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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
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Aggiungi al carrelloPaperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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Paperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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CIN?MAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
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TO EACH THEIR OWN POP
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CINMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 (Paperback)
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Paperback. Condizione: new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloCondizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Cinéma and Cie. Fall 2018: To Each Their Own Pop. the Mediatization of Popular Music in Europe 1960-1979
Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Brand New. 160 pages. 9.25x6.50x0.25 inches. In Stock.
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CIN?MA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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CIN�MA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Lingua: Inglese
Editore: Mimesis International 2019-06-30, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
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To Each Their Own Pop: The Mediatization of Popular Music in Europe (1960-1979) (CINÉMA&CIE: International Film Studies Journal) (Volume XIX)
Da: Ria Christie Collections, Uxbridge, Regno Unito
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CINÉMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
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Pink Floyd 1965-2005
Prima edizione
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Aggiungi al carrellobrossura. Condizione: in ottime condizioni. prima edizione. 40 anni di suoni e visioni. Collana Momenti Rock. Illustrazioni in nero. Copertina morbida. Formato in.8 (14x21 cm). Pagg. 253, 1. Ottimo stato.
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L' arte multimediale dei Pink Floyd. itinerari tra cultura, immagini e suono dagli anni sessanta a oggi.
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TO EACH THEIR OWN POP
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
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Paperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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CINMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 (Paperback)
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 : To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Lingua: Inglese
Editore: Mimesis International Jun 2019, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organizations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Da: Rarewaves.com UK, London, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 | To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979) | Alessandro Bratus (u. a.) | Taschenbuch | CINEMA&CIE, International Film Studies Journal | Kartoniert / Broschiert | Englisch | 2019 | Mimesis International | EAN 9788869772320 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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Aggiungi al carrelloCondizione: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the ¿mediatization of pop music¿. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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Mediatization in Popular Music Recorded Artifacts : Performance on Record and on Screen
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Mediatization in Popular Music Recorded Artifacts : Performance on Record and on Screen
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Mediatization in Popular Music Recorded Artifacts: Performance on Record and on Screen
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Mediatization in Popular Music Recorded Artifacts : Performance on Record and on Screen
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Aggiungi al carrelloCondizione: Sehr gut. Zustand: Sehr gut | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | This book investigates the relationship between performance, technological mediation, and the sense of live presence through a series of case studies related to popular music products. Bratus explores the crucial significance of live performance for the construction of a personal, intimate relationship between performers and audiences.
