andy warhol nico (19 risultati)

paperback. Condizione: Good. Used copy, no dust jacket.

Soft cover. Condizione: Near Fine. A lovely crisp clean softcover (stapled wraps) in very good condition, light rubbing to cover.

Soft cover. Condizione: Very Good. No Jacket. Photographs by Nat Finkelstein, Christopher Cerf. Alan Rinzler, Gerald Harrison, Akhito Shirakawa and particularly David Paul (illustratore). 1st Edition. Over-sized (quarto). Bound in photo pictorial stiff card covers. No wear to the covers. The extreme upper fore-edge corner of the front cover appears to be clipped. This feature may be part of the original design, as I can think of no reason why someone would clip the corner. Pages are tight and clean with no marks. No name of the previous owner. No musty odor. No tobacco odor. No water damage. No soiling. No sun fading. The book has a number of extra embellishments, which after almost 60 years have become fugitive. The balloon for instance has deteriorated over time and where it is located the pages are stuck together. The dodecahedron laid in on the title page with some offsetting to the title page. Castle pop-up works. Red accordion is almost in half. Airplane pop-up works. Chelsea girls disc on spring. Sealed pages seals broken. Music record is present but loose from its tab. Folding triple page nose photo fine. Hunt's tomato paste pop-up works. Moisture sensitive tabs missing. We are happy to provide photos and additional information to interested parties.

Softcover. Condizione: Near Fine. Reissue stereo 12" 33 1/3 rpm vinyl compilation album. Two records. Illustration, design, and art direction by Keith Davis and Grahame Berney. Light wear from play, else near fine in a very good illustrated gatefold cardboard sleeve with an owner name on the front cover, rubbing, and light edgewear. Compilation featuring favorites such as "I'm Waiting for the Man," "Sister Ray," and "Sunday Morning.".

No Binding. Condizione: Near Fine. 8by11 glossy, printed info on bottom edge.vv/2/0/88.bir curled.

Paperback. Condizione: Poor. 1st edition. unpaginated quarto, missing the following inserts: red accordion, Lou Reed record, balloon, all big surprise tabs, noses, Chelsea Girls ad is loose Tight binding, heavy wear to the wraps, creased corners, stains to the left and top edge of back cover, functional pop-up pages & fold-outs, clean throughout, second to last page has been, two short strip of tape to top and bottom edges of one page, split at mid-gutter,

Paperback. Condizione: Good+. First Edition; First Printing. First Edition, First Printing (No additional printings stated). In good plus condition, with the following issues: Chelsea Girls ad is present but detached, and wire spring is not present; Dodecahedron is missing, string is present- the two pages where it was were sealed with tabs on three edges- two have been opened, and pages are torn near all three tabs; Lou Reed flexidisc has been detached but is present and someone has written "Andy Warhol" twice in pencil on the rear of the disc; the moisture sentsitve tabs are missing; the baloon is melted and stuck between two pages; several pages near the front of the book are detached but present (this includes the pop-up castle and the harmonic accordion, both of which are in good condition. ) Covers show moderate wear to covers, with remnants of price sticker on front cover. There is some talk of a bubble- wrap cover (jacket? ) on world cat, and if that ever existed, it is not present here. All other elements ( nose with overlays, Hunt can) are present and in good condition. Art Monographs ; Book; 4to 11" - 13" tall; 0 pages.

Soft cover. Condizione: Fair. 1st Edition. Fair copy in softcover. Covers and pages have some waving. Signature with pop-up and accordion have detached and are laid-in. Bi-plane, Chelsea Girls, polyhedron on string, Lou Reed Record, nose foldout, tomato can, warm water sheet all present. Balloon is adhered between last two pages making them un-openable.

paperback. Condizione: Very Good. Hardcover. No dust jacket. Little cover wear. Clean unmarked text. Tight binding. ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.

Soft cover. Condizione: Very Good. First Edition. First Printing" stated. Card stock covers. Unpaginated. B&W photos. Front joint started, hinge cracked. Novelty items include: (1) Castle pop-up. Main part works but smaller part is torn. (2) Red accordion still squeaks! (3) Biplane pop-up is intact. (4) Chelsea Girls disc present but detached. (5) Dodecahedron missing. (6) Velvets 45 rpm flexi-disc detached. (7) Fold-out with dual nose overlays intact. (8) Hunt's Tomato Paste pop-up intact. (9) Small sheet with eight moisture-sensitive tabs missing. (10) Latex balloon present but stuck to last pages as usual.

