ashton dore introduction (23 risultati)

paperback. Condizione: Very Good. Very good paperback, in French wraps, from a personal collection (NOT ex-library). Spine is uncreased, but a bit cocked, nonetheless remaining intact and sturdy. Shelfwear is minor. Interior is free of previous owner markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.

Paperback. Condizione: Very Good. 154 pages, illustrations (some colour); 23 x 29 cm. Catalogue of an exhibition held at Albright-Knox Art Gallery, October 1 to November 27, 1983, and other museums. Firm binding, clean inside copy. Spine slightly sunned & scuffed. Another copy available. *** CONTENTS: Introduction, by Robert T. Buck; With Robert Motherwell, by Jack. D. Flam; On Motherwell, by Dore Ashton; Plates; Catalogue of the exhibition; Chronology; Selected exhibitions; Selected bibliography; Acknowledgments, by Douglas G. Schultz; Lenders to the exhibition Size: Oblong.

Paperback. Condizione: Fine. 154 pages, illustrations (some colour); 23 x 29 cm. Catalogue of an exhibition held at Albright-Knox Art Gallery, October 1 to November 27, 1983, and other museums. Firm binding, clean inside copy. Checklist laid in. *** CONTENTS: Introduction, by Robert T. Buck; With Robert Motherwell, by Jack. D. Flam; On Motherwell, by Dore Ashton; Plates; Catalogue of the exhibition; Chronology; Selected exhibitions; Selected bibliography; Acknowledgments, by Douglas G. Schultz; Lenders to the exhibition Size: Oblong.

Paperback. Condizione: New. The premier collection of dialogues, talks, and writings by Philip Guston (1913-1980). One of the most intellectually adventurous and poetically gifted of modern painters, Guston's wide reading in literature and philosophy deepened his commitment to his art - from his early Abstract Expressionist paintings to his later girtty, intense figurative works. This collection lets readershear the artist's voice - as he delivers a lecture on Renaissance painting, instructs students in a classroom setting, and discusses such artists and writers as Piero della Francesca, de Chirico, Picasso, Kafka, Beckett & Gogol. 352p.

Wrappers. Condizione: Very Good. Camillos Kouros Gallery, New York, Published 1984. Wraps, 20 pp.; 27 cm; staple bound; illustrated with twelve black-and-white plates of Lekakis wood sculptures with titles, dates, materials, and heights. In Very Good condition. Cream paper wraps with the artist's Greek monogram printed at center of front cover. Light bumping to edges and corners and mild shelf wear; faint surface soiling and scattered light foxing visible on both covers. Staple binding tight. Interior pages unmarked.Exhibition catalog for the Michael Lekakis retrospective held at Camillos Kouros Gallery, 831 Madison Avenue, New York, in December 1984. The exhibition was presented under the auspices of the Greek Consulate General in New York as part of the "Contributors to American Culture" series, with an introduction by Consul General Nicolas A. Capellaris framing the project as institutional recognition of modern Greek artists' place in American culture. The biographical essay is by Dore Ashton (reprinted from Arts Magazine), the American art critic and Cooper Union professor best known for her biographies of Philip Guston and Mark Rothko. Ashton positions Lekakis as a serious modern carver of wood drawing together Klee's cosmic principle, Plato's metaphysics, Hölderlin's romance with ancient Greece, and the artist's own statements about reconciling man and the cosmos through eros and agape. The text records Lekakis's personal connections with Ezra Pound, whose Homeric obsession Lekakis cherished, and with e.e. cummings, who called him "a singularly honest Greek sculptor."Twelve plates document major Lekakis sculptures in oak, elm, walnut, mahogany, rosewood, and pearwood, including Astrape (1953-65, 93 inches), Keravnos (1948, 49 inches), Trocheion (1955-59, 66 inches), Apotheosis No. 1 (1962-67, 45 1/2 inches), Trimanton (1973-83, 76 inches), Rhythmisis (1951-66, 63 1/2 inches), Trisipostaton (1947-65, 76 inches), and Thunderbird (1946-55, 56 inches). The catalog closes with lists of selected exhibitions (including a Whitney solo show in 1973-74 and group inclusion in MoMA's Americans 1963) and selected public collections (MoMA, Solomon R. Guggenheim, Whitney, Philadelphia Museum of Art, Wadsworth Atheneum, Tel-Aviv Museum, and the National Pinacotheque of Athens, among others).

