Mcmanus james w (45 risultati)
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Da: HPB-Red, Dallas, TX, U.S.A.HPB-Red
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EUR 14,38
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hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.
The Norton Anthology of World Literature, Volume E, 1800-1900 (Second Edition)
Mack, Maynard; Maynard Mack (General Editor); Peter J. Simon (Editor); Carol Flechner (Developmental Editor); Marian Johnson (Associate Managing Editor); Candace Levy, Vivien Reinart, Carol Walker, et al. (Project Editors)
Lingua: Inglese
Editore: W.W. Norton & Company, Inc., New York & London, 2002
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Da: gearbooks, The Bronx, NY, U.S.A.gearbooks
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EUR 12,95
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Trade Paperback. Condizione: Like New. 2nd Edition/1st Printing, Volume E. 920 pp. 2nd Edition/ 1st Printing, Volume E only! Clean, fresh copy with very light shelf wear, crisp pages and clean text. Skouras Design/Brenda McManus (Cover Design); Erich Lessing/Art Resource, NY (Photo) (illustratore).
Altre immaginiMinisters of life: The role of lay ministers of the Eucharist
John Kolesar; Forward-James W. Malone; Introduction-Frederick R. McManus
Editore: North American Liturgy Resources August 1973, 1973
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Da: BookMarx Bookstore, Steubenville, OH, U.S.A.BookMarx Bookstore
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EUR 4,91
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Soft Cover. Condizione: Very Good. Family-owned bookshop in Steubenville, Ohio. Books shipped within 24 hours. No marks or writing observed in text. Binding tight and square. Gently read.
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- Prima edizione
Da: Studio Books, Corvallis, OR, U.S.A.Studio Books
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Condizione: Usato - Ottimo
EUR 18,04
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Hardcover. Condizione: Fine. 1st Edition. Hardcover, large quarto. 319 pages.Chronology, bibliography. Profusely illustrated, including color illustrations. The authors curated the exhibition at the Smithsonian Institution. A truly comprehensive sourcebook and beautifully illustrated.
Inventing Marcel Duchamp: The Dynamics of Portraiture
Duchamp, Marcel; Goodyear, Anne Collins, and McManus, James W. (Edited by)
Lingua: Inglese
Editore: National Portrait Gallery, Smithsonian Institution; MIT Press, Washington D.C. and Cambridge, MA, 2009
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Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
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EUR 26,62
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Hardcover. Condizione: Fine. 1st. Pictorial boards, 319 pages, illustrations (some colour), portraits; 32 cm. Exhibition held at the National Portrait Gallery, Smithsonian Institution, Washington, D.C., March 27, 2009 to August 2, 2009. Firm binding, clean inside copy. A massive coffee-table book. Richly illustrated with colour…plates. *** "One of the most influential artists of the twentieth century, Marcel Duchamp was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. This book showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boi^te-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art" - Publisher. *** CONTENTS: Inventing Marcel Duchamp: the dynamics of portraiture, by Anne Collins Goodyear and James W. McManus; The recurrent, haunting ghost: depictions of Marcel Duchamp by his contemporaries and ours, by Francis M. Naumann; Bachelorettes, by Janine A. Mileaf; Not seen and/or less seen: hiding in front of the camera, by James W. McManus; Constructing a "made-up history": self-portrayal and the legacy of Marcel Duchamp, by Anne Collins Goodyear; Marcel Duchamp and portraiture, by Michael R. Taylor. Size: Folio. Collectible.
Editore: The M.I.T. Press, 2009
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Da: Structure, Verses, Agency Books, Spray, OR, U.S.A.Structure, Verses, Agency Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 11,28
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Hardcover. Condizione: Fine. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy pictorial covers; not ex-library, with neither underlining nor highlighting anywhere. Volume contains scholarly apparatus in the form of, e.g., notes…, index, and bibliography. The publisher's blurb has it that "An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boite-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art." 319 pp., including a chronology of his professional career, and a full index.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
Lingua: Inglese
Editore: National Portrait Gallery, Smithsonian Institution, Washington, DC, 2009
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 18,04
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Hardcover. Condizione: VG. BW pictorial paper over boards; 319 pp.; Profusely illustrated with 103 color plates and numerous color and bw figures. Accompanied the exhibition of the same name; Includes six essays by various authors, as well as an artist chronology; Extensive annotations accompany the plates.
