Armand queyroy (13 risultati)

Condizione: Sehr gut. Size (plate): 270 x 152 mm. Leaf: 300 x 480 mm. *Cadart No. 155. Queyroy was a French landscape etcher, he studied under Luminais. His landscape etchings were exhibited at the Paris Salon since 1863. The large majority of Armand Queyroy's fine etchings depict scenes in central France, most notably the areas surrounding Vendome, Loches and Tours. Sprache: Französisch Gewicht in Gramm: 800.…

Condizione: Sehr gut. Size (plate): 260 x 190 mm. Leaf: 300 x 480 mm. *Cadart No. 88. Queyroy was a French landscape etcher, he studied under Luminais. His landscape etchings were exhibited at the Paris Salon since 1863. The large majority of Armand Queyroy's fine etchings depict scenes in central France, most notably the areas surrounding Vendome, Loches and Tours. Sprache: Französisch Gewicht in Gramm: 800.…

Couverture rigide. Condizione: Bon. Livre RefAbe GME033017 Ref007 Mame et Fils 1878 Format in-16 432 pages richement illustré chaque page entouré d entrelacs, frises et motifs religieux et profanes, une dizaine d illustrations hors texte couleurs avec serpentes quelques rousseurs éparses. Reliure plein veau bleu marine tranches dorées Bon état . Le livre d heures apparaît à la fin du XIIIe siècle en Europe occidentale. Ce nouveau format de livre de prières dérive du psautier en usage chez les religieux et, dans une moindre mesure, chez les laïcs, dont il simplifie le contenu pour le rendre accessible à une pratique régulière. Après les années 1400, il occupe une place croissante dans la piété quotidienne, telle qu elle se développe à la fin du Moyen Âge : de plus en plus centrée sur l individu, celle-ci s exerce dans un cadre privé, plus intime, et favorise la lecture silencieuse, la prière et la méditation sur les textes et les images. Les offices du livre d heures sont faits pour être lus tout au long de la journée, au rythme des huit heures en usage dans les monastères et qui rythment le quotidien des moines. Cette temporalité vécue fait cohabiter le temps perçu dont le jour est de longueur variable, avec le découpage régulier des heures canoniales mesurées selon des intervalles fixes. L iconographie mariale participe aussi à susciter un sentiment d identification, de réactualisation de l histoire sainte à travers la prière et la liturgie, et s intègre à une religiosité d ordre affective et personnelle qui devient la norme à la fin du Moyen Âge. Les médiations sur les images superposent au présent de la lectrice le passé biblique et les actions qui s y sont déroulées : le temps liturgique se caractérise en effet par sa qualité de répétition et de réactualisation permanente par l entremise d actes rituels, de paroles ou de prières. Dans le livre d heures, l office de la Vierge constitue le corps principal de l ouvrage et est destiné à scander les heures de la journée par des lectures, des prières et la contemplation des images qui les accompagnent. Celles-ci structurent des temporalités à plusieurs échelles, puisque chaque heure s ouvre avec une image, qui elle-même correspond à une fête mariale de l année liturgique chrétienne. Ainsi, l Annonciation ouvre l heure des Matines à la première heure du jour, peu après minuit, puis la Visitation à l heure des Laudes au lever du soleil, la Nativité à Prime, l Annonce aux Bergers à Tierce. L Adoration des Mages ouvre Sexte, et None est dédiée à la Présentation au Temple. La Fuite en Égypte qui a traditionnellement lieu au crépuscule accompagne les Vêpres et enfin le Couronnement de la Vierge, plus rarement l Assomption, clôt les heures de la Vierge avec les Complies. Reliure 1870 1879 Ref007 RefAbe GME033017. Livre.…