First Obl. 4to, stiff stapled wrappers. [32] pp, 21 illustrations (14 in color), portrait. Exhibition February 5 - March 3, 1983. Very good except for a slight curl to the cover edge.

Softcover. Profusely Illustrated (illustratore). Quarto, 64 pages. In Very Good minus condition. Paperback binding. Spine black with white lettering. Covers show slight wear including scratches, sticker residue to the rear and slight rubbing wear to the edges. Text block has very light age toning to the edges. Illustrated. Undated. 1373131. FP New Rockville Stock.

Soft cover. Condizione: Good. No Jacket. 1st Edition. General wear to covers. Sticker of distributor to rear cover. First page and front cover are slightly loose as glue no longer holding.

Hardcover. Condizione sovraccoperta: dj. Second edition, new and revised. Quarto (oblong), 250 pages. In Very Good condition with a Good plus dust jacket. Spine is black with white print. Dust jacket has light toning to spine. Boards have slight toning to top op edge. Illustrated: b&w frontispiece, b&w and color illustrations. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. 1394455. FP New Rockville Stock.

164pp. sq. 8vo Profusely illustrated in black & white & in color. Paperback (orange wrappers). Text in French. Exposition l'art vivant aux Etats-Unis 16 juillet 1970 - 30 septembre 1970. Front cover spine edge lightly sunned, no title page (missing?) else Fine.

Paperback. Trade PB. 8vo. Published by Grace Borgenicht Gallery, NY, 1983. Unumbered (approximately 50 pgs). Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Features introduction by Sally M. Avery, essay by Dore Ashton, and full-color images of Milton Avery's artwork accompanied by information on the title, medium, size, and year of creation. ; 8vo 8" - 9" tall.

Encuadernación de tapa blanda. Condizione: Bien. 2? Edición. Tapa blanda con solapas. Buen estado. Forro plástico. Marcas de celo en hojas de guarda. Fotografías color y b/n. Arte. Catálogo. Inglés.

Condizione: Good. Original blind stamped black cloth, dust jacket, richly illustrated in colour, 4to.; Light tobacco smell; edges browned.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Soft cover. Condizione: Near Fine. 1st Edition. 8vo softcover volume in tan paper wraps. No markings includes the checklist.

Softcover. Condizione: Near Fine. First edition. Stapled wrappers. Spine sunned, near fine. Exhibition catalogue, one of 1,500 copies printed.

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. Second Edition, New and Revised. 249 pages. Hardcover, bound in dark brown cloth covered boards and wrapped in an illustrated paper dustjacket. 332 illustrations, 116 in full color. Crisp, tight, sharp, bright and essentially new condition. Dustjacket is protected with a Mylar cover. Includes an interview with the artist by Barbaralee Diamonstein. A beautiful production of a monumental monograph on one of the seminal American artists of the 20th century.

hardcover. Condizione: Like New. Brand new gift quality hardcover in jacket stated first edition. oversized and overweight. A54 Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Paperback. Condizione: New.

Hardcover. Condizione: New.

Condizione: Bon. 143 pages : illustrations en noir et en couleurs, couverture illustrée ; 22,0 x 29,5 x 1,2 cm || Texte français.

Hardcover. 10.5 x 11.5 inches. 250 pages. 332 illustrations, including 16 color plates. Cloth; dust jacket. Signed by Motherwell on the front free endpaper. The first edition of 1977 sold out soon after publication. This edition adds Dore Ashton's essay and an interview with the artist by Barbaralee Diamonstein. The pictorial material was also radically reorganized to reflect Motherwell's artistic preoccupations and obsessions. Also incudes an up-to-date chronology, list of exhibitions, bibliography, and index. A fine copy in a near-fine jacket with a few small indentations and light rubbing.

Hardcover. 10.5 x 11.5 inches. 250 pages. 332 illustrations, including 16 color plates. Cloth; dust jacket; original publisher's cardboard box. Signed by Motherwell on the front free endpaper. The first edition of 1977 sold out soon after publication. This edition adds Dore Ashton's essay and an interview with the artist by Barbaralee Diamonstein. The pictorial material was also radically reorganized to reflect Motherwell's artistic preoccupations and obsessions. Also incudes an up-to-date chronology, list of exhibitions, bibliography, and index. A fine, well-preserved copy.