anne goodchild (48 risultati)

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 80 pages : illustrations (some colour), portraits (some colour) ; 28 cm. Notes; "Published . on the occasion of the exhibition at the Graves Art Gallery, Sheffield 10 June-2 September 1989"--T.p. verso. Includes bibliographical references (page 80). Exhibition selected by Judith Collins and Anne Goodchild. Catalogue essay and notes by Judith Collins and Robin Hamlyn. Subjects; Chantrey, Francis Legatt (English sculptor, painter, and patron, 1781-1841) Art collections ; Exhibitions. Chantrey, Francis Sir (1781-1841) Art patronage ; Exhibitions. Blackadder, Elizabeth. Chantrey, Francis (1781-1841) Collections d'art Expositions. Chantrey, Francis Sir 1781-1841 Art collections ; Exhibitions. Tate Gallery (London, England) ; Catalogues. Tate Gallery (London) (Perm.). Chantrey Bequest ; Exhibitions. Art, British 20th century ; Exhibitions. Art, British ; Exhibitions. Art, Modern Exhibitions 20th century Great Britain. Art, British ; Exhibitions. Art, Modern 20th century Great Britain Exhibitions. Art, Modern 20th century Great Britain ; Exhibitions. Art, British Public collections Great Britain ; Exhibitions. Art, British 19th century Great Britain ; Exhibitions. Painting England London ; Exhibitions. Patronage. Art Collectors and collecting History 19th century. Painting, British Public collections Great Britain ; Exhibitions. Painting, British. Sculpture, British. Art, British 19th century ; Exhibitions. Art, British. Art britanique Expositions. Art 19e siècle Grande Bretagne Expositions. Art 20e siècle Grande Bretagne Expositions. Sheffield, Graves art gallery Expositions 1989. Genres; Bibliography. Catalogue. Exhibition catalogs. Illustrated. 3 Kg.

First Edition. First edition. Softcover. 86 pages. Exhibition catalog for a show that ran December 6, 1980 through January 18, 1981 in Sheffield and then traveled on to Glasgow and London for additional dates. Text by Athill. Includes some color and numerous black and white illustrations. A very near fine copy in wrappers.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 80 pages : illustrations (some colour), portraits (some colour) ; 28 cm. Notes; "Published . on the occasion of the exhibition at the Graves Art Gallery, Sheffield 10 June-2 September 1989"--T.p. verso. Includes bibliographical references (page 80). Exhibition selected by Judith Collins and Anne Goodchild. Catalogue essay and notes by Judith Collins and Robin Hamlyn. Subjects; Chantrey, Francis Legatt (English sculptor, painter, and patron, 1781-1841) Art collections ; Exhibitions. Chantrey, Francis Sir (1781-1841) Art patronage ; Exhibitions. Blackadder, Elizabeth. Chantrey, Francis (1781-1841) Collections d'art Expositions. Chantrey, Francis Sir 1781-1841 Art collections ; Exhibitions. Tate Gallery (London, England) ; Catalogues. Tate Gallery (London) (Perm.). Chantrey Bequest ; Exhibitions. Art, British 20th century ; Exhibitions. Art, British ; Exhibitions. Art, Modern Exhibitions 20th century Great Britain. Art, British ; Exhibitions. Art, Modern 20th century Great Britain Exhibitions. Art, Modern 20th century Great Britain ; Exhibitions. Art, British Public collections Great Britain ; Exhibitions. Art, British 19th century Great Britain ; Exhibitions. Painting England London ; Exhibitions. Patronage. Art Collectors and collecting History 19th century. Painting, British Public collections Great Britain ; Exhibitions. Painting, British. Sculpture, British. Art, British 19th century ; Exhibitions. Art, British. Art britanique Expositions. Art 19e siècle Grande Bretagne Expositions. Art 20e siècle Grande Bretagne Expositions. Sheffield, Graves art gallery Expositions 1989. Genres; Bibliography. Catalogue. Exhibition catalogs. Illustrated. 1 Kg.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. A couple light marks on front cover. Otherwise this exhibition catalog is clean and unmarked in very good condition. Unpaginated.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. Some light wear to covers and spine, mainly edges and corners, internally in good condition, pages crisp and clear.

Condizione: Very Good. From the Library of John Russell Taylor.

Condizione: Good. Exact ISBN match. Immediate shipping. No funny business.

First edition, first printing. Very good tall format paperback exhibition catalogue. Black and white illustrations.

Paperback. Condizione: Fair. First Edition. Catalogue of an exhibition held at Mappin Art Gallery (Sheffield), 3 July - 8 Aug. 1976,then at Laing Art Gallery, Newcastle-upon-Tyne, 21 Aug. - 13 Sept. 1976. 40 pages, illustrated, chronology, selected bibliography. Covers creased and worn at edges, some foxing.

