arnheim rudolph (17 risultati)

Hardcover. Condizione: Very Good. First Edition. Some wear along DJ edges.; 8vo - over 7¾" - 9¾" tall.

hardcover. Condizione: Very Good. VG+/VG. Mjnor edge wear to dust jacket with a small closed tear to rear, now in a brand new Brodart clear protective sleeve. Minimal wear to book. Interior is clean. No writing or markings of any kind.

Stiff illustrated wraps. Condizione: Very Good. Milton Glaser (cover) (illustratore). First Edition. Large 8vo. Pp. 24, [70,] [64]. Milton Glaser designed wraps printed in tan and brown. Illustrated with black & white photo reproductions. Edges rubbed, spine sunned and tail chipped. Review of an AGI exhibition at AIGA, Rudolph Arnheim on symbols, Fifty French Books of the Year at AIGA, Cornford on The Future of Style. Supplemented with two 1966 AIGA exhibition catalogs with indexes: Covers: Book Jackets, Paperback Covers, Album Covers. Fifty Books.

Condizione: NUOVO. Milano, Abscondita cm.12,5x22, pp.208, numerose figure bn. fuori testo, brossura con bandelle, copertina figurata a colori. Collana Aesthetica,2. Aby Warburg, indagando l'arte dalla prospettiva delle sopravvivenze dell'antichità, riservò Accanto ai testi di Belá Balázs, Pudovkin ed Ejzentejn, Film come arte di Rudolf Arnheim è un classico nella storia delle teorie sul cinema. L'autore parte da una delle più diffuse obiezioni, con cui si contestava al cinema ogni possibilità artistica: è una mera riproduzione meccanica della realtà, si diceva, per sua natura negata a ogni raggiungimento creativo. La serrata analisi di Arnheim mostra esattamente il contrario: il cinema non ha nulla di naturalistico, l'immagine filmica differisce da quella reale. Sono proprio questi «fattori differenzianti» a costituire i «mezzi formativi» del cinema, i suoi mezzi artistici: ad esempio, quei «salti di tempo e di spazio» che il film ha in comune con tutta l'arte moderna. Film come arte unisce al grande saggio che gli dà il titolo una serie di scritti sul cinema che vanno dal 1932 al 1938. Con uno scritto di Guido Aristarco. Traduzione di Paolo Gobetti. Con uno scritto di Guido Aristarco.

Soft cover. Condizione: Good. Yes, illustrated. (illustratore). Strong two-volume Rudolf Arnheim bundle centered on perception, form, and the psychology of visual experience. Includes Art and Visual Perception: A Psychology of the Creative Eye (The New Version) and Toward a Psychology of Art: Collected Essays, both foundational texts in art theory and visual cognition. These volumes come from the private library of the poet and anthropologist Nathaniel Tarn (born Edward Michael Mendelson). The standout copy here is Art and Visual Perception, which is heavily annotated by Tarn throughout. Marginal notes appear in pencil across multiple sections, engaging directly with Arnheim's discussions of form, perception, and visual logic. The book is also signed and dated (1975), adding another layer of personal and scholarly provenance. Tarn's annotations reference Goethe and perceptual theory, showing active intellectual dialogue with the text. The companion volume, Toward a Psychology of Art, is a clean reading copy with moderate wear and a crease at the rear cover, serving as a strong supporting text to the annotated primary volume. A compelling working scholar's set-particularly appealing for collectors of annotated books, art theory, or Tarn-related material. Author: Rudolf Arnheim Publisher: University of California Press Year: 1966; 1974 revised edition Special attributes: Signed, dated 1975, heavily annotated by Nathaniel Tarn, paperback editions, two volume set Topic: Art theory, visual perception, psychology of art Subject: Visual cognition, Gestalt theory, modern art criticism, perception studies Keywords: Rudolf Arnheim, Art and Visual Perception, psychology of art, Tarn library, annotated book, signed copy, Gestalt, visual theory Condition: Good. Blue volume heavily annotated with signature and date, light wear to covers. Red volume shows moderate wear and creasing to rear cover, interior clean Location: Nt-b110.

Staple-bound. Condizione: VG. Scarce exhibition catalogue. Glossy stapled wraps, unpaginated, 6 images, text in English and Italian by Arnheim, plus exhib. history at the rear. 24 x 17 cm, a few light discolorations to wraps, else VG+.

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. Ediciones Infinito, Buenos Aires, 1971, 1ª edición. Encuadernación en rústica con solapas, 190 págs. En muy buen estado.

Rústica. Buen estado 190 pag. El cine y la realidad, La producción de una película, El contenido del cine, Las ideas que hicieron marchar la imagen, Pronóstico de la televisión, entre otros escritos.

Paginas: 553,00 Idioma: ESPAÑOL.

Soft cover. Condizione: Good. Exhibition catalogue. Twenty-nine full page black-and-white reproductions and several smaller drawings. Essay by Rudolph Arnheim. Noticeable scuffing to covers. No marks to inside pages. Binding is firm. s69.

Soft Cover. Condizione: Very Good. Some sun disco;oration along spine.

Paginas: 319,00 Idioma: ESPAÑOL.

Soft Cover. Condizione: Very Good. Some sun disco;oration along spine.

Hardcover. Condizione: Very Good+. 1st Edition. 2 blue cloth, 1 black cloth, 1 brown cloth, all with gilt spine lettering; all pristine but all top text-block edges have dense tanning flecks. all with numerous monochrome ills of various kinds and size up to full page plates. Paginations range from 198 to 282, all internally clean, tight and unmarked. Top edge tanning only reason for VG+ rather than Fine rating. All jackets clean and unmarked but 3 slightly affected by corner rubbing, edge rubbing and edge nicks, the other Near Fine but for slight outer corner rubbing. Will fix nicks internally when ordered and add protective sleeves. Full author and pagination and illustration details available on request, see images for jackets. Weighs over 5 kg unpacked so allow for significant additional shipping. 22 cm x 28 cm.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. Translated from the German by L. M. Sieveking and Ian F. D. Morrow. With a preface by Paul Rotha. Illustrated with 16 black and white photographic plates. First UK edition. 8vo. [228 x 145 x 35 mm]. xvi, 300, [4] pp. Bound in publisher's original black cloth, spine lettered in gilt, in original dust- wrapper (Loss to the dust jacket, torn with tape repairs and price-clipped). Text block clean, overall in very good condition, the dust jacket in fair condition. . Rudolph Arnheim (1904-2007) was a German-born film and art theorist, Gestalt psychologist, author and professor. Originally published as 'Film als Kunst' in Berlin in 1932, the book was banned by the Nazi party and Arnheim left the country and eventually settled in the USA in 1940.

Nº Edición: 4 Paginas: 410,00 Idioma: ESPAÑOL.

Bruxelles, Pierre Mardaga, 1986. 22 x 15 cm, 284 pp. Broché, couverture en partie insolée sinon bon état. Livres.