alexander rothenberg (38 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condizione: Very Good. 1st Edition. Moderate shelf wear, particularly along the covers with exposed creases around edges. Slight foxing, otherwise an overall unmarked and intact copy.

157 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Carsten Höller - Getting Real," by Michelle Nicol; "Juan Muñoz and the Specularity of the Divided Self," by Lynne Cooke; "The Art of Conversation," by Alexander Melo; "A Conversation, New York, 22 January 1995," by James Lingwood and Juan Muñoz; "A Man in a Room, Gambling," by Gavin Bryars; "Breath," by Robert Creeley; "The Evolution of the Horse," by Ingrid Schaffner; "Paintings as an Immense Feeling," by Jean-Christophe Ammann; "Essential Hesitations," by Mark Stevens; "On Walking and Working. An Interview," by Joan Simon and Susan Rothenberg; "Inter-view," by Hans-Ulrich Obrist and Fabrice Hybert; "Les Infos Du Paradis: Neville Wakefield on Robert Smithson," by Neville Wakefield; "Cumulus From America: Daniela Salvioni on SFMOMA," by Daniela Salvioni; "Cumulus Aus Europa," by James Roberts "Balkon," by Lisa Liebmann. Insert by Robert Smithson. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

paperback. Condizione: Good. Some light external wear, including minor cover creasing. Pages are clean, text and pictures are intact and unmarred. Binding intact and firm. Good reading copy.

paperback. Condizione: Very Good.

Condizione: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

[48] pp.; 26 x 23.5 cm.; sewn bound; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 19, 1989 - March 11, 1990. Curated and with text by Kerry Brougher. Artists include Francis Bacon, John Baldessari, William Baziotes, Alexander Calder, Willem de Kooning, Richard Diebenkorn, Mark di Suvero, Jean Dubuffet, Tim Ebner, Eric Fischl, Sam Francis, Alberto Giacometti, Hans Hofmann, Jenny Holzer, Neil Jenney, Wassily Kandinsky, Ellsworth Kelly, Anselm Kiefer, Franz Kline, Jannis Kounellis, Fernand Léger, Roy Lichtenstein, Morris Lewis, Henry Moore, Elizabeth Murray, Claes Oldenburg, Pablo Picasso, Jackson Pollock, Robert Rauschenberg, Gerhard Richter, Susan Rothenberg, Edward Ruscha, Joel Shapiro, Alexis Smith, David Smith, Frank Stella, Andy Warhol, Boyd Webb, Terry Winters, and Tom Wudl. Includes a collector's statement and exhibition checklist. Very Good. Dust soiling, yellowing, and light handling wear to dust-jacket. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condizione: New. In.

Paperback. Condizione: Very Good. Trade PB. 8vo. Oblong. Published by Morris Museum, Morristown, NJ. 2002. 50 pgs. Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. "These photographs bear witness to the death camps, and are documents by accident. Neither Nazis nor Allies were concerned with photographic recordings of these sites. They were non consequential locations in the path of strategic targets, merely areas amid a landscape of changing fronts and dueling armies. The photons bouncing off the camps, fixed forever in crystals of photographic emulsion, went unnoticed by the world and the silent heavens. The abstraction of these images, the recording of the massive industrial scale of the Nazis' "Final Solution to the Jewish Problem," locks the horror into calm banality. Considering the vacuum of expanding malevolent lethargy, I often created in an effort to keep the expansion in check. I spent uncounted days peering into geographic Hades, mapping humanity's darkest undertaking. I drew a Midrash, an exegesis, a different way of thinking about the Holocaust. There, among mundane views of occupied Europe grew embedded cancers. The cancer consumed glorious landscape and barely concealed its rapacious appetite for devouring my people. All within a rational, geometric layout. As I drew I concentrated on what things looked like, not what they represented. This distancing enabled me to contemplate the dichotomy of the intrinsically fascinating aerial views apart from their horrifying truth. However, the two were not easily separated. When my consciousness insisted that the shapes represented crematoria, freight trains, ash pits, barracks, barbed wire fences, my posture of distance-equals-security proved false and emotion overwhelmed me. Harmless as the landscapes themselves appeared, the images bore lethal radiation. Cumulatively and without warning, the debilitating effects would strike my heart and my intellect. Nine years of hovering above these hells changed me. I marked paper with charcoal, literally drawing with ashes. And, sometimes, it felt to me that the physical act of drawing gave voice to the unheard screams of the murdered. The English title of the project refers to the "Fourteen Stations of the Cross" and to the fact that each concentration camp was established near a railroad station. The Hebrew title "Hey Yud Dalet," the acronym of "Hashem Yinkom Damam," ? May God avenge their blood, ? Has been carved into the gravestones of Jewish martyrs throughout the centuries. Within each drawing I have hand lettered and embedded one fourteenth of the Kaddish. Interwoven into the texture of each drawing, these Aramaic and Hebrew phrases are invisible. The full suite of drawings completes the Kaddish, offering the prayer for those who perished and had no family to recite it for them. This Kaddish is also for those to whom the prayer was foreign, whose lives were extinguished in the same braid of horror and smoke that devoured Europe's Jews. I offer the "Fourteen Stations"/"Hey Yud Dalet" suite of drawings as icons for compassion and remembrance. Under no condition can art express the Holocaust. To withdraw art from confronting this horror, however, would assign victory to its perpetrators. That must not be. Each survivor, individually, must affirm his or her humanity and existence. As an artist, and a child of survivors, I can do no less." . ; 4to 11" - 13" tall; 50 pages.

Condizione: Good. 8vo. 32 pp. Stapled Wraps. VG. Photographs, illustrations.

