Arthur tooth (34 risultati)

1 Very good. light shelf wear, ex museum stamp on blank flyleaf.

1 Good. light shefwear, ex museum stamp to blank flyleaf, white cover, artist name printed on cover.

Paperback. Condizione: Used - Good. (28) pages. 28 illustrations. 9x7", printed wrapper. Wrap soiled, corners damp damaged, G.

Hardcover. Condizione: Very Good. 1st Edition. Inscribed By Author's Wife.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

1st edition. Very good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 24 pages ; illustrations ; 21 cm. Notes: Catalogue of an exhibition held at Arthur Tooth & Sons, London, 23 April-25 May 1968. Subjects: Landscape painting, Italian 19th century; Exhibitions; Painting, Italian Italy Venice; Landscape painting 18th century Italy. 1 Kg.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: Good +. No Jacket. 32 paintings each reproduced as a full page bw plate. Degas, Vuillard, John, Seurat etc. Exhibition catalogue Nov - Dec 1962.

Hard Cover. Condizione: Good. No Jacket. First Edition. 45pp [soiling and wear to covers; previous ink ownership inside front cover] Size: 8vo - over 7¾" - 9¾" tall.

Soft Cover. Condizione: Very Good. Catalog. 18 pages; a catalog for this firm's prints, including black & white illustrations. The prefatory Note states that ".The number of impressions and the editions of proofs of our publications are guaranteed by the Printsellers' Association of London, and the stamp of the Association appears on every proof. The Titles, Artists, Editions, and Prices will be found on the last pages." The information also includes the size of the piece and whether or not the plate was destroyed, along with availability in proof on vellum and prints and occasionally, Remark Proofs. Approx. 3 3/4" x 4 3/4" size, oblong format, very nicely printed on good paper and side-sewn with white silk. Slight wear; in very good condition.…

1st edition. Very good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 24 pages ; illustrations ; 21 cm. Notes: Catalogue of an exhibition held at Arthur Tooth & Sons, London, 23 April-25 May 1968. Subjects: Landscape painting, Italian 19th century; Exhibitions; Painting, Italian Italy Venice; Landscape painting 18th century Italy. 1 Kg.…

Paperback. Condizione: Fine. First edition. Sq.8vo. Original card covers. 31 item catalogue, 4 b/w plates.

Soft cover. Condizione: Very Good. 1st Edition. 12mo. Original paper wrappers, stapled. 29 item catalogue, works by Vuillard, Utrillo, Sickert, Augustus John, Matthew Smith etc.

Wire-stitched. Condizione: G+. Condizione sovraccoperta: No Jacket (as issued). First Edition. Pencil notes on back cover, otherwise excellent; [16]p, illus.

Soft cover. Condizione: Very Good. No Jacket. Very good condition for age. Evidence of rubbing and bumping on spine, edges and corners. Evidence of tanning on external and internal front and back soft cover. Internal pages overall very good and clean, evidence of tanning and spotting. Rust marks from staples. Unpaginated Illustrations black and white and colour. Overall very good condition for age.…

13pp inc illustrations 31 numbers. Card covers, 21x19. Cover a little sunned round edges, good copy. Introduction by Kathleen Raine.

Paperback. Condizione: New. Print on Demand. This book is a fascinating glimpse into the world of art collecting in the early 20th century, specifically focusing on the dispersal of the esteemed Arthur Tooth Collection. The book details the public auction of the collection, which comprised roughly eighty-five paintings, mainly from the English School, and included works by renowned artists like Reynolds, Gainsborough, Kneller, Lely, Lawrence, Hoppner, Beechey, Cotes, Angelica Kauffmann, West, Gilbert Stuart, and others. The book offers a detailed account of the auction, providing a rare window into the process of art valuation, sale, and dispersal, and demonstrating the discerning tastes of collectors during that era. The book dives into the artistic and historical context of each artwork, highlighting their origins and provenance, often tracing them back to famous English collections or to the descendants of the original sitters. This fascinating aspect allows the reader to appreciate the works not only as aesthetic objects, but also as tangible links to the past, connecting them to specific individuals, families, and historical moments. The author also explores the thematic depth of the collection, examining the interplay of art and societal values, the role of patronage, and the enduring appeal of classical themes and artistic traditions. The bookââ â¢s insights into this significant collection shed light on the evolution of art collecting practices, the value placed on artistic heritage, and the enduring influence of art on cultural history. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

First Edition. 23 x 17cm. Paperback exhibition catalogue, 4pp + 29 B&W plates reproducing the artworks. Covers a little rubbed and marked with vertical foldcrease.

