Ashendene press thucydides (3 risultati)

folio. full white pigskin with seven raised bands. (ii), 363+(1) pages. Printed in an edition limited to 280 copies by St. John Hornby at the Ashendene Press, of which this is one of 260 copies printed on paper (Hornby, no.37; Franklin, pp.170-173). There were an additional 20 copies printed on vellum. Lacking the scarce publisher's slipcase. Bookplate of 'Livingston' on the front pastedown. Minor discoloration to boards at edges, joints and spine a bit rubbed; minor wear at edges, touches of toning; very good. Translated from the original Greek by Benjamin Jowett. The last folio format book printed by the Ashendene Press, Thucydides' History of the Peloponnesian War is both a triumphantly imaginative work and one that begins a series of operatic death knells for St. John Hornby's "hobby of [his] leisure hours" (Franklin, Ashendene Press 171). Using four different typographic sources, the design once again demonstrates Hornby's great skill in typography, and his penchant for printing books in which he could be creative with the format, including the elaborate marginal notes. This aspect has been, quite rightly, acknowledged as adding additional interest to this volume. Hornby himself states that the majority of the typography is in black Ptolemy type, with the abundant red side-notes printed in Blado Italic, and the three-line red initials beginning each chapter and the opening lines of each of the eight books from the alphabet designed by Eric Gill for "Utopia." were designed by Graily Hewitt. These elements have been described as being done by Hewitt with "habitual finesse" (Franklin, Ashendene Press 171). Hornby himself admitted that the character of the side notes was unique, even within his own oeuvre: "This is the first time since my third book issued in 1896 that I have used for side or shoulder notes a type other than that of the book itself" (Franklin, Ashendene Press171). Contemporary correspondents of Hornby lavished their praise on him for the Thucydides, calling the composition and press work "immaculate as usual," and the work as a whole "one of the greatest masterpieces of your Press - a very fine page, the measure not too wide for so large a type and the side notes most beautiful and effective" (Franklin, Ashendene Press172). Franklin adds his voice to those others, saying "for pleasure in the look of a page, the openings of each Book in the Thucydides are the happiest climax of Ashendene printing" (Franklin, Private Presses57). Like the copies at the Bridwell Library at Southern Methodist University, "the printer's mark at the end is imperfectly black" (Franklin, Ashendene Press172). full white pigskin with seven raised bands. Ashendene Press (illustratore).…

Folio. (408 x 282 mm). [188 leaves; pp. 363, (i)]. Printed title and 'Book I' to 'Book X' of Thucydides' text in English in red and black in Ptolemy type, chapter summaries in Blado marginal, chapter summaries and opening lines by Graily Hewitt in red, the red initials from the alphabet designed by Eric Gill for the Ashendene Utopia, final leaf with colophon and woodcut Ashendene device verso. Original publisher's full white pigskin by W. H. Smith & Son, Ltd. with their signature gilt to rear turn-in, banded spine with gilt title in six compartments. The Ashendene Thucydides, the final folio from the press. From the edition limited to 280 copies, with this one of 260 on Batchelor 'knight in armour' Ashendene paper; 20 copies on vellum were also issued. The Greek text was translated by Benjamin Jowett, Regius Professor of Greek at Oxford. The book is printed in Ptolemy with Blado marginal chapter summaries - the first time St John Hornby had used a different type for side-notes. This copy includes the original purchaser's invoice, a single leaf (216 x 150 mm) headed 'THE ASHENDENE PRESS / SHELLEY HOUSE, CHELSEA' and made out to Mr. Jacques Steinitz / Warren, Ohio'. Signed by St. John Hornby, with two pence stamp and dated May 27th, 1931, the cost is detailed as 15 Guineas. [Ashendene XXXVII].…

Opening lines to each of the 8 books designed by Graily Hewitt and printed in red, Colin Franklin identifies that the accompanying 3-line initials, also printed in red, are taken from Eric Gill's alphabet for the 1906 Ashendene Utopia. Printed in Ptolemy type with marginal chapter summaries in Blado Italic. One of 260 copies printed on paper, with an additional 20 on vellum. Folio, 40 x 27.4cm, viii, 364pp. Original publisher's white pigskin, uncut, with cardboard packing container, possibly as issued from the press. Chelsea, the Ashendene Press. Very good, light rubbing to extremities and some very minor soiling to boards. Ownership signature of Lt. Commander Robert "Robin" White of the Royal Navy (1904-1939). Translated by Benjamin Jowett, formerly Latin master of Balliol college.  One of the final books to be issued from the press. Sydney Cockerell, writing in a letter to St. John Hornby, considered it ?one of the greatest of the many masterpieces of your Press? and C.R. Ashbee announced proudly that he would be ?placing your Thucydides into one of the principal corners of my Library? Although the official bibliography of the press fails to mention it, Colin Franklin points out that the large initial letters were designed by Eric Gill and mark the second appearance of those which he originally created for the Ashendene Utopia. Thucydides' text fits neatly into Franklin?s contention that the ?choice of books at the Ashendene Press was conservative, peaceful, domestic, occasionally amusing? (Colin Franklin, The Ashendene Press, p.103), however its contemporary significance in the fields of politics and historiography cannot be overstated. The 8 books of the History of the Peloponnesian War ?mark the longest and most decisive step that has ever been taken by a single man towards making history what it is today? (J.B. Bury, The Ancient Greek Historians, 1909), and Karl Popper considered Thucydides to be the ?greatest historian, perhaps, who ever lived? (The Open Society and Its Enemies, 1945). The notion of the ?Thucydides trap?, in which a rising political entity (Athens) threatens the established ruling power (Sparta) has become common parlance in discussions of modern international relations, and the work continues to have a profound influence on world leaders today.…