Ali laylah (36 risultati)

Soft cover. Condizione: Very Good. 36 page center stapled softcover - all four color art - no text. Unmarked, tight and clean.

Paperback. Condizione: New.

Softcover staple bound artist book, 36 pages, very good condition, no internal marks, clean and crisp.

Soft cover. Condizione: Fine. First Edition. Fine in original wrappers.

Soft cover. Condizione: Very Good. NO marks. Light shelfwear. 2002 comic illustration by Ali, issued by MOMA.

Softcover. No Dust Jacket. Pictorial cardstock cover with glued binding; no; seems unread ; No; marks or writing, clean tight binding; Explores the relationship between art and comics linking the two genres where cultures social and political issues are aired in frank visual nrratives; thesubject matter tends to be off beat and tramsgressive and sometimes controversial; ; 96 pages New bent corners, creases, underlining or highlightling marks or writing, clean tight binding.…

STAPLEBOUND. Condizione: USED Very Good. Staplebound; 9.5' tall by just over 7' wide. Book has no text anywhere except for on the last page: 'Layla Ali / for The Museum of Modern Art, New York / Digital Production: Nicole Parente / Copyright (c) 2002 Laylah Ali'.

Soft cover. Condizione: Very Good. Softcover, 34 pgs. 7 x 10 in. Text & b&w illus. Some scratches/scuffing to back cover, small sticker to lower back cover.

Soft cover. Condizione: Very Good. LARGE PAPERBACK FORMAT, CLEAN COPY.

Paperback. Condizione: Brand New. new title edition. 36 pages. 5.50x4.25x0.25 inches. In Stock.

Paperback. Condizione: As New. LAYLAH ALI by Laylah Ali. A 32 page narrative of drawings by Ali done for a 2002 show at The Museum of Modern Art. 9 1/2" x 7 1/4". Color reproductions on slick, heavy paper. Like new condition.

Soft cover. Condizione: Near Fine. 8vo, stapled decorated wrappers, colorful drawings.vv9/2/3.

No Binding. Condizione: Near Fine. 1st Edition. This is a clean, unmarked copy with light shelf wear. Stapled binding.

Pamphlet. This is not a book. The original gallery guide/exhibition brochure for Laylah Ali: Projects 75, one of a series of exhibitions of up-and-coming-artists held at the Museum of Modern Art, NYC. Essay by Kristin Helmick-Brunet. Double-parallel-fold pamphlet; 8 panels; 7 color illustrations; 4 x 11 inches, folds out to 16 x 11. Artist's cv. Condition: Fine pamphlet. LAID-IN is an illustrated gallery exhibition announcement card and press release for a show of work by Laylah Ali, held at the 303 Gallery, NYC, in 2005, and a review of that show as well as an advertisement for a lecture by the artist. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Softcover. Condizione: Very Good. Very Good softcover.

Soft Cover. Condizione: Near Fine. This is a near fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition in Boston at the Institute of Contemporary Art from April 18 to July 1, 2001. Laylah Ali (1968- ) was born in Buffalo, New York and attended the Skowhegen School of Painting and Sculpture in the early 1990's. This was her first solo exhibition. Essay by Suzanne Wise. Interview with the artist conducted by Rebecca Walker. Exhibition checklist. 8" square, 35 pages. This book will be securely packed and shipped with tracking.…

Paperback. Condizione: Near Fine. Original covers, 7 ¾ x 8 ¼ inches, includes interview and checklist. Near fine. Moderate shelf wear, otherwise tight, clean, paper crisp, unmarked and apparently never read. Art; exhibition catalogue (catalog) ; African-American ; 35 pages.

4to, 51pp. Colour and black & white illustrations. A very good paperback copy. Minor mark to front cover.

Paperback. Condizione: Very Good-. Very Good with moderate wear to covers and no marks to text. Some corner bumping, small area of soil/abraision on rear cover. ; Oblong 4to 11" - 13" tall; 23 pages.

Softcover, 52 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: New. my shelf location bn9-c-14*.

Paperback. Condizione: Very Good. . 2007, booklet, bright clean copy, no markings, Professional booksellers since 1981.

Softcover. Condizione: Very Good. First Edition. First edition, stapled wraps, has light bumps with mild creasing to the spine ends and corners, some rubbing with very slight edge wear to the covers, a short cross crease near the upper fore corner, and a small, slim price tag to the tail of the back cover. Otherwise, this is a solid, clean, Very Good copy.…

Observaciones : VALÈNCIA, 2011. CARTONÉ. BUEN ESTADO. 113 PP.

Condizione: Good. 8vo. 38 pp. Stapled soft cover. Very Good. Color and black & white plates throughout. Inserts from gallery included. Text in French. 8vo. [36 pp]. Stapled soft cover. Very Good. Color plates throughout. From the Collection of the Art Historian Peter Selz (1919-2019).

Paperback. Condizione: Like New. As new clean tight and slender exhibition catalog Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Paperback. Condizione: New.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: New. The comic book, the cartoon strip and the single-panel gag are recurring motifs in twentieth-century art, providing a platform for narrative, political critique, graphic clarity, and, of course, fun. Cult Fiction: Art & Comics examines the work of artists who produce comics and cartoons as part of their practice, as well as those who employ the language of the comic in their work, borrowing from stylistic sources across high and low culture. Accompanying a U.K. exhibition tour, and designed by Fantagraphics art director Jacob Covey, this catalogue's bold layout complements the artworks included in its pages. An essay by Paul Gravett, a writer and curator who has worked in comics publishing and promotion for over 20 years, illuminates the long-standing love affair between fine art and comics, emphasizing contemporary practitioners in Britain and the U.S., including Laylah Ali, Glen Baxter, Daniel Clowes, Liz Craft, R. Crumb, Adam Dant, Julie Doucet, Debbie Dreschler, Marcel Dzama, Mark Kalesniko, Kerstin Kartscher, Killoffer, Chad McCail, Paul McDevitt, Kerry James Marshall, Kim Pace, Raymond Pettibon, Olivia Plender, Jon Pylypchuk, James Pyman, Joe Sacco, David Shrigley, Posy Simmonds, Richard Slee, Carol Swain, Stephane Blanquet, Melinda Gebbie, Alan Moore and Travis Millard. Specially commissioned self-portraits and question-and-answer forms filled out by hand by all contributing artists make Cult Fiction one-of-a-kind.…

Paperback. Condizione: New. For the past decade, Laylah Ali has been interrogating the visual language of contemporary society through paintings and drawings inhabited by her subversive characters. The Note drawings presented in this catalogue reference Ali's earlier work, yet mark a departure to some degree. While language has always been at the heart of Ali's practice--in its limitations and misinterpretations--she has, in this series of drawings, incorporated actual text into her work. Where her figures were once ambiguous in gender and race, and even questionably human, they now have identifiable attributes of racial and sexual identity portrayed vividly by characters dressed in masks, wigs and a variety of headdresses and costumes. Handwritten directly under and over her figures are random thoughts, snatches of overheard conversation and odd sound bites that question conventional visual markers and allude to racial and political struggles.…