Minou arjomand (63 risultati)

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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Text clean and tight; 8vo 8" - 9" tall; 248 pages.

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Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

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Condizione: New.

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Paperback. Condizione: New. Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era's great trials as shows. The Nuremberg… trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.

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Paperback or Softback. Condizione: New. Staged: Show Trials, Political Theater, and the Aesthetics of Judgment. Book.

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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In English.

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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Routledge Introduction to Theatre and Performance Studies
Fischer-Lichte, Erika; Arjomand, Minou (EDT); Mosse, Ramona (EDT)
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Condizione: New.

Routledge Introduction to Theatre and Performance Studies
Fischer-Lichte, Erika; Arjomand, Minou (EDT); Mosse, Ramona (EDT)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 56,45
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Paperback. Condizione: Brand New. 248 pages. 9.00x6.00x0.57 inches. In Stock.

Routledge Introduction to Theatre and Performance Studies
Fischer-Lichte, Erika; Arjomand, Minou (EDT); Mosse, Ramona (EDT)
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.

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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Paperback. Condizione: New.

Routledge Introduction to Theatre and Performance Studies
Fischer-Lichte, Erika; Arjomand, Minou (EDT); Mosse, Ramona (EDT)
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.

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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. pp. 216 Acknowledgements Epilogue.

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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era's great trials as shows. The Nuremberg… trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.

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Da: moluna, Greven, Germaniamoluna
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Condizione: New. Minou Arjomand draws on a rich archive of postwar German and American performances to reveal theater as a place for forms of judgment that are inadmissible in a courtroom but indispensable for public life. Staged weaves together theater history and politica.

Programmheft 3. SINFONIEKONZERT 19. Januar 2007
Komische Oper Berlin, Andreas Homoki, Kirill Petrenko, Werner Hintze, Minou Arjomand, Hanka Biebl
Editore: Königsdruck, Berlin, 2007, 2007
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Da: Programmhefte24 Schauspiel und Musiktheater der letzten 150 Jahre, Görlitz, GermaniaProgrammhefte24 Schauspiel und Musiktheater der letzten 150 Jahre
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Aggiungi al carrelloCondizione: Gebraucht - Gut. original Heft, Format ca. 25 x 15 cm, 16 Seiten, einige Abbildungen. Zustand: gut Dirigent: Sebastian Weigle. Solist: Antoine Tamestit, Viola. Orchester der Komischen Oper. Programm: Richard Wagner: Vorspiel und Bacchanale aus der Oper Tannhäuser / William Walton: Konzert für Viola und Orchester / Pa…ul Hindemith: Trauermusik für Bratsche und Streichorchester / Sinfonie Mathis der Maler ------- Program booklet for the 3rd Symphony Concert, January 19, 2007, Komische Oper Berlin - Original booklet, approximately 25 x 15 cm, 16 pages, some illustrations. Condition: good - Conductor: Sebastian Weigle. Soloist: Antoine Tamestit, viola. Orchestra of the Komische Oper Berlin. Program: Richard Wagner: Prelude and Bacchanale from the opera Tannhäuser / William Walton: Concerto for Viola and Orchestra / Paul Hindemith: Funeral Music for Viola and String Orchestra / Symphony Mathis der Maler deu.

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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. Neuware - Minou Arjomand draws on a rich archive of postwar German and American performances to reveal theater as a place for forms of judgment that are inadmissible in a courtroom but indispensable for public life. Staged weaves together theater history and political philosophy into a powerful case… for the importance of theaters as democratic institutions.

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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.

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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2018. Hardcover. . . . . .

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era's great trials as shows. The Nuremberg…trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.

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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 145,10
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Hardcover. Condizione: new. Hardcover. Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term "show trials" suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era's great trials as shows. Th…e Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions. Minou Arjomand draws on a rich archive of postwar German and American performances to reveal theater as a place for forms of judgment that are inadmissible in a courtroom but indispensable for public life. Staged weaves together theater history and political philosophy into a powerful case for the importance of theaters as democratic institutions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.