annette lehmann (84 risultati)

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Paperback or Softback. Condizione: New. Tacit Knowledge: Post Studio/Feminism: Calarts 1970-1977. Book.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. Key texts and documents from the golden years of the CalArts programThis volume provides an insight into the complex artistic and educational practices that characterized the first decade of the California Institute of the Arts (CalArts). There is a special focus on the conceptual and feminist strategies developed in and from John Baldessari's post-studio class as well as Judy Chicago and Miriam Schapiro's Feminist Art Program, which was initiated in 1970 and brought to the newly founded art school in 1971. As post-studio and feminist practices at CalArts are often characterized by the specific entanglement of cognitive and (habitual) bodily forms of knowledge, the idea of tacit knowledge, and thus learning through social and performative contexts of action, functions as an overarching principle linking all the contributions in the book. Including short introductions on artists such as Baldessari, Alison Knowles, Barbara Bloom, Matt Mullican, James Welling, Jack Goldstein and others, texts by Paulo Friere, Peter Plagens, Michael Polanyi and Daniel Buren, in-depth case studies on individual works and a broad range of documental and photographic material, Tacit Knowledge is designed in the style of a magazine, allowing a diverse and lively approach to the ideas shaping the early years of CalArts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New.

Hardcover. Condizione: Tadellos. m. viel. Abb. (illustratore). S. 440.

Paperback. Condizione: New. Special order direct from the distributor.

Soft cover. Condizione: Very Good. Very good clean tight copy. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.

Softcover/Paperback. 64 S. Guter Zustand. Ehem.Bibl.-Ex. mit Stempeln und Rückenschild. Good condition. Ex library copy with stamps and back label. English/German. Sprache: Englisch Gewicht in Gramm: 260.

Softcover/Paperback. 64 pages with ill.; 28 cm. Texts in german and english! Good. Ex-library with usual markings. Cover slightly worn. Clean pages. Sprache: Englisch Gewicht in Gramm: 350.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. 280 pages. French language. 10.75x8.75x0.75 inches. In Stock.

Paperback. Condizione: New.

Flexible Plastic/Vinyl. Condizione: New.

Hard Cover. Condizione: New. First Edition. First Printing in flexible boards BRAND NEW still in publisher's shrinkwrap, no remainder mark, pristine new copy; Text in English; thick 4to; 392pp; 200 color illustrations. Extra shipping charge beyond our default rates will be incurred for this very heavy oversize book.

kart., broschiert. Condizione: Gut. 283 S., überw. Ill., 24 cm. Block verzogen, Einband und Papier etwas fleckig, sonst gut erhalten. ISBN: 9783864850028 Sprache: Deutsch Gewicht in Gramm: 800.

Originalbroschur. Condizione: Gut. XIV, 317 S. Aus der Bibliothek des Literaturwissenschaftlers Eberhard Lämmert. Mit Widmung der Herausgeberin. Ein gutes und sauberes Exemplar. - Renate Hof, Beyond Gender? Vom Umgang mit Differenzen -- Teresa de Lauretis, Gender Symptoms, or, Peeing Like a Man -- Carole-Anne Tyler, Theoretical Impcrsonaüon: Derrida, Differance and Feminism -- Andrew Hewitt, Girlkultur and Gender Panic: Choreographies of the Social in Germany 1910-1930 -- Julie Townsend, Staging the Spectator: The Erotics of Performance in Colette's La Vagabonde and Fuller's Dause Serpentine, Rebecca Schneider, Driving the Lincoln 'Cross History': Viewing History, Almost, Not Quite -- Claudia Breger, Queering Macho-Identities? Roman- und Filmanalysen aus der Perspektive angloamerikanischer Männlichkeitsforschung -- Judith Halberstam, Thugs and Kings: Post-Imperial Masculinities in Recent Movies on Men and Masculinities -- James Smalls, (Post)modern Queer Ethnographies: Sculptures of Richmond Barthe -- Ralph J. Poole, De-Maskierung und Re-Maskierung kannibalischer Lust bei Tobias Schneebaum -- Annette Jael Lehmann, Just like a Wo/man: Genderperfonnances in zeitgenössischen Photographien -- Hanne Loreck, Post-feministische Arabeske. Zum Verhältnis von Wissenschaft, Diskurs und bildender Kunst in einigen Arbeiten von Rosemarie Trockel -- Barbara Vinken, Transvestie-Travestie: Mode und Geschlecht -- Gabriele Werner, Zelebrierte Unschuld - schillerndes Wissen: Zur Funktion weiblicher Kinder, kindlicher Weiblichkeit und ihrer Gegenbilder in der Modefotografie -- Cindy J. Donatelli, The Statue of Liberty: Genderbending the Technobody. ISBN 3860570463 Sprache: Englisch Gewicht in Gramm: 472.

