Alexander vvedensky (50 risultati)

Paperback. Condizione: Very Good. "Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die." - Pussy Riot Nadezhda Tolokonnikova's closing statement at their trial in August 2012 "I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song. A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals. This English-only edition does not include the poems in their original language.…

Paperback. Condizione: Very Good. "Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die." - Pussy Riot Nadezhda Tolokonnikova's closing statement at their trial in August 2012 "I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song. A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals. This English-only edition does not include the poems in their original language.…

paperback. Condizione: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages. paperback.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condizione: Near Fine. Condizione sovraccoperta: Published w/out dj. 1st Edition. NYC: NYRB Poets, 2013. 1st edition, NF/. Paperback has some wear & bending to lower front page corners. Vvdensky (1904-1941) grew a recognized poet as a young man, but after becoming involved in an underground avant-garde group he was detained and died of pleurisy on a prison train in 1941. This was under Stalin of course and his extremely authoritarian rule. Includes notes and acknowledgments. 133 pp. BP.…

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: New. These bizarre and wildly imaginative pieces, written in Soviet Russia forty years ago, are as vital and disturbing as the best of today's absurdist literature. Almost none of the works of Daniil Kharms and Alexander Vvedensky have been published before in any language.

Paperback. Condizione: new. Paperback. "Pussy Riot are Vvedensky's disciples and his heirs.Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die."- Pussy Riot Nadezhda Tolokonnikova's closing statement at theirtrial in August 2012"I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song.A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals.This English-only edition does not include the poems in their original language. An Invitation for Me to Think is Vvedensky's first collection to appear in English and includes the now celebrated poetry of the 1930s in prizewinning translations by America's foremost OBERIU specialists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Fair. No Dust Jacket. 208 pages. Ex-university library marks, moderate wear; pages are yellowed; a little staining; a good solid reading copy overall. No jacket. Quantity Available: 1. Category: Literary Criticism & Essays; ISBN: 0801406536. ISBN/EAN: 9780801406539. Inventory No: 217515.…

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Softcover. New, unused. Minor shelf-wear. Softcover. Free of any markings and no writings inside.

Paperback. Condizione: New. These bizarre and wildly imaginative pieces, written in Soviet Russia forty years ago, are as vital and disturbing as the best of today's absurdist literature. Almost none of the works of Daniil Kharms and Alexander Vvedensky have been published before in any language.

Condizione: New. pp. 168.

Condizione: New. pp. 168.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condizione: Near Fine. 1st Edition. First Printing, 2006. 258 pages. Book measures 5.25 x 7.75 inches. First Printing. Contains writing by Alexander Vvedensky, Daniil Kharms, Nikolai Zabolotsky, Nikolai Oleinikov, and Yakov Druskin. Near Fine in clean bright wrappers, Binding is tight. Stamp on title page "Library of Lewis Warsh" the poet and publisher of Angel Hair Books & United Artists. …

Condizione: New. 2013. Translation. Paperback. Translator(s): Ostashevsky, Eugene. Num Pages: 168 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 180 x 120 x 10. Weight in Grams: 138. . . . . .

Paperback. Condizione: Brand New. translation edition. 135 pages. 7.00x4.50x0.50 inches. In Stock.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: New. pp. 168.

Condizione: New. In English.

Paperback. Condizione: Brand New. translation edition. 135 pages. 7.00x4.50x0.50 inches. In Stock.

Condizione: New. 2013. Translation. Paperback. Translator(s): Ostashevsky, Eugene. Num Pages: 168 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 180 x 120 x 10. Weight in Grams: 138. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New.

Paperback. Condizione: Brand New. 224 pages. 7.95x4.96x0.79 inches. In Stock.

Card Wrappers. Condizione: Near Fine. First Edition. xxv, 135pp. Tiny name at head of first page.

Soft cover. Condizione: Very Good. Excellent used condition, unmarked text, unbroken spine, Ships from Berlin Bookshop Bxn127.

Hardcover. Condizione: Like New. Condizione sovraccoperta: Very Good. First American Edition. Publisher: Cornell University Press, Ithaca, 1971.FINE hardcover book in NEAR FINE+ mylar-protected dust-jacket. Light wear at the extremities. Not remainder marked. Not price-clipped. First US Edition, First Printing. …