Inventing Marcel Duchamp : The Dynamics of Portraiture
Duchamp, Marcel / Goodyear, Anne and James W. McManus, edited by
Editore: National Portrait Gallery, 2009, 2009
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Da: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.Longhouse, Publishers & Booksellers
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EUR 14,39
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First edition, first printing From a curated exhibition at the Smithsonian and profusely illustrated and comprehensive throughout. Duchamp is all here. Gif quality. New and bright pictorial stiff boards issued without dust jacket, glossy and attractive.
Lingua: Inglese
Editore: Smithsonian Institution Scholarly Press, 2014
Serie: Smithsonian Contribution to Knowledge, Libro 8 di 9. Libro 8 di 9 - Smithsonian Contribution to Knowledge
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Da: Black Cat Books, Shelter Island, NY, U.S.A.Black Cat Books
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EUR 27,07
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 1st edition. Hardbound in dust jacket.
Lingua: Inglese
Editore: Smithsonian, Washington, 2014
Serie: Smithsonian Contribution to Knowledge, Libro 8 di 9. Libro 8 di 9 - Smithsonian Contribution to Knowledge
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- Prima edizione
Da: Winged Monkey Books, Arlington, VA, U.S.A.Winged Monkey Books
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First Edition. large hardcover in jacket, very good with light shelf wear. Illustrated.
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Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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EUR 27,07
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Hardcover without dustjacket as issued; 320 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Lingua: Inglese
Editore: Smithsonian Institution Scholarly Press, 2014
Serie: Smithsonian Contribution to Knowledge, Libro 8 di 9. Libro 8 di 9 - Smithsonian Contribution to Knowledge
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Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
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EUR 32,57
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Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Altre immagini- Rilegato
- Prima edizione
Da: AwardWinningBooks, Spring Branch, TX, U.S.A.AwardWinningBooks
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 27,07
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Hardcover. Condizione: Very Good. 1st Edition. sunned spine.
Editore: University Art Gallery, California State University, Chico, CA, 1982
- Brossura
- Prima edizione
- Firmato
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
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EUR 22,11
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Paperback. Condizione: Fine. 1st. [39] pages, illustrations, portrait; 23 cm. An exhibition presented in the University Art Gallery, Taylor Hall, California State University, Chico, March 22 through April 22, 1982. PRESENTATION COPY. Signed by the artist, with a personalized inscription. *** Magnetic sculptures. Size: 8vo. SIGNE…D. Collectible.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 36,48
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Hardcover. Condizione: new. Hardcover. An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray.One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the imag…e he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boite-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art. An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Altre immagini- Rilegato
Da: The Anthropologists Closet, West Des Moines, IA, U.S.A.The Anthropologists Closet
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 31,53
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Hardcover. Condizione: New. A clean crisp well preserved 2009 MIT Press hardcover in a fine tight binding. Little to no shelf wear. Text is bright and free of marks or underlining. Fast shipping in a secure book box mailer with tracking. An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent a…nd cover up as much as they reveal and portray.One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boîte-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art. .
Lingua: Inglese
Editore: Smithsonian Institution Scholarly Press, Washington, D. C., 2014
Serie: Smithsonian Contribution to Knowledge, Libro 8 di 9. Libro 8 di 9 - Smithsonian Contribution to Knowledge
- Rilegato
- Prima edizione
Da: art longwood books, Gloucester, MA, U.S.A.art longwood books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Ottimo
EUR 37,89
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. cloth, hardcover in dust jacket., no flaws or wear. clean. no markings. no bumps, tears, creases. tight binding.; english text.; x-310pp., illustrated in color, b/w. fifteen essays by various contributors, including the editor's introduction. Size: 4to -… over 9¾" - 12" tall.
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- Prima edizione
Da: Nilbog Books, Portland, ME, U.S.A.Nilbog Books
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EUR 36,04
EUR 3,94 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: New. None Issued. 1st Edition. This is a New and Unread copy of the first edition.
Zygon Journal of Religion and Science Volume 24 Number 1 March 1989
Peters, E. Karl (editor) ; Brooke, John Hedley ; Jones, James W. ; MacDonald, George F. ; Cove, John L. ; Laughlin, Charles D. ; McManus, John ; Ashbrook, James B. ; Lumsden, Charles J.
