Renee ater (44 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: New. New and sealed from publisher.

Soft Cover. Condizione: Fine. 209 pages, illustrated in color and b&w. "This publication celebrates Augustus Saint-Gaudens' magisterial Shaw Memorial, which honors Colonel Robert Gould Shaw and the 54th Massachusetts Volunteer Infantry, one of the first regiments of African-American soldiers formed during the Civil War." FINE SOFTCOVER Size: 4to - over 9¾" - 12" tall.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New.

Paperback. Condizione: New. This beautifully written study focuses on the life and public sculpture of Meta Warrick Fuller (1877-1968), one of the early twentieth century's few African American women artists. To understand Fuller's strategy for negotiating race, history, and visual representation, Renée Ater examines the artist's contributions to three early twentieth-century expositions: the Warwick Tableaux, a set of dioramas for the Jamestown Tercentennial Exposition (1907); Emancipation, a freestanding group for the National Emancipation Exposition (1913); and Ethiopia, the figure of a single female for the America's Making Exposition (1921). Ater argues that Fuller's efforts to represent black identity in art provide a window on the Progressive Era and its heated debates about race, national identity, and culture. …

Hardcover. Condizione: Very fine. First printing (full number line). Large green quarto; x, 118 p.: illus (some color); 29 cm. Morrison, Keith, 1942- -- Criticism and interpretation -- African American -- Art. Very fine; as new with *extremely* faint bumping to top outer board corners. A lovely copy. With publisher's card laid in; as issued.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

Paperback. Condizione: New. This beautifully written study focuses on the life and public sculpture of Meta Warrick Fuller (1877-1968), one of the early twentieth century's few African American women artists. To understand Fuller's strategy for negotiating race, history, and visual representation, Renée Ater examines the artist's contributions to three early twentieth-century expositions: the Warwick Tableaux, a set of dioramas for the Jamestown Tercentennial Exposition (1907); Emancipation, a freestanding group for the National Emancipation Exposition (1913); and Ethiopia, the figure of a single female for the America's Making Exposition (1921). Ater argues that Fuller's efforts to represent black identity in art provide a window on the Progressive Era and its heated debates about race, national identity, and culture. …

Hardcover with dustjacket, 118 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardback. Condizione: New. This is the first volume to document and contextualize Sonya Clark's large-scale, collaborative artworks. These projects demonstrate Clark's career-long commitment to addressing the urgent issue of racial inequality in American society and her philosophy of creatively engaging the viewer in reflection on the nation's history of slavery and our roles in dismantling systemic racism today. As an extension of her abiding commitment to issues of history, race, and reconciliation in her work, Clark is also distinctive as an artist for her use of textiles and other everyday materials, which she aligns with the intertwined histories of art and craft. For marginalized people (African Americans and women, in particular) handwork has been essential to survival and consequently has functioned, and continues to function, as an important means of creating a group identity. Hence, for Clark, craft is essential to the question of equality.…

Condizione: New.

Condizione: New. 2022. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. reprint edition. 200 pages. 10.00x7.00x0.50 inches. In Stock.

Hardcover w/DJ. Condizione: Very Good/Very Good. First Edition. Washington, DC: National Gallery of Art. Very Good/Very Good. 2013. First Edition. Hardcover w/DJ. 4to., 209 pp., dust jacket light shelf wear to edges and corners, otherwise very good; cover very good; pages clean and unmarked. . Black & White/Color Illus. & Photos (illustratore).…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In English.

Hardcover. Condizione: New. Condizione sovraccoperta: new.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: Brand New. 176 pages. 12.25x9.25x0.50 inches. In Stock.

Condizione: New.