Aspari domenico (7 risultati)

Soft cover. Condizione: Very Good. 1st Edition. 8° - 88pp - 72 Color & B/w Plates. Domenico Aspari (1746-1831) & Carlo Aspari (1777-1834) Italian architects, painters and engravers. First edition, text in Italian. Original boards. Front cover slightly torn, otherwise in very good condition.

Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. Limited Edition. [1st edition, 1st printing] ; Limited edition No. 4832 of 5000 (as stated on colophon) ; 301 p. (some folded) : chiefly color illustrations, maps, plans ; 30 cm. ; ISBN: 8821601269; 9788821601262 ; LC: NA9072.M55; Dewey: 711.5 ; OCLC: 23695425 ; text in Italian and English. ; Issued in Montedison-designed slipcase. ; black silk, with hand-laid paper ; photographic plate paste-down on front cover ; decorative black endpapers ; signed card of Montedison Director General Carlo Maria Columbo, laid in ; publisher Franco Maria Ricci initialled quality control card, laid in ; Design, Franco Maria Ricci, Laura Casalis; Grafica, Silvia Fois; Fotolito : Fotoincisioni Bassoli, Fotolito Storti, Milano; Stampa, Grafiche Milani ; Gruppo Ferruzzi ; "Edison was established in 1884 in Milan as a power utility. In 1966, Edison merged with Montecatini, to create Montedison"-wikipedia ; 'In 1801, Antolini was hired during the short-lived Repubblica Cisalpina to complete a massive plan for the center of Milan, a project later taken over by Napoleon and called the Foro Bonaparte. The city was designated the capital of Napoleonic Italy in 1805, and the Foro Bonaparte was part of a larger redevelopment project that consisted of cutting wide roads through the medieval center and constructing monumental government buildings and shopping areas that linked together the major neighborhoods of the city. The Foro was to be located in the area around the Castello Sforzesco.and Napoleon ordered the outer walls of the Castello to be updated with an ordered classical arrangement and a temple facade plan. Encircling this area Antolini designed 12.buildings to include a theater, museum, bathhouse and stock exchange.the plan was scaled down due to its high cost by Luigi Canonica in 1802."--Allison Lee Palmer ; Contents (English) : The publisher to the reader -- The Foro Bonaparte, a Jacobin utopia in Milan -- The first plans for the Foro Bonaparte (1801) -- La Bastiglia di Milano, un audace impresario, L'amico Sommariva -- The drawings of the Foro Bonaparte -- Designing the city : The 1801 Economic and Political Plan -- An architect for the Republic amid Doric and Freemasonry -- A man from the Romagna at the court of Pope Pius VI, The Doric comes to Faenza, The advantages of Freemasonry -- The Marengo column, A discussion with the First Consul, The schemings of the Commission -- Contrasting Pistocchi, Rectangle versus circle, A project in progress -- Enter the military, The astute Canonica, A question of money -- From project to model, The Description of the Foro Bonaparte -- Opposition to Antolini, the Letter from Citizen X to a friend -- Barabino, Canonical, Rossi : plans for the modification of the Foro Bonaparte -- Milan, Archivo Storico Civico Fin-de-siecle projects -- From utopia to bourgeoisie, Fin-de-siecle in Foro Bonaparte ; color tipped-in plates, 18 fold-out plates, several in full color ; artwork by Felice Giani, Giuseppe Camporesi, Domenico Lucchi, Hubert Robert, Feliz Albites, Alessandro Emanuele Marvuglia, Domenico Santi, Giovanni Lazarini, Fernando Bonsignore, Jacques-Louis David, Giacomo Pinchetti, Franz Hogenberg, Giovanni Battista Clarici, Arcangelo Lavelli, Adele Chavassieu d'Houdebert, Domenico Aspari, Vincenzo Magnani, Vincenzo Berenzi, Paolo Bargigli, Andrea Appiani, Luigi Rados, Giuseppe Pistocchi, Giuseppe Longhi, A.-G.-L. Boucher-Desnoyers, Luigi Canonica, Francisco Rosaspina, Luigi Cagnola, Gaspare Gallinari, Gaetano Berettini, Alois Schmid, Cesare Beruto, Pietro Gadda, Giuseppe Pirovano, Enrico Combi, Giovanni Giachi, A, Bellani, Romeo Botelli, and Luigi Montini ; a beautifully produced publication ; " (This volume is part of a special edition reserved for Montedison, and was printed in an edition of 5000 numbered copies under the direction of Franco Maria Ricci, Milan, in October 1989. The typeface used is Bodoni. The handmade paper was laid by Cartiere Miliani di Fabriano) ; fading spots to slipcase spine, else AS NEW/FINE. Book. …

