Locatelli massimo (34 risultati)

Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Bratus, Alessandro (EDT); Locatelli, Massimo (EDT); Mera, Miguel (EDT)
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Bratus, Alessandro (EDT); Locatelli, Massimo (EDT); Mera, Miguel (EDT)
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Paperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form a…nd content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.

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Paperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form a…nd content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.

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Paperback. Condizione: new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in i…ts form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condizione: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with m…aps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Cinéma and Cie. Fall 2018: To Each Their Own Pop. the Mediatization of Popular Music in Europe 1960-1979
Bratus, Alessandro (Editor)/ Locatelli, Massimo (Editor)/ Mera, Miguel (Editor)
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 160 pages. 9.25x6.50x0.25 inches. In Stock.

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Condizione: New. 2019. Paperback. . . . . .

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Condizione: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Bratus, Alessandro (EDT); Locatelli, Massimo (EDT); Mera, Miguel (EDT)
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.

Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Bratus, Alessandro (EDT); Locatelli, Massimo (EDT); Mera, Miguel (EDT)
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 18,96
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Condizione: As New. Unread book in perfect condition.

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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Ventuno per undici. Far cinema dopo l'11 settembre
Emiliano Morreale; Barbara Grespi; Mauro Gervasini; Giaime Alonge; Anton Giulio Mancino; Luisella Farinotti; Rocco Moccagatta; Antonio Valenzi; Paola Casella; Francesco Pitassio; Giacomo Manzoli; Giulia Carluccio; Massimo Locatelli; Pier Maria Bocchi; Michele Fadda
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Da: libreriauniversitaria.it, Occhiobello, RO, Italialibreriauniversitaria.it
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Da: libreriauniversitaria.it, Occhiobello, RO, Italialibreriauniversitaria.it
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Paperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form a…nd content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.

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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condizione: new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in i…ts form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Da: moluna, Greven, Germaniamoluna
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Kartoniert / Broschiert. Condizione: New.

Bela Balazs. Die Physiognomik des Films (= Beiträge zur Film- und Fernsehwissenschaft, Band 54).
Lipowski, Egbert / Dieter Wiedemann (Hrsg.) / Massimo Locatelli
Editore: VISTAS Verlag GmbH, Berlin, 1999
Da: Musikantiquariat Staub, Leipzig, GermaniaMusikantiquariat Staub
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: BOEV
Condizione: Usato
EUR 23,00
EUR 12,00 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Condizione sovraccoperta: Leichtere Gebrauchsspuren. Jahr: 1999. Einband: Broschur. Beschreibung: 1999 - BFF. Eine Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf" Potsdam-Babelsberg. Vormals "Filmwissenschaftliche Mitteilungen", dann "Filmwissenschaftliche Beiträge". Im Auftrage des Rektors herausgegeben von E…gbert Lipowski und Dieter Wiedemann. ISSN 0232718X. Ehem. Bibliotheksexpl. mit Signaturaufkleber am unteren Buchrücken, RFID-Tag auf dem Spiegel, Stempeln, Signatur und Barcodeaufkleber auf dem Titel verso. Einband berieben, innen gut und sauber erhalten. Sprache: de. 174 S.

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Taschenbuch. Condizione: Neu. Neuware - Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in… its form and content. Since then, instead of political or confessional organizations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.

- Brossura
Da: Brook Bookstore, Milano, MI, ItaliaBrook Bookstore
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Condizione: new.

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Da: Brook Bookstore, Milano, MI, ItaliaBrook Bookstore
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Paperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form a…nd content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.

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Taschenbuch. Condizione: Neu. CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 | To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979) | Alessandro Bratus (u. a.) | Taschenbuch | CINEMA&CIE, International Film Studies Journal | Kartoniert / Broschiert | Englisch | 2019 | Mimes…is International | EAN 9788869772320 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

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Da: Brook Bookstore, Milano, MI, ItaliaBrook Bookstore
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Condizione: new.

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Da: Buchpark, Trebbin, GermaniaBuchpark
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Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the ¿mediatization of pop music¿. With a particular focus on the 1960s and 1970s, it is our contention that these two decades signifi…cantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.