Paperback. Condizione: New.

Kartoniert / Broschiert. Condizione: New. Tacit Knowledge gibt einen Ueberblick ueber die komplexen kuenstlerischen und paedagogischen Praktiken, die das erste Jahrzehnt des California Institute of the Arts bestimmten. Besonderes Augenmerk gilt den konzeptuellen und feministischen Strategien, die in un.

Taschenbuch. Condizione: Neu. Neuware - Tacit Knowledge gibt einen Überblick über die komplexen künstlerischen und pädagogischen Praktiken, die das erste Jahrzehnt des California Institute of the Arts bestimmten. Besonderes Augenmerk gilt den konzeptuellen und feministischen Strategien, die in und aus John Baldessaris' Post-Studio-Klasse und dem Feminist Art Program von Judy Chicago und Miriam Schapiro entwickelt wurden, das 1970 initiiert und 1971 an die frisch gegründete Kunsthochschule kam. Da die feministischen Praktiken und jene des Post Studio oft durch die spezifische Verflechtung von kognitiven und (habituell-) körperlichen Wissensformen gekennzeichnet sind, verbindet das Konzept des impliziten Wissens (tacit knowledge) und damit des Lernens in sozialen und performativen Handlungskontexten als übergeordnetes Prinzip sämtliche Beiträge des Bandes. Diese experimentell angelegte Publikation verknüpft kurze Einführungen, eingehende Fallstudien und ein breites Spektrum dokumentarischen und fotografischen Materials in der Form eines Magazins, wodurch eine vielfältige und lebhafte Annäherung an die Vorstellungen möglich wird, die in der Anfangszeit des CalArts prägend waren.Annette Jael Lehmann ( 1965) ist Professorin für zeitgenössische Kunst, visuelle Kultur und Theater an der Freien Universität Berlin.Tacit Knowledge provides an insight into the complex artistic and educational practices that characterized the first decade of the California Institute of the Arts (CalArts). There is a special focus on the conceptual and feminist strategies developed in and from John Baldessari's Post Studio class as well as Judy Chicago and Miriam Schapiro's Feminist Art Program, which was initiated in 1970 and brought to the newly founded art school in 1971. As Post Studio and feminist practices at CalArts are often characterized by the specific entanglement of cognitive and (habitual) bodily forms of knowledge, the idea of tacit knowledge, and thus learning through social and performative contexts of action, functions as an overarching principle linking all the contributions in the book. Combining short introductions with in-depth case studies and a broad range of documental and photographic material, the experimental publication takes the form of a magazine, allowing a diverse and lively approach to the ideas shaping the early years of CalArts.Annette Jael Lehmann (b. 1965) is professor of contemporary art, visual culture and theater at the Freie Universität Berlin, Germany.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Tacit Knowledge | Post Studio/Feminism - CalArts 1970-1977 | Annette J. Lehmann | Taschenbuch | 280 S. | Englisch | 2019 | Spector Books OHG | EAN 9783959053419 | Verantwortliche Person für die EU: Spector Books OHG, Jan Wenzel, Harkortstr. 10, 04107 Leipzig, wenzel[at]spectorbooks[dot]com | Anbieter: preigu.