Couverture rigide. Condizione: Très bon. Pas de jaquette. - PRESENTATION : Tall softbound in-4 book. Decorated title page (Woodcut of Prunaire after a drawing of Renard). - ILLUSTRATION : 42 fiull page original etchings by Léon Gaucherel, Emile Lévy, Edmond Morin, Giacomotti, Célestin Nanteuil, Queyroy, Gustave Doré, Charles Courtry, Veyrassat, Ranvier, G. Howard, Jundt, Gérôme, Leys, Félix Régamcy, E. Edwards, Claudius Popelin, Seymour Haden, Tancrède Abraham, Lansyer, Français, Jules Héreau, Léopold Flameng, Corot, Jongkindt (Jongkind), Daubigny, Jacquemart, Ingomar Frankel, JF. Millet, Victor Hugo, Ehrmann, Edouard Manet, Victor Giraud, Maxime Lalanne, Ribot, Hédouin, Feyen-Perrin, Michelin, Bracquemond, Solon, Rajon, Boilvin. All the etchings are signed in the plate. - PRINTER : Imprimerie Salmon. - PAPER : Vellum. - SIZE : 37 x 27 cm (c. 15 x 11"). - LIMITED : 350 copies. - REFERENCES : Vicaire #1801, etching of Manet "Fleur exotique, ou La Femme à la mantille" : Guérin 51, Bareau 57, Fisher 46. - INFORMATION : One of the first artist / painter book, each poem by the most important poets of this time is illustrated with one etching by the major French artists of the mid Nineteenth century. - CONDITION : Very good, as often fragile binding with some loose pages : would deserve a new binding . ASK FOR EXTRA PICTURES. Léon Gaucherel, Emile Lévy, Edmond Morin, Giacomotti, Célestin Nanteuil, Queyroy, Gustave Doré, Charles Courtry, Veyrassat, Ranvier, G. Howard, Jundt, Gérôme, Leys, Félix Régamcy, E. Edwards, Claudius Popelin, Seymour Haden, Tancrède Abraham, Lansyer, Fra (illustratore). …

Condizione: Sehr gut. Size (plate): 217 x 150 mm. Leaf: 300 x 480 mm. *Cadart No. 69. Queyroy was a French landscape etcher, he studied under Luminais. His landscape etchings were exhibited at the Paris Salon since 1863. The large majority of Armand Queyroy's fine etchings depict scenes in central France, most notably the areas surrounding Vendome, Loches and Tours. Sprache: Französisch Gewicht in Gramm: 800.…

Plein maroquin prune, dos à nerfs, titre en noir, contreplats de maroquin citron orné d'un large encadrement floral doré et de six pastilles florales de maroquin bordeaux encadrées d'un listel de maroquin vert, gardes de moire prune, lettrines M. B. peintes sur la garde supérieure, tranches dorées. [KAUFFMANN-PETIT]. Impression en rouge et noir.Beau livre d'heures dont chaque page est richement illustrée d'encadrements en noir et blanc, à l'imitation des livres d'heures. L'ouvrage contient également 25 gravures à pleine page.Annotations manuscrites dans la section "Souvenirs".Bel exemplaire en maroquin doublé signé.Cachet en haut du premier feuillet blanc : "Roux libraire Lyon".Deux légères griffures dans les caissons du dos. …

Hardcover. Condizione: Near Fine. Leather-bound. Hardcover. Duodecimo (15.5cm x 11cm), pp. 432. French text with some Latin. Exquisitely bound in full French levant (crushed morocco) by A. B. [signed in gilt to front endpaper]; elaborate gilt-blocked pattern and gilt ruling on both covers; spine compartments with gilt centre tools, lettering in second compartment; gilt inner dentelles; all page edges gilt; silk endpapers. Printed in red and black. Decorative half-title and title-page, publisher's device verso half-title. Text beautifully framed on three sides by superb architectural and ornamental borders. 12 color plates including a frontis, representing all the scenes from the life of the Blessed Virgin. Condition: NEAR FINE. Some very light surface marks, age related toning and handling. A wonderful copy of this book of hour of the Holy Virgin.…

Demi-cuir. Condizione: Bon. Sans mention d'éditeur , ni date - In folio ( 50 x 37 cm ) - demi basane - dos orné - épidermures sur les mors - Bien complet des 20 grandes eaux-fortes ( le blason de la ville de Blois et les 19 vues ) - les planches d'eaux-fortes sont exceptionnelles de fraicheur sans rousseurs .…

Pas de couverture. Condizione: Bon. Gravure Dimensions. Hors tout, avec les marges : 47 x 31,5 cm environ.

Pas de couverture. Condizione: Assez bon. Gravure Eau-forte. Sujet: 20,7 x 15 cm. Hors tout, avec les marges : 19,2 x 28,1 cm environ. Petit manque dans la marge.

0. Original etching, ( ca. 1870), size 235 x 126 mm . Signed at the bottom of the plate. With title and '' A. Cadart, Edit. Imp. Rue Nve des Mathurins 58 Paris''. Printed on strong paper 294 x 460 mm. This etching was published by Alfred Cadart in his '' L'Illustration Nouvelle par une Société de Peintres-Graveurs a l'eau-forte'' with the number 155. (n° on the upper right hand corner). Nice strong printing.…

Leather Bound. Condizione: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1878. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 397, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 397 397.…

Leather Bound. Condizione: New. Language: Francais. Language: Francais. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1878 . The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Francais, Vol:- Volume 1, Pages:- 429, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1 429 429.…