alessandro lucchi (7 risultati)

brossura. Condizione: in ottime condizioni. prima edizione. Monthly Review of Architecture, Interiors, Design, Art, settembre 1982. Testi in italiano e inglese. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Soft cover in good conditions, no inscriptions or markings inside. Worldwide delivery.

N. PAG. CIRCA 250 - BROSSURA ILL. - OTTIMO.

Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. Limited Edition. [1st edition, 1st printing] ; Limited edition No. 4832 of 5000 (as stated on colophon) ; 301 p. (some folded) : chiefly color illustrations, maps, plans ; 30 cm. ; ISBN: 8821601269; 9788821601262 ; LC: NA9072.M55; Dewey: 711.5 ; OCLC: 23695425 ; text in Italian and English. ; Issued in Montedison-designed slipcase. ; black silk, with hand-laid paper ; photographic plate paste-down on front cover ; decorative black endpapers ; signed card of Montedison Director General Carlo Maria Columbo, laid in ; publisher Franco Maria Ricci initialled quality control card, laid in ; Design, Franco Maria Ricci, Laura Casalis; Grafica, Silvia Fois; Fotolito : Fotoincisioni Bassoli, Fotolito Storti, Milano; Stampa, Grafiche Milani ; Gruppo Ferruzzi ; "Edison was established in 1884 in Milan as a power utility. In 1966, Edison merged with Montecatini, to create Montedison"-wikipedia ; 'In 1801, Antolini was hired during the short-lived Repubblica Cisalpina to complete a massive plan for the center of Milan, a project later taken over by Napoleon and called the Foro Bonaparte. The city was designated the capital of Napoleonic Italy in 1805, and the Foro Bonaparte was part of a larger redevelopment project that consisted of cutting wide roads through the medieval center and constructing monumental government buildings and shopping areas that linked together the major neighborhoods of the city. The Foro was to be located in the area around the Castello Sforzesco.and Napoleon ordered the outer walls of the Castello to be updated with an ordered classical arrangement and a temple facade plan. Encircling this area Antolini designed 12.buildings to include a theater, museum, bathhouse and stock exchange.the plan was scaled down due to its high cost by Luigi Canonica in 1802."--Allison Lee Palmer ; Contents (English) : The publisher to the reader -- The Foro Bonaparte, a Jacobin utopia in Milan -- The first plans for the Foro Bonaparte (1801) -- La Bastiglia di Milano, un audace impresario, L'amico Sommariva -- The drawings of the Foro Bonaparte -- Designing the city : The 1801 Economic and Political Plan -- An architect for the Republic amid Doric and Freemasonry -- A man from the Romagna at the court of Pope Pius VI, The Doric comes to Faenza, The advantages of Freemasonry -- The Marengo column, A discussion with the First Consul, The schemings of the Commission -- Contrasting Pistocchi, Rectangle versus circle, A project in progress -- Enter the military, The astute Canonica, A question of money -- From project to model, The Description of the Foro Bonaparte -- Opposition to Antolini, the Letter from Citizen X to a friend -- Barabino, Canonical, Rossi : plans for the modification of the Foro Bonaparte -- Milan, Archivo Storico Civico Fin-de-siecle projects -- From utopia to bourgeoisie, Fin-de-siecle in Foro Bonaparte ; color tipped-in plates, 18 fold-out plates, several in full color ; artwork by Felice Giani, Giuseppe Camporesi, Domenico Lucchi, Hubert Robert, Feliz Albites, Alessandro Emanuele Marvuglia, Domenico Santi, Giovanni Lazarini, Fernando Bonsignore, Jacques-Louis David, Giacomo Pinchetti, Franz Hogenberg, Giovanni Battista Clarici, Arcangelo Lavelli, Adele Chavassieu d'Houdebert, Domenico Aspari, Vincenzo Magnani, Vincenzo Berenzi, Paolo Bargigli, Andrea Appiani, Luigi Rados, Giuseppe Pistocchi, Giuseppe Longhi, A.-G.-L. Boucher-Desnoyers, Luigi Canonica, Francisco Rosaspina, Luigi Cagnola, Gaspare Gallinari, Gaetano Berettini, Alois Schmid, Cesare Beruto, Pietro Gadda, Giuseppe Pirovano, Enrico Combi, Giovanni Giachi, A, Bellani, Romeo Botelli, and Luigi Montini ; a beautifully produced publication ; " (This volume is part of a special edition reserved for Montedison, and was printed in an edition of 5000 numbered copies under the direction of Franco Maria Ricci, Milan, in October 1989. The typeface used is Bodoni. The handmade paper was laid by Cartiere Miliani di Fabriano) ; fading spots to slipcase spine, else AS NEW/FINE. Book.

Prima edizione. Brossura, copertina con alette, formato 23x28, pagine 264, illustrato con tavole a colori e fotografie in nero fuori testo, ottime condizioni - 37872 1.

60 pp.; 27.7 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; April/May 1978 issue of the periodical "Journal." Guest edited by Barbara Radice. Contents include: "Introduction," by Barbara Radice; "Article Titles and Authors;" "Contributor's Photographs;" "Notes on Contributors and Photo Credits" "Articles." Contributions by Ettore Sottsass, Iole de Sanna, Gianni Emilio Simonetti, Lea Vergine, Carlo Romano, Benedetto Gravagnuolo, Riccardo Dalisi, Aldo Grasso, Ugo la Pietra, Emilio Bertonati, Camilla Sbrissa, Giorgio Marconi, Tommaso Trini, Emina Cevrovukovic, Franco Quadri, Angelo Pezzana, Vittorio Gregotti, Isabella Puliafito, Adolfo Natalini, Germano Celant, Franco Raggi, Rosamaria Rinaldi, Clino Castelli, Michele De Lucchi, Alessandro Mendini, and Andrea Branzi. Cover: Ettore Sottsass. Very Good. Mailed copy with mailing marks and mailing wear and printed address sticker on verso. Light edge wear and yellowing of covers. Contents clean and unmarked.

Unknown Binding. Condizione: Used: Very Good.

Soft cover. Condizione: Fine. Quarto, unpaginated (64 pages), illustrated throughout in black and white. Typographic wrappers. - First edition. Signed and with a drawing by Michele De Lucchi on first free endpaper. ?ARCHITETTURA IMPOSSIBILE Il lavoro raccoglie la documentazione sul seminario-cantiere svoltosi in una cava nel 975 e predisposto con lo scopo di sperimentare la progettazione e la costruzione di archi possibili. Gli elaborati riguardanti le opere sono stati raccolti attraverso un bando di concorso iternazionale gestito da Cavart che, assieme ai singoli progettisti ne ha curato la realizzazione. Questo studio inserendosi nel dibattito internazionale sulla architettura radicale, ha a o scopo di documentare sui lavori preparatori, sui partecipanti e sulle opere da questi prodotti nell'ambito dell'incontro. IMPOSSIBLE ARCHITECTURE The work gathers the documentation on the seminary-yard which took place in a quarry in July 1975 organized in order to experiment with plans and realizations of impossible architectures. The papers regarding the works have been gathered by an international announcement of competition managed by Cavart, which attended to its realization with every planner. This study, included in the international debate on the radical architecture, has just the aim to prove by documents the preparatory works, the partecipants and their works in the ambit of the meeting.? Signed by Author(s).