Editore: The University of Chicago Press, Chicago, 1989
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- Prima edizione
Da: Evolving Lens Bookseller, Kingston, NY, U.S.A.Evolving Lens Bookseller
Contatta il venditoreVenditore con 4 stelleMembro dell’associazione: IOBA
Condizione: Usato
EUR 22,55
EUR 4,36 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Softcover. First Edition; First Printing. Book condition is Very Good in wraps. Slight foxing to covers. Some staining and edge wear to exterior. Text is clean and unmarked. ; 8vo. 9"h x 6"w. In this issue: "Science and the Fortunes of Natural Theology", "Personality and Epistemology: Cognitive Social Learning Theory as a Philos…ophy of Science", "Mirrors, Portals, and Multiple Realities", "The Whole Brain as the Basis for the Analogical Expression of God", "Sociobiology, God, and Understanding".
Lingua: Inglese
Editore: Smithsonian Institution Scholarly Press, 2014
Serie: Smithsonian Contribution to Knowledge, Libro 8 di 9. Libro 8 di 9 - Smithsonian Contribution to Knowledge
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Da: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.J. HOOD, BOOKSELLERS, ABAA/ILAB
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EUR 36,09
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Hardback. Size: 7.25"x10.25", 310pp. As new, clean, tight & bright condition, with bright and crisp dust jacket.
Lingua: Inglese
Editore: Smithsonian Institution Scholarly Press, Washington, 2014
Serie: Smithsonian Contribution to Knowledge, Libro 8 di 9. Libro 8 di 9 - Smithsonian Contribution to Knowledge
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Da: Librairie Bonheur d'occasion (LILA / ILAB), Montréal, QC, CanadaLibrairie Bonheur d'occasion (LILA / ILAB)
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EUR 19,12
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Cloth. Condizione: Fine. Dust Jacket in fine condition. Small quarto. 310 pages. Well-documented publication on Marcel Duchamp (1887-1968).
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- Prima edizione
Da: Saucony Book Shop, Kutztown, PA, U.S.A.Saucony Book Shop
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EUR 36,04
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Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Pictorial boards. Brand new, unopened in original publisher's shrinkwrap. Size: Folio - over 12" - 15" tall. Book.
- Rilegato
- Prima edizione
Da: Saucony Book Shop, Kutztown, PA, U.S.A.Saucony Book Shop
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 36,04
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Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Pictorial boards. Brand new, unopened in original publisher's shrinkwrap. Size: Folio - over 12" - 15" tall. Book.
- Brossura
Da: marvin granlund, emeryville, CA, U.S.A.marvin granlund
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Usato - Molto buono
EUR 21,21
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Softcover. Condizione: Very Good+. California State University - Chico, paperback, Very Good + (minor cover wear), 119 pages; F5080 P8P.
Altre immaginiLingua: Inglese
Editore: National Portrait Gallery, Smithsonian Institution, Washington, DC, 2009
- Rilegato
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contatta il venditoreVenditore con 4 stelleCondizione: Usato
EUR 31,58
EUR 11,38 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: New in shrinkwrap. BW pictorial paper over boards; 319 pp.; Profusely illustrated with 103 color plates and numerous color and bw figures. Accompanied the exhibition of the same name; Includes six essays by various authors, as well as an artist chronology; Extensive annotations accompany the plates.
- Rilegato
Da: Winged Monkey Books, Arlington, VA, U.S.A.Winged Monkey Books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato
EUR 45,11
EUR 4,38 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
large hardcover, no jacket, very good.
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Da: Anybook.com, Lincoln, Regno UnitoAnybook.com
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EUR 29,18
EUR 20,68 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2200grams, ISBN:9780262013000.
Inventing Marcel Duchamp: The Dynamics of Portraiture
Goodyear, Anne Collins; Mcmanus, James W.; Sullivan, Martin E.
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Da: Massive Bookshop, Greenfield, MA, U.S.A.Massive Bookshop
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EUR 46,91
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Hardcover. Condizione: New.
- Rilegato
Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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EUR 48,19
EUR 3,49 spedizioneSpedito in U.S.A.Quantità: 3 disponibili
Condizione: New. pp. 320 1st edition.
Lingua: Inglese
Editore: Smithsonian Institution Scholarly Press, 2014
Serie: Smithsonian Contribution to Knowledge, Libro 8 di 9. Libro 8 di 9 - Smithsonian Contribution to Knowledge
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Da: bmyguest books, Toronto, ON, Canadabmyguest books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 39,77
EUR 13,13 spedizioneSpedito da Canada a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. In Very Good Condition. 310 Pages With The Index. Hardcover. Used Book.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significan…t, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.
