Ater renee (31 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Condizione: Fine. 209 pages, illustrated in color and b&w. "This publication celebrates Augustus Saint-Gaudens' magisterial Shaw Memorial, which honors Colonel Robert Gould Shaw and the 54th Massachusetts Volunteer Infantry, one of the first regiments of African-American soldiers formed during the Civil War." FINE SOFTCOVER Size: 4to - over 9¾" - 12" tall.…

Hardcover. Condizione: Very fine. First printing (full number line). Large green quarto; x, 118 p.: illus (some color); 29 cm. Morrison, Keith, 1942- -- Criticism and interpretation -- African American -- Art. Very fine; as new with *extremely* faint bumping to top outer board corners. A lovely copy. With publisher's card laid in; as issued.…

Condizione: New. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

Paperback. Condizione: New. This beautifully written study focuses on the life and public sculpture of Meta Warrick Fuller (1877-1968), one of the early twentieth century's few African American women artists. To understand Fuller's strategy for negotiating race, history, and visual representation, Renée Ater examines the artist's contributions to three early twentieth-century expositions: the Warwick Tableaux, a set of dioramas for the Jamestown Tercentennial Exposition (1907); Emancipation, a freestanding group for the National Emancipation Exposition (1913); and Ethiopia, the figure of a single female for the America's Making Exposition (1921). Ater argues that Fuller's efforts to represent black identity in art provide a window on the Progressive Era and its heated debates about race, national identity, and culture. …

Condizione: New.

Hardcover with dustjacket, 118 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardback. Condizione: New. This is the first volume to document and contextualize Sonya Clark's large-scale, collaborative artworks. These projects demonstrate Clark's career-long commitment to addressing the urgent issue of racial inequality in American society and her philosophy of creatively engaging the viewer in reflection on the nation's history of slavery and our roles in dismantling systemic racism today. As an extension of her abiding commitment to issues of history, race, and reconciliation in her work, Clark is also distinctive as an artist for her use of textiles and other everyday materials, which she aligns with the intertwined histories of art and craft. For marginalized people (African Americans and women, in particular) handwork has been essential to survival and consequently has functioned, and continues to function, as an important means of creating a group identity. Hence, for Clark, craft is essential to the question of equality.…

Condizione: As New. Unread book in perfect condition.

Hardcover w/DJ. Condizione: Very Good/Very Good. First Edition. Washington, DC: National Gallery of Art. Very Good/Very Good. 2013. First Edition. Hardcover w/DJ. 4to., 209 pp., dust jacket light shelf wear to edges and corners, otherwise very good; cover very good; pages clean and unmarked. . Black & White/Color Illus. & Photos (illustratore).…

Hardcover. Condizione: New. Condizione sovraccoperta: new.

Paperback. Condizione: Brand New. 176 pages. 12.25x9.25x0.50 inches. In Stock.

Hardcover. Condizione: Very Good. dj. Book has a thick mylar plastic dust jacket which shows some light scuffing and corner bumping. Cover page has been paper stamped by previous owner.

Condizione: New.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. First Edition; First Printing. 7 X 0.9 X 10 inches; 200 pages; B&W illustrations. Very minor shelf wear on DJ's rear. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

Hardcover. Condizione: Brand New. 184 pages. 10.00x8.00x0.87 inches. In Stock.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First Edition with complete number line. Hardcover with dust jacket. Book & DJ have extremely light shelf wear and appears unread. Interior clean.

Paperback. Condizione: Brand New. reprint edition. 200 pages. 10.00x7.00x0.50 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: New. This beautifully written study focuses on the life and public sculpture of Meta Warrick Fuller (1877-1968), one of the early twentieth century's few African American women artists. To understand Fuller's strategy for negotiating race, history, and visual representation, Renée Ater examines the artist's contributions to three early twentieth-century expositions: the Warwick Tableaux, a set of dioramas for the Jamestown Tercentennial Exposition (1907); Emancipation, a freestanding group for the National Emancipation Exposition (1913); and Ethiopia, the figure of a single female for the America's Making Exposition (1921). Ater argues that Fuller's efforts to represent black identity in art provide a window on the Progressive Era and its heated debates about race, national identity, and culture. …

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 118 pages with more than 50 images byJamaica born Morrison- most in color painted from 1962 to 2004. Contents extremely tight & clean. Cloth exceptionally bright, sharp & square. Unclipped dust jacket in Fine conditon, without wear. On the title page, the artist has inscribed in black ink: "To Irene with best wishes, Keith". A special, collector's edition of this book. Signed By the Artist.…

Hardcover. Condizione: Brand New. 209 pages. 11.25x10.00x1.25 inches. In Stock.

Hardback. Condizione: New. This is the first volume to document and contextualize Sonya Clark's large-scale, collaborative artworks. These projects demonstrate Clark's career-long commitment to addressing the urgent issue of racial inequality in American society and her philosophy of creatively engaging the viewer in reflection on the nation's history of slavery and our roles in dismantling systemic racism today. As an extension of her abiding commitment to issues of history, race, and reconciliation in her work, Clark is also distinctive as an artist for her use of textiles and other everyday materials, which she aligns with the intertwined histories of art and craft. For marginalized people (African Americans and women, in particular) handwork has been essential to survival and consequently has functioned, and continues to function, as an important means of creating a group identity. Hence, for Clark, craft is essential to the question of equality.…

hardcover. Condizione: Fair. Dust jacket has some edge wear and a couple small tears, otherwise good condition, text is unmarked.

Quarto. Hardcover. Green cloth in illustrated jacket. xvii, 253 pages : illustrations (some color), facsimiles, plan, portraits (some color) ; 28 cm. "In paintings, murals, and book illustrations, Aaron Douglas (1899-1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the "father of Black American art." Douglas's role, as well as that of the Harlem Renaissance in general, in the evolution of American modernism deserves close scholarly attention - attention it finally receives in this illustrated book on his life and work. Its authors argue that Douglas's work opened doors for African American artists in Harlem and beyond, and that it invited a dialogue with modernism that put African American life, labor, and freedom, along with African traditions and motifs, at its center. New information emerges from these pages, reflecting the rich interchange between the visual arts, music, dance, literature, and politics that shaped Douglas's work and also defined the Harlem Renaissance."--Jacket. VG. Light rubbing to jacket and a small closed tear near spine, otherwise clean and unmarked.…