Hardcover. Condizione: Fine. 1st Edition. In excellent condition.

Paperback. Condizione: Fine. 139 pages, 30 colour plates, and 163 illustrations. Unused, a Fine copy with only very minimal signs of shelf wear.

Soft cover. Condizione: Very Good. Very good unmarked condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Fine. A Fine (New) copy of this 120pp survey of the many facets of Pasmore's career - copiously illustrated throughout and with three accompanying essays. Please see five pictures for a closer look at this pristine copy.

Quarto, illus light card wrappers with french flaps, white lettering to spine, 120pp, illus, VG+ (minor fading to spine, light chafing & soiling to covers).

Hardback. Condizione: New. Focussing on the period from 1930 to 1960, this fascinating publication considers the transition of Victor Pasmore (1908-1998) from one of Britain's leading figurative painters to one of its foremost exponents of abstract art.From Pasmore's own writings and those of his contemporaries, a fascinating picture emerges of the years in the late 1940s and early 1950s when lyrical landscapes - incorporating increasingly suggestive formal structures - were suddenly superseded by abstract paintings and collages, and then by constructed reliefs.Seeking to explore these decades and later years, the book's visual narrative traces a path from the artist's earliest canvases through to his engagement in the 1960s with the controversial Apollo Pavilion in Peterlee, County Durham. This important publication will renew interest in an important period in British art history and shed new light on a crucial stage in Pasmore's long career.

Condizione: New.

Condizione: New. In.

Hardcover. Condizione: New.

Soft cover. Condizione: New. 55 pages : illustrations (colour) ; 27 cm. Published to accompany an exhibition held at The Stanley & Audrey Burton Gallery, University of Leeds, Leeds, November 17, 2021 - April 2, 2022. This exhibition celebrates the work of British artists in the second half of the 20th century. Discover a crucial moment in the history of British art, a period where the influence of Abstract Expressionism in America was filtering across the Atlantic. The inspired British artists produced works on a new scale that embraced the possibilities of abstraction. They also developed new signature mark-making techniques. Explore the shared dialogue and formal concerns of these artists and trace their significant contribution to the development and history of British post-war art. The exhibition highlights paintings from the University of Leeds own outstanding collection. Alongside these examples of British abstract art are loans from across the country. Artists on display include Peter Lanyon, Roger Hilton, Gillian Ayres and Albert Irvin. The Expressive Mark is guest-curated by independent curator Anne Goodchild.

Condizione: Fine. First edition. Paperback. Large octavo. 86pp. Original illustrated paperback. About fine with light wear to covers.

Hardcover. Condizione: new. Hardcover. Focussing on the period from 1930 to 1960, this fascinating publication considers the transition of Victor Pasmore (1908-1998) from one of Britain's leading figurative painters to one of its foremost exponents of abstract art.From Pasmore's own writings and those of his contemporaries, a fascinating picture emerges of the years in the late 1940s and early 1950s when lyrical landscapes incorporating increasingly suggestive formal structures - were suddenly superseded by abstract paintings and collages, and then by constructed reliefs.Seeking to explore these decades and later years, the book's visual narrative traces a path from the artist's earliest canvases through to his engagement in the 1960s with the controversial Apollo Pavilion in Peterlee, County Durham. This important publication will renew interest in an important period in British art history and shed new light on a crucial stage in Pasmore's long career. Focussing on 1930-60, this publicationconsiders Pasmore's transition from figurative painter to abstract artist.Reproducing works from both public and private collections, this publicationwill stoke interest in an important period in British art history and shed newlight on a crucial stage in Pasmore's career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Brand New. 120 pages. 10.75x9.00x0.50 inches. In Stock.

Hardback. Condizione: New. Focussing on the period from 1930 to 1960, this fascinating publication considers the transition of Victor Pasmore (1908-1998) from one of Britain's leading figurative painters to one of its foremost exponents of abstract art.From Pasmore's own writings and those of his contemporaries, a fascinating picture emerges of the years in the late 1940s and early 1950s when lyrical landscapes - incorporating increasingly suggestive formal structures - were suddenly superseded by abstract paintings and collages, and then by constructed reliefs.Seeking to explore these decades and later years, the book's visual narrative traces a path from the artist's earliest canvases through to his engagement in the 1960s with the controversial Apollo Pavilion in Peterlee, County Durham. This important publication will renew interest in an important period in British art history and shed new light on a crucial stage in Pasmore's long career.

Hardcover. Condizione: Very Good.

paperback. Condizione: Very Good. As new.

Condizione: As New. Unread book in perfect condition.