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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Da: GreatBookPrices, Columbia, MD, U.S.A.
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Da: Rarewaves.com USA, London, LONDO, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Condizione: New.
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Paperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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CIN?MAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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TO EACH THEIR OWN POP
Da: Speedyhen LLC, Hialeah, FL, U.S.A.
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CINMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 (Paperback)
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
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Paperback. Condizione: new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Cinéma and Cie. Fall 2018: To Each Their Own Pop. the Mediatization of Popular Music in Europe 1960-1979
Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Brand New. 160 pages. 9.25x6.50x0.25 inches. In Stock.
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CIN?MA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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CIN�MA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Lingua: Inglese
Editore: Mimesis International 2019-06-30, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Da: Chiron Media, Wallingford, Regno Unito
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To Each Their Own Pop: The Mediatization of Popular Music in Europe (1960-1979) (CINÉMA&CIE: International Film Studies Journal) (Volume XIX)
Da: Ria Christie Collections, Uxbridge, Regno Unito
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CINÉMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Da: Kennys Bookstore, Olney, MD, U.S.A.
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Mimmo Rotella: Manifesto
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
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Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
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EUR 16,20
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Aggiungi al carrelloCondizione: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.
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Ventuno per undici. Far cinema dopo l'11 settembre
Da: libreriauniversitaria.it, Occhiobello, RO, Italia
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Perché noir. Come funziona un genere cinematografico
Da: libreriauniversitaria.it, Occhiobello, RO, Italia
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TO EACH THEIR OWN POP
Da: Speedyhen, Hertfordshire, Regno Unito
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
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Paperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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Cinema e scienza. La cultura del film e il sogno della conoscenza illimitata (Saggi)
Da: libreriauniversitaria.it, Occhiobello, RO, Italia
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CINMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 (Paperback)
Da: AussieBookSeller, Truganina, VIC, Australia
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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EUR 20,49
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Bela Balazs. Die Physiognomik des Films (= Beiträge zur Film- und Fernsehwissenschaft, Band 54).
Editore: VISTAS Verlag GmbH, Berlin, 1999
ISBN 10: 3891582390 ISBN 13: 9783891582398
Da: Musikantiquariat Staub, Leipzig, Germania
Membro dell'associazione: BOEV
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Aggiungi al carrelloJahr: 1999. Einband: Broschur. Beschreibung: 1999 - BFF. Eine Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf" Potsdam-Babelsberg. Vormals "Filmwissenschaftliche Mitteilungen", dann "Filmwissenschaftliche Beiträge". Im Auftrage des Rektors herausgegeben von Egbert Lipowski und Dieter Wiedemann. ISSN 0232718X. Ehem. Bibliotheksexpl. mit Signaturaufkleber am unteren Buchrücken, RFID-Tag auf dem Spiegel, Stempeln, Signatur und Barcodeaufkleber auf dem Titel verso. Einband berieben, innen gut und sauber erhalten. Sprache: de. 174 S.
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CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 : To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Lingua: Inglese
Editore: Mimesis International Jun 2019, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
EUR 18,48
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organizations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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CINEMA E SCIENZA (Italian)
Da: Brook Bookstore, Milano, MI, Italia
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Da: Rarewaves.com UK, London, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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EUR 22,40
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 | To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979) | Alessandro Bratus (u. a.) | Taschenbuch | CINEMA&CIE, International Film Studies Journal | Kartoniert / Broschiert | Englisch | 2019 | Mimesis International | EAN 9788869772320 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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IL PAESE DEI CANTAUTORI (Italian)
Da: Brook Bookstore, Milano, MI, Italia
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EUR 19,09
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