Soft cover. Condizione: Very Good. Softcover, 32 pages : illustrations (some color) ; 28 cm. Very good, light edge wear to wrappers. Exhibit.cat. #696.

Condizione: New.

First Edition. First edition. Oblong softcover. 50 pages. Exhibition catalog for a show that ran August 20 through November 11, 2002. Features texts by Stephen C. Feinstein, Andrew Liss, John K. Roth, and poems by Jerome Rothenberg Includes numerous illustrations and a checklist. A near fine copy in wrappers and with laid in related folded sheet that has been inscribed by Rothenberg to poet Clayton Eshleman and his wife Caryl.

Condizione: Good. 8vo. 32 pp. Soft Covers. Very Good, with one loose page. Photographs. Illustrations.

Condizione: Good. 8vo., 32 pp., Very Good, Softcovers. Photographs. Illustrations.

103; 30.5 x 32.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph / exhibition catalogue published in conjunction with show "Open Ends" held September 28, 2000 - January 30, 2001, the third and final exhibition in MoMA's series of exhibitions MoMA2000 drawing from works from the collection across curatorial departments and historical categories. Edited by Kirk Varnedoe, Paola Antonelli, and Joshua Siegel. Introduction by Kirk Varnedoe. Essays by Kirk Varnedoe, Paola Antonelli, Joshua Siegel, M. Darsie Alexander, Mary Lea Bandy, Fereshteh Daftari, Judith B. Hecker, Susan Kismaric, Roxana Marcoci, Terence Riley, and Lilian Tone. Artists include Cindy Sherman, Vito Acconci, Rainer Werner Fassbinder, Philip Guston, Peter Hujar, Ingmar Bergman, William Wegman, Richard Prince, Francesco Clemente, Frank Stella, Robert Ryman, Robert Frank, Susan Rothenberg, Andy Warhol, David Wojnarowicz, Annette Messager, Louise Bourgeois, Carrie Mae Weems, John Baldessari, Jean-Luc Godard, Matthew Barney, and many, many others. Includes checklist of illustrations and an index of illustrations. Fine. Light yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condizione: New. No Jacket. First edition 2002. Published in conjunction with the exhibition by Morris Museum. Large softcover without DJ as issued. Condition new, square tight and clean book, no edgewear, corners not bumped, spine not creased, no markings of any kind, no names, no underlinings, no highlights, no bent pages, not a reminder. Oblong 4to, XIII + 50 pages, illustrated throughout.

First Edition. Softcover. First Edition. INSCRIBED by Jerome Rothenberg on the front wrapper verso: "for Joyce and Jerry / happy new year 2003 / in friendship / Jerry [and] Diane." Very Good or better in perfect-bound wrappers, with light offsetting to the front wrapper and moderate rubbing to the fore-edges and bottom right corners. Signed.

Soft cover. Condizione: Very Good. 1st Edition. 4° - Color & B/w reproductions. Exhibition Catalogue: Susan Rothenberg (1945-2020) American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation. Text in Dutch and English. Original wrappers. In Very good condition.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Buch. Condizione: Neu. Neuware -Das Buch untersucht in einem globalhistorischen und komparativen Ansatz die Produktion und den Einsatz von Elitekörpern. Der Begriff Elitesklaverei bezeichnet die Verschleppung, jahrelange Ausbildung und Disziplinierung von Kindern, die dann in hohen und höchsten Positionen eingesetzt wurden und teils große Reichtümer besitzen konnten. Mit diesem Begriff werden die (elitären) asymmetrischen Abhängigkeitsverhältnisse von Palasteunuchen, Konkubinen, Militärsklaven und anderen beschrieben. Auf der Basis einer Arbeitsdefinition widmet sich die Arbeit potenziell neuen Formen von Elitesklaverei. Mittels eines dispositiv-analytischen Vorgehens wurden daher die asymmetrischen Abhängigkeitsverhältnisse des Elitesports, speziell des Fußballs, untersucht und mit den identifizierten Merkmalen von Elitesklaverei verglichen, um Kontinuitäten und Diskontinuitäten sichtbar zu machen. Das Ergebnis der Studie ist auch eine Aufforderung zu einer kritischen Auseinandersetzung mit den Auswirkungen auf Körper und Lebensläufe von Kindern heute. 336 pp. Deutsch.

Buch. Condizione: Neu. Neuware -Das Buch untersucht in einem globalhistorischen und komparativen Ansatz die Produktion und den Einsatz von Elitekörpern. Der Begriff Elitesklaverei bezeichnet die Verschleppung, jahrelange Ausbildung und Disziplinierung von Kindern, die dann in hohen und höchsten Positionen eingesetzt wurden und teils große Reichtümer besitzen konnten. Mit diesem Begriff werden die (elitären) asymmetrischen Abhängigkeitsverhältnisse von Palasteunuchen, Konkubinen, Militärsklaven und anderen beschrieben. Auf der Basis einer Arbeitsdefinition widmet sich die Arbeit potenziell neuen Formen von Elitesklaverei. Mittels eines dispositiv-analytischen Vorgehens wurden daher die asymmetrischen Abhängigkeitsverhältnisse des Elitesports, speziell des Fußballs, untersucht und mit den identifizierten Merkmalen von Elitesklaverei verglichen, um Kontinuitäten und Diskontinuitäten sichtbar zu machen. Das Ergebnis der Studie ist auch eine Aufforderung zu einer kritischen Auseinandersetzung mit den Auswirkungen auf Körper und Lebensläufe von Kindern heute.

Hardcover. Condizione: Brand New. 347 pages. German language. 9.44x6.69x9.61 inches. In Stock.