Paperback. Condizione: Very Good. First Edition. A paperback book in very good condition, dated 1968. An exhibition held on 12 - 30 November 1968 by Arthur Tooth & Sons Ltd.

Hardcover. Condizione: Good. 1st Edition. Well-illustrated in black & white and calligraphy in a 'mediaeval' style.ND. Wikipaedia gives 1914? The Rev. Arthur Tooth is best known for a brief spell of imprisonment after being prosecuted under the newly passed Public Worship Regulation Act 1874 for Ritualism - use of incense, candles etc. Bound in cloth spine and paper-covered boards. Soiling to boards. Spine ends and corners worn. Inside, clean with no inscriptions. 4to, 74p, 760g. T Derrick, Bertha Bell - lettering (illustratore).…

Paperback. Condizione: Very Good. Octavo, 12 pages, 33 catalogue entries, 3 tipped in black and white plates. There is a small circular stain on the front cover ( a wine glass ? ), else is a Very Good clean copy.

8vo. pp. [12]. 4 full-page illus. wrs. (institutional bookplate). Exhib. Cat.

Hardcover. Condizione: Good. No Dust Jacket. 1st Edition. Cloth spine strip. Paper covered boards. Depiction of the palmerman to front board. Boards worn and with some staining. Corners and front edges bumped. bumped. Prelims foxed. Uncut page fore edges. Text takes the form of illuminated script - although in b/w. Pages nicely decorated. Printed at Garden City Press, Letchworth. Item Type: Book. No Dust Jacket. Illustrator: Derrick, Thomas. Category: Religion & Theology; Please contact H4o Books if you require images or further information. Inventory No: 016997. Derrick, Thomas (illustratore). …

Paperback. Condizione: Used: Good. 8 pages with 3 tipped in B/W photos. Used in good overall; mild shelfwear.

Condizione: Good. 8vo. Stapled Wrap. [ca. 10 pp.] B&W plates. Very good, with some Creasing, Sunning, Foxing and staining at Cover.Provenance: Richard Diebenkorn Foundation. Some items presented to Phyllis, his wife (1921-2015).

Quarter Leather. Condizione: Very Good. Condizione sovraccoperta: Issued Without Jacket. First Edition. Large 4to, green leather spine & blue cloth sides., printed on fine laid paper, ex-Kelham College (Newark) library with bookplate 77 pp., illus. & decorated border with hand drawn type, each opening of type with border, and faced by full page drawn illus. The author was the Ritualist vicar of Hatcham imprisoned for refusal to accept a court order. The book is drafted in the form of a medieval book and is something of a reflection of the author's experiences and his bitterness against the civil courts and attacking Henry VIII. Size: Large 4to. T Derrick & Bertha Bell (illustratore). Association Copy.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 102. A perfect gift for your loved ones. Reprinted from 1925 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 102.…

Hardcover. [1], 77 folios; 29.5 cm. Saga of a proud wealthy man built with the girth of Henry VIII: `They doe saie that I am a Pagan Man for that wyth goode witte and verie valiant with grete plentie of golde and apparel I do performe by enterpryze in grete goode cheere (2), For the Gospel Proclamacyon of Goodes to be gotten in Odder placys (3) I doe saie that yt is nat ascertayned (4). I meddle nat wyth aungels and spyryts whyc ar of more fame than credence, I doe saie that they ar vayne as fedders helde to the wynde nowe blowen awaie for ever (6). Thenne dyd the Pagan man gyve hymsel to moche merryment and dyd scoff and saie [to his cat] O Tutivillus myne (8) He dyd saie O Tutivillus myne of demon hoste a prynce saie thou am I a Pagan man (10) . Nowe all menne doe kno that the Pagan man bye moche prosperities hadde begotten as davyd sayeth in hys boke of salmes a hi loke and a stomacke whych was proude (26) and bye hys moche golde was troubled sometymes bye that yelowe evyle called the jaundyce and dyd speke thynges whych were naught (28) . Ther came a voyce in gentliness mea culpa, mea culpa, mea maxima culpa . (68) yt was the voyce of the Pagan man a taking to hymsel Repentance wyth grete dole and sorowe of harte (70). The goode Spyryts of the aire Aungels and Sayntes a usying of theyr craft dyd winne that Pagan man unto Godde and unto theyr companie (72) . Nowe Thanks be gyven to the most blessed helper of alle that lyst to call on hir That most blessed Vyrgyn Our Ladye Saynte Marie Moder of Chryste (75). Therefore will I wythe devoute mynde salute hir and saie Hayle Marie. Amen Amen' (76) Good plain tan canvas under stained beige boards. T. (Thomas C.) Derrick (illustratore).…