Anne collins goodyear (129 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: very good. Very Good Copy. Customer Service Guaranteed.

Condizione: Very Good. 1St Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Condizione: Very Good. Moderate wear to corners/edges from shelving.

Condizione: Good. Cover has a crease/tear, book is in good condition.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. Dust jacket in good condition. First edition, first printing. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Dust jacket protected in a mylar cover. Pages are clean, binding is tight. Secure packaging for safe delivery.…

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Pages are clean with no markings.stickers or stains, fast shipping with tracking number.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: NEW. Condizione sovraccoperta: NEW. Illustrated.

Softcover. Condizione: Fine. Stiff wraps with flaps. B/w and color illustrations. ; Square 8vo 8" to 9" tall; 144 pp.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. 4to 11" - 13" tall.

Hardcover. Condizione: Very Good. Dust Jacket Included. Reflections/Refractions: Self-Portraiture in the Twentieth Century. Reaves, Wendy Wick [ed.] Published by Smithsonian Institution Scholarly Press, Washington, DC, 2009. 189p. oversized hardcover with dust jacket, dust jacket lightly bumped/scuffed, boards clean/square, binding tight, text clean/unmarked, NOT xlib---ISBN 10: 0978846028ISBN 13: 9780978846022--12.75.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Beautiful copy. Appears unread. 189pp.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: New. New copy.

Condizione: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

First Edition. Fine cloth copy in an equally fine dw, now mylar sleeved. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 239 pages; Description: 239 p. : ill. (chiefly col.) ; 32 cm. Subjects: Flight in art --Arts, Modern --20th century 2 Kg.…

Hardcover. Condizione: Very Good. 1st Edition. sunned spine.

hardcover. Condizione: Good. First Edition. Good condition first edition hardcover with a full number line. Pages look free of notations. Tight spine. Dust jacket has rippling on the back cover.

Hardcover. Condizione: Fine. 1st. Pictorial boards, 319 pages, illustrations (some colour), portraits; 32 cm. Exhibition held at the National Portrait Gallery, Smithsonian Institution, Washington, D.C., March 27, 2009 to August 2, 2009. Firm binding, clean inside copy. A massive coffee-table book. Richly illustrated with colour plates. *** "One of the most influential artists of the twentieth century, Marcel Duchamp was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. This book showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boi^te-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art" - Publisher. *** CONTENTS: Inventing Marcel Duchamp: the dynamics of portraiture, by Anne Collins Goodyear and James W. McManus; The recurrent, haunting ghost: depictions of Marcel Duchamp by his contemporaries and ours, by Francis M. Naumann; Bachelorettes, by Janine A. Mileaf; Not seen and/or less seen: hiding in front of the camera, by James W. McManus; Constructing a "made-up history": self-portrayal and the legacy of Marcel Duchamp, by Anne Collins Goodyear; Marcel Duchamp and portraiture, by Michael R. Taylor. Size: Folio. Collectible. …