that time, there is a memory of Macedonio, who had also died a year earlier, there is pertinent writing about dodecaphony and its relation to literature (Proust), there is publication of Aimé Césaire, Michaux and Jonquières, while an advance of Onetti and another of Norah Lange are read, cautious polemics are admitted (Julio Payró writes a letter to readers where he indicates that Juan del Prete and Petorutti also deserve the curt name of non-objectivists), in short, the avant-garde here takes place calmly and almost austerely. Non-existent books are not invented to comment on as in Arte Madí and the cultural news is recorded with a certain spirit that shares equally a polemical and an informative bias. Letra y Línea is the bridge between the avant-garde movement that pushes its limits towards an inventionism without complacency, and the magazine Contorno, where literary, political and philosophical criticism establishes its central motifs with almost classical foundations. Provenzano p294. Tarcus p46. Washington Pereyra T5,p178. Codbos.

Encuadernación de tapa blanda. Condizione: Muy bien. In-8. #1 Nov/Dic 1948 #2 Mar/Apr 1949 (Complete set). Wrappers very good condition. Completing the set of publications conceived within the great discussion of the aesthetic problems of that time, the #1 of Cycle arises in 1948, in charge of a steering committee integrated by Aldo Pellegrini, Enrique Pichon Rivière and Elías Piterbarg. The delivery appears in the form of a book, diagrammed by Tomás Maldonado and in its 96 pages of rich text include fragments of Tropic of Capricorn, by Henry Miller, and a work on this author by George Bataille, texts by René Char and André Breton, a questionnaire formulated to Breton by Piterbarg, an essay by Pellegrini and a lecture by Ernesto N. Rogers on concrete art. Reproductions of works by Iommi, Maldonado, Del Prete, Prati, Jorge Souza, Max Bill, Moholy Nagy and bibliographic and plastic arts commentaries by David Sussmann, Edgar Bayley and Pichon Rivière close this valuable initial number. The March-April 1949 was also the last. Provenzano 217. W8.

Encuadernación de tapa dura. Condizione: Muy bien. 1ª Edición. In-8. #1 Nov 1953 - #3 Jul 1954.(Complete set). Bound in 3/4 red cloth marbled boards. Collaborators : Osvaldo Guevara, P. Norberto Alfonso, H. T. Zarate, Hugo Moriena y Nelson Pages. Provenzano 283. Washington Pereyra T5,p121. W4. Size: Formato en 8°.

8°, pp. XLII+628, leg. tela, con sovraccop., in custodia. Con numerose illustr. in b/b e in colore. - In buone cond. / HINWEIS: Versand nach Deutschland und die EU (14-täglich) ab Konstanz EU-verzollt: Keine Gebühren für den Empfänger! / IMPORTANT: Shipments to EU-Countries duty-payd from Germany: No fees to the consignee! / IMPORTANTE: Spedizioni verso paesi UE sdoganate dalla Germania: nessuna tassa per il destinatario! Sprache: Italienisch 1800 gr.