Paperback. Condizione: New. Founded in 1970 by Walt Disney, CalArts was envisioned as a place where students could exchange ideas and learn multiple means of self-expression along the lines of the Bauhaus School and Black Mountain College. Disney's original impetus was to revive the moribund field of animation; he likely never dreamed that the school would become a trailblazing educational model. This multi- faceted exhibition catalog focuses on the school's early years as it brings together for the first time the parallel development of the Conceptual Art, feminism, and Fluxus movements. Chronologically arranged, the catalog traces how CalArts created fertile ground for situations in which, as founding teacher John Baldessari put it, "art can happen." It follows the institutional establishment of Baldessari's "Post-Studio" course and Miriam Schapiro and Judy Chicago's Feminist Art Program. It explores the school's unique pedagogy, which placed students and teachers on equal footing, and illustrates how the school reflected social issues of the time by challenging authority and patriarchal power structures. Over one hundred works-many never before published-from forty-one artists, along with several enlightening oral history interviews with CalArts protagonists, edited by Verena Kittel, capture a unique and important moment in American arts education.

Paperback. Condizione: new. Paperback. Key texts and documents from the golden years of the CalArts programThis volume provides an insight into the complex artistic and educational practices that characterized the first decade of the California Institute of the Arts (CalArts). There is a special focus on the conceptual and feminist strategies developed in and from John Baldessari's post-studio class as well as Judy Chicago and Miriam Schapiro's Feminist Art Program, which was initiated in 1970 and brought to the newly founded art school in 1971. As post-studio and feminist practices at CalArts are often characterized by the specific entanglement of cognitive and (habitual) bodily forms of knowledge, the idea of tacit knowledge, and thus learning through social and performative contexts of action, functions as an overarching principle linking all the contributions in the book. Including short introductions on artists such as Baldessari, Alison Knowles, Barbara Bloom, Matt Mullican, James Welling, Jack Goldstein and others, texts by Paulo Friere, Peter Plagens, Michael Polanyi and Daniel Buren, in-depth case studies on individual works and a broad range of documental and photographic material, Tacit Knowledge is designed in the style of a magazine, allowing a diverse and lively approach to the ideas shaping the early years of CalArts. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: Brand New. pck pap/ch edition. 392 pages. French language. 10.25x7.25x2.00 inches. In Stock.

SOFTCOVER. Condizione: NEW. 1st Edition. Large, very heavy 4to in stiff card covers, with pasted b/w photo to front cover (as issued), 386pp on thick art paper, photos in colour and b/w, colour plates, illustrations in text, etc. Dual text in English and German . [CONDITION: NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so, orders made by card will only be completed after you have approved any extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Condizione: New. Founded in 1970 by Walt Disney, CalArts was envisioned as a place where students could exchange ideas and learn multiple means of self-expression along the lines of the Bauhaus School and Black Mountain College. Disney's original impetus was to revive the moribund field of animation; he likely never dreamed that the school would become a trailblazing educational model. This multi- faceted exhibition catalog focuses on the school's early years as it brings together for the first time the parallel development of the Conceptual Art, feminism, and Fluxus movements. Chronologically arranged, the catalog traces how CalArts created fertile ground for situations in which, as founding teacher John Baldessari put it, "art can happen." It follows the institutional establishment of Baldessari's "Post-Studio" course and Miriam Schapiro and Judy Chicago's Feminist Art Program. It explores the school's unique pedagogy, which placed students and teachers on equal footing, and illustrates how the school reflected social issues of the time by challenging authority and patriarchal power structures. Over one hundred works-many never before published-from forty-one artists, along with several enlightening oral history interviews with CalArts protagonists, edited by Verena Kittel, capture a unique and important moment in American arts education.

Hardcover. Condizione: Wie neu. ---.