STIFF WRAPS silver&black. Condizione: GOOD+. First American. direct from Warhol's Factory; unusual, mechanical, toy-book filled with pop ups and other strange items. Original black and silver 3D illustrated boards, titles to spine in silver. Book has general wear, worn extremities, rubbed covers, a few of the pages are somewhat age-toned, no marking or bookplates, the page that has the string attached to it has a 1" tear in the bottom edge very light foxing to very few pages, overall in good condition. Inventory of unusual items include the following (from beginning to end): Large Medieval Pop-Up Castle; the Harmonic accordion within folded page which sounds when fold is opened (NOT working); Pop-Up Airplane; Paper Disc labeled "Chelsea Girls, etc." that is attached with a spring; the Illusive Rubber Band that is inside the Duodecahedron attached to black string; the 45 R.P.M. flexi-disc with portrait of Lou Reed on playing surface; the 3 page fold-out illustration of a nose with two multi-colored overlays; the Pop-up of Hunt's Tomato Paste can; and the balloon which has bonded the pages together concealing the balloon between the pages. DATE PUBLISHED: 1967 EDITION: First American.

Stiff Wraps. Condizione: G/No Dustjacket. Black & White Photographs (illustratore). First Printing. New York, NY: Random House. G/No Dustjacket. 1967. First Printing. Stiff Wraps. 4to., unpaginated, water tab and lacks record, ballon has melted and stuck two pages together, rubbed, partially removed sticker on front cover, .

"With assistance of Stephen Shore, Paul Morrissey, Ondine, Nico, Christopher Cerf, Alan Rinzler, Gerald Harrison, Akihito Shirakawa and particularly David Paul. Several photographs by Nat Finkelstein. Factory fotos by Billy Name. New York: Random House, 1967. Quarto, First edition, silver card 'tinfoil' wrappers (a few handling creases, front free endpaper beginning to 'unglue' from upper panel, text block shaken), pp. [76], with various movable parts. The book was printed with two variant bindings : a hardcover with lenticular cover and a softcover, of which this is a good, complete example. 'Index may be regarded as both a component of and a reflection on one of the most daring and experimental phases of Warhol's career, running from the May 1965 announcement of his 'retirement' from painting to the February 1968 abandonment of the East 47th Street Factory for offices on Union Square - a period that, as a whole, has also remained surprisingly overlooked within art history . Appearing to reviewers as "an index to all his thoughts", Index encapsulates the full range of Warhol's contemporary endeavours, from the temporarily abandoned silkscreen paintings and sculptures to silver pillows, cow wallpaper, films, video experiments, audiotape projects . photography, fashion, music and the Exploding Plastic Inevitable (EPI), the multimedia spectacle surrounding Velvet Underground concerts.Index presents Warhol simultaneously at his most populist and his most uncompromising, eschewing the camp appropriation of mainstream commercial projects in favor of a remarkably candid foregrounding of homosexuality, transvestism, sadomasochism and illicit drugs' - Branden W. Joseph,White light / white noise, contained inAndy Warhol : From A to B and Back Again, Whitney Museum of American Art, New York, 2018, p. 43. Index includes ten inserts or feature pages designed by Warhol with the intent of makingIndexan adult book of childlike wonder. The special features include:

Paperback. Condizione: Very Good.

Hardcover. Condizione: Near Fine. First Printing. First Printing stated. Hardcover, front board golographic, rear board illustrated. Condition near fine with insert baloon melted and several last pages having yellow spot because of that. All inserted objects present.

[1] pp.; 20.5 x 26 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Advertisement for The Exploding Plastic Inevitable : Live Andy Warhol The Velvet Underground and Nico removed from March 31, 1966 issue of Village Voice. Very Good. Neatly cut out advertisement removed from issue of the Village Voice.

Vintage studio still photograph of Gerard Malanga from the 1966 film. Disregarding formal narrative, the film follows various residents of the Chelsea Hotel in New York City during 1966, presented in a split screen with a single audio track associated with only one side of the screen. The release marked a critical moment in Andy Warhol's career, as it was the first film he directed to receive international success and distribution, or even be screened outside cine-clubs in New York City. Set and shot on location in Chelsea, New York. 8 x 10 inches. Very Good plus.

4to, unpaginated. Colour and black & white illustrations, fold-outs, inserts and pop-ups. A good copy in reflective silver and black illustrated card covers with minor wear to extremities. Binding solid but cracked. Balloon has disintegrated and stuck to page with a little attendant loss, as is common. Four of eight tabs present.

Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in New York in a 99-minute version. In early 1968, a 110-minute cut played at the Cinematheque 16 in Los Angeles. This poster, which mentions the Los Angeles screenings and contains a blurb from the L.A. Free Press, corresponds to the latter version. A final 95-minute cut was completed later in 1968, and is the version available today. Andy Warhol's first attempt to make a "commercial" sexploitation film, eight unconnected scenes in which actor Tom Baker attempts to convince various women to have sex with him. Originally intended to star The Doors' Jim Morrison and unsimulated sex, the finished film contains neither. 19 x 25 inches, rolled, on archival linen, with minor professional repair and restoration. Near Fine. Murphy, The Black Hole of the Camera. Warholstars.