Milano, Presso Federico Colombo. [1750-1800], Bella pianta di cm 52x60, a colori, cartiglio in alto a sinistra entro bella cornice sormontata dallo stemma della città. Bella incisione in basso a sinistra raffigurante un carro sormontato da una bandiera con lo stemma di Milano; cartiglio con la Scala de Mille Braccia Milanesi, in basso a destra in una bella incisione. Ai margini delle mura cittadine la disposizione delle truppe di Federico Primo.…

Leather Bound. Condizione: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1779. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume v.2, Pages:- 370, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.2 370 370.…

Leather Bound. Condizione: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1779. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume v.1, Pages:- 456, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.1 456 456.…

senza rilegatura. Condizione: ottimo. Acquaforte e bulino misure: mm 460 x 639 Pittore, incisore e docente italiano. Di modesta condizione famigliare non ha seguito un corso di studi regolare. Grazie alla spiccata abilità nel disegno e alla generosità di alcuni benefattori ha seguito i corsi di Giuseppe Baldrighi presso l'Accademia di Ferrara dedicandosi alla pittura. Si trasferisce a Milano per dedicarsi all'incisione ispirandosi a Piranesi. Come incisore e vignettista illustrato La Corneide (1773) di Giovanni De Gamerra, gran parte della prima edizione italiana della Storia delle arti del disegno del Winckelmann (Milano 1779), Le vicende di Milano durante la guerra con Federigo I (Milano 1778) e Delle antichità longobardiche milanesi (Milano 1792-93, 4voll.) di Angelo Fumagalli. La fama giunse con le sedici Vedute di Milano incise all'acquaforte e terminate a bulino dal 1786 al 1792 oggi assai rare e molto ricercate come le uniche degne di stare a fianco dei grandi esemplari romani e veneti. Tavola numero 13 della serie di sedici dal titolo: Vedute di Milano. Il Duomo di Milano, ancora non ultimato, è visibile dall'abside e lungo il fianco destro mettendo in risalto la maestosità delle vetrate e delle guglie. In primo piano alcuni passanti e una carrozza nel grande spazio ancora non ingombro dagli edifici moderni. Esemplare appartenete alla seconda tiratura edita da Vallardi nel 1808. Sotto il soggetto è inciso: Dom. Aspari  disegnò  Deposta alla C.I.R Biblioteca  ed incise/ VEDUTA DEL FIANCO    DEL DUOMO DI MILANO/Al merito dell'Egregio Sig. Ingegnere Carlo Parca ispettore generale e direttore del Canale di Pavia/Milano presso Pietro e Giuseppe Vallardi Contrada Santa Margherita N°1101. Pietro e Giuseppe Vallardi D. D. D. Esemplare appartenente alla II edizione Vallardi 1808, con la leggenda su due righe sostituita dalla dedica, l'aggiunta delle guglie dei coronamenti e delle arcate, titolo modificato. Ottima impressione con buoni margini. Ottimo stato di conservazione, minimo ingiallimento della carta e un piccolo strappo in alto nel solo margine bianco. Bibliografia: Paolo Arrigoni, Milano nelle vecchie stampe, 1969, n 129/13.…

Condizione: buona. Acquaforte b/n. Veduta del cortile di Palazzo Brera in occasione della fine dei lavori di progettazione e costruzione dell'edificio (1785). Esemplare splendidamente inchiostrato, con poco margine alla battuta. Buono stato di conservazione. Formato: 415x664mm.