Arjomand minou (63 risultati)
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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EUR 31,04
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Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Text clean and tight; 8vo 8" - 9" tall; 248 pages.
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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EUR 32,74
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Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 38,90
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Condizione: New.
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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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EUR 41,26
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Paperback. Condizione: New. Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era's great trials as shows. The Nuremberg… trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.
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EUR 42,13
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Paperback or Softback. Condizione: New. Staged: Show Trials, Political Theater, and the Aesthetics of Judgment. Book.
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Condizione: New. 2022. Paperback. . . . . .
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 43,92
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Condizione: As New. Unread book in perfect condition.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 40,64
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Condizione: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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EUR 37,90
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Condizione: New. In English.
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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EUR 37,87
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Routledge Introduction to Theatre and Performance Studies
Fischer-Lichte, Erika; Arjomand, Minou (EDT); Mosse, Ramona (EDT)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 57,56
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Condizione: New.
Routledge Introduction to Theatre and Performance Studies
Fischer-Lichte, Erika; Arjomand, Minou (EDT); Mosse, Ramona (EDT)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 58,57
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 43,01
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Condizione: New.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 49,90
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 56,45
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Paperback. Condizione: Brand New. 248 pages. 9.00x6.00x0.57 inches. In Stock.
Routledge Introduction to Theatre and Performance Studies
Fischer-Lichte, Erika; Arjomand, Minou (EDT); Mosse, Ramona (EDT)
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 54,17
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Condizione: New.
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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EUR 55,39
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Paperback. Condizione: New.
Routledge Introduction to Theatre and Performance Studies
Fischer-Lichte, Erika; Arjomand, Minou (EDT); Mosse, Ramona (EDT)
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 61,23
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Condizione: As New. Unread book in perfect condition.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. pp. 216 Acknowledgements Epilogue.
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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era's great trials as shows. The Nuremberg… trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.
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Da: moluna, Greven, Germaniamoluna
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EUR 44,98
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Condizione: New. Minou Arjomand draws on a rich archive of postwar German and American performances to reveal theater as a place for forms of judgment that are inadmissible in a courtroom but indispensable for public life. Staged weaves together theater history and politica.
Programmheft 3. SINFONIEKONZERT 19. Januar 2007
Komische Oper Berlin, Andreas Homoki, Kirill Petrenko, Werner Hintze, Minou Arjomand, Hanka Biebl
Editore: Königsdruck, Berlin, 2007, 2007
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Da: Programmhefte24 Schauspiel und Musiktheater der letzten 150 Jahre, Görlitz, GermaniaProgrammhefte24 Schauspiel und Musiktheater der letzten 150 Jahre
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EUR 14,90
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Aggiungi al carrelloCondizione: Gebraucht - Gut. original Heft, Format ca. 25 x 15 cm, 16 Seiten, einige Abbildungen. Zustand: gut Dirigent: Sebastian Weigle. Solist: Antoine Tamestit, Viola. Orchester der Komischen Oper. Programm: Richard Wagner: Vorspiel und Bacchanale aus der Oper Tannhäuser / William Walton: Konzert für Viola und Orchester / Pa…ul Hindemith: Trauermusik für Bratsche und Streichorchester / Sinfonie Mathis der Maler ------- Program booklet for the 3rd Symphony Concert, January 19, 2007, Komische Oper Berlin - Original booklet, approximately 25 x 15 cm, 16 pages, some illustrations. Condition: good - Conductor: Sebastian Weigle. Soloist: Antoine Tamestit, viola. Orchestra of the Komische Oper Berlin. Program: Richard Wagner: Prelude and Bacchanale from the opera Tannhäuser / William Walton: Concerto for Viola and Orchestra / Paul Hindemith: Funeral Music for Viola and String Orchestra / Symphony Mathis der Maler deu.
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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 102,34
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 58,70
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Taschenbuch. Condizione: Neu. Neuware - Minou Arjomand draws on a rich archive of postwar German and American performances to reveal theater as a place for forms of judgment that are inadmissible in a courtroom but indispensable for public life. Staged weaves together theater history and political philosophy into a powerful case… for the importance of theaters as democratic institutions.
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 115,27
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Condizione: new.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 114,56
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Condizione: New. 2018. Hardcover. . . . . .
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 142,62
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Hardback. Condizione: New. Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era's great trials as shows. The Nuremberg…trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 145,10
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Hardcover. Condizione: new. Hardcover. Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era's great trials as shows. Th…e Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions. Minou Arjomand draws on a rich archive of postwar German and American performances to reveal theater as a place for forms of judgment that are inadmissible in a courtroom but indispensable for public life. Staged weaves together theater history and political philosophy into a powerful case for the importance of theaters